VALUTAZIONE IMDb
5,9/10
7762
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo fraternity pledges travel to a sleazy bar in search of a stripper for their college friends, unaware it is occupied by vampires.Two fraternity pledges travel to a sleazy bar in search of a stripper for their college friends, unaware it is occupied by vampires.Two fraternity pledges travel to a sleazy bar in search of a stripper for their college friends, unaware it is occupied by vampires.
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- Sceneggiatura
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- 3 candidature totali
Recensioni in evidenza
After an unsettling start, this roars off in exciting manner through night streets, bathed as if by Mario Bava in streaks of green, pink and mauve. This could even be Planet of the Vampires, did we but know it. Inside a strip club we have a whole delirious section, fantastically designed and choreographed, the centre piece of which is the turn of Grace Jones. It is as good as anything she has ever done as she prances and dances and more to one of her own songs. Things get more vampiric and the delirium continues. Some time after halfway through, however, we suddenly notice the absence of the wondrous lady and realise just how flat and juvenile things have become. Things pick up towards the end and all in all, even including the music (very decent, especially for an 80s film) this is well worth a watch and much underrated.
In Kansas, the friends Keith (Chris Makepeace) and AJ (Robert Rusler) are trying to join the best fraternity in the university. Their pledge is conditioned to the presence of a stripper to entertain the veteran's members of the fraternity. They need transportation to go to the city to hire a stripper, so they invite the boring Duncan (Gedde Watanabe) to go with them in his car. They arrive in a bar called "After Dark Club" and soon they realize that the place is a nest of vampires, leaded by the evil Katrina (Grace Jones).
"Vamp" is a delightful, funny and very underrated vampire cult-movie. I do not know how many times I have watched this movie, but I loved it and it is one of my favorite vampire movies ever. It is funny to see in 2005, a common pre-AIDS gesture of affection between boy-friends and girl-friends: when Keith cuts his finger, Allison (Dedee Pfeiffer) sucks his blood. I found the IMDb User Rating extremely unfair and I really do not agree with such low rating. My vote is eight.
Title (Brazil): "Vamp: A Noite dos Vampiros" ("Vamp: The Night of the Vampires")
Note: On 11 November 2013, I saw this movie again.
"Vamp" is a delightful, funny and very underrated vampire cult-movie. I do not know how many times I have watched this movie, but I loved it and it is one of my favorite vampire movies ever. It is funny to see in 2005, a common pre-AIDS gesture of affection between boy-friends and girl-friends: when Keith cuts his finger, Allison (Dedee Pfeiffer) sucks his blood. I found the IMDb User Rating extremely unfair and I really do not agree with such low rating. My vote is eight.
Title (Brazil): "Vamp: A Noite dos Vampiros" ("Vamp: The Night of the Vampires")
Note: On 11 November 2013, I saw this movie again.
Want to know where Quentin Tarantino got his idea for the script for Robert Rodriguez's From Dusk Till Dawn? Well, replace that film's bank robbers with a group of hormonal teens, swop gorgeous Salma Hayek for scary disco-diva Grace Jones, and turn Mexican biker-bar The Titty Twister into a skid-row strip club, and what you've got is Vamp, an under-rated teen horror from the 80s that was undoubtedly the inspiration for Rodriguez's horror hit.
Vamp follows three frat boys, Keith, AJ, and Duncan (Chris Makepeace, Robert Rusler and Gedde Watanabe), as they venture to the wrong side of town in the hope of hiring a stripper for a college party. After a run in with a nasty street gang, led by albino thug Snow (Billy Drago), the lads pay a visit to The After Dark Club, a sleazy joint that, unbeknownst to them, is home to a nest of vampires that feed on the lonely patrons.
When AJ is fed to Katrina (Jones), the queen of the bloodsuckers, Keith and Duncan attempt to flee the city, along with cute waitress Amaretto (Dedee Pfeiffer), but find their escape hampered not only by countless members of the undead, but also by Snow and his fellow gang members.
Featuring a witty script, excellent art direction, great make-up effects from Greg Cannom, and lively, fun performances from all involved, Vamp proves to be one of the better 'cheesy' horrors of the 80s, and is my third favourite teen vampire film of the decade (after The Lost Boys and Fright Night). The film makes stunning use of garish, coloured lighting (perhaps inspired by Dario Argento's Suspiria, which uses similar strong colours), giving the whole affair a freakish and rather unsettling look; this disturbing atmosphere is further compounded by a feeling of complete helplessness that is reminiscent of Scorsese's similarly surreal After Hours.
Admittedly, Vamp does occasionally veer a little too close to dumb teen comedy territory, and one or two scenes are rather convoluted or silly (what kind of vampire keeps metal drums full of flammable liquid in their crypt? And that Formica quip.... weak!), but on the whole, this is a refreshingly offbeat and stylish effort that deserves more recognition.
7.5 out of 10, rounded up to 8 for IMDb.
Vamp follows three frat boys, Keith, AJ, and Duncan (Chris Makepeace, Robert Rusler and Gedde Watanabe), as they venture to the wrong side of town in the hope of hiring a stripper for a college party. After a run in with a nasty street gang, led by albino thug Snow (Billy Drago), the lads pay a visit to The After Dark Club, a sleazy joint that, unbeknownst to them, is home to a nest of vampires that feed on the lonely patrons.
When AJ is fed to Katrina (Jones), the queen of the bloodsuckers, Keith and Duncan attempt to flee the city, along with cute waitress Amaretto (Dedee Pfeiffer), but find their escape hampered not only by countless members of the undead, but also by Snow and his fellow gang members.
Featuring a witty script, excellent art direction, great make-up effects from Greg Cannom, and lively, fun performances from all involved, Vamp proves to be one of the better 'cheesy' horrors of the 80s, and is my third favourite teen vampire film of the decade (after The Lost Boys and Fright Night). The film makes stunning use of garish, coloured lighting (perhaps inspired by Dario Argento's Suspiria, which uses similar strong colours), giving the whole affair a freakish and rather unsettling look; this disturbing atmosphere is further compounded by a feeling of complete helplessness that is reminiscent of Scorsese's similarly surreal After Hours.
Admittedly, Vamp does occasionally veer a little too close to dumb teen comedy territory, and one or two scenes are rather convoluted or silly (what kind of vampire keeps metal drums full of flammable liquid in their crypt? And that Formica quip.... weak!), but on the whole, this is a refreshingly offbeat and stylish effort that deserves more recognition.
7.5 out of 10, rounded up to 8 for IMDb.
Vamp is a great movie! The comedy mixes with the horror to form an entertaining time! Grace Jones gives a great performance of Katrina! Very recommended. The rest of the cast is funny, and it's really worth it
To get into a highly regarded fraternity, Keith and AJ agree to come up with the goods. That is finding a stripper to perform at a party. They need wheels and they turn to the dweeb Duncan for a favour. The three head off, and they come across a rather sordidly dark neighbourhood, which the After Dark club catches their attention. After this the night turns into a very surreal nightmare, as the place happens to be run by vampires. The trouble begins when AJ gets a personal encounter with the fetching dancer Katrina to hopefully perform at their party.
What starts off like your ordinary teen comedy, turns into a spontaneously imaginative and tantalizing vampire feature. The horror/comedy element more often comes off, despite some awkward moments and bad timing. The wry humour is blackly broad and weird, while the ominous thrills are jarringly explicit. Director / writer Richard Wenk gives the oddball concept unpredictable twists with a wide range of sub-plots that work in a lot of tact on climaxes, and the highly witty and clever script is a saucy treat with its banter. The script had a rapid touch about it, but the pacing of the story and direction can get scratchy. Wenk stylishly floods the seedy locations with neon pink and green lighting for ample effect, and Elliot Davis' singular angle photography gaudily displays a sinisterly lingering and nocturnal atmosphere. The make-up FX by Greg Cannom is pretty top-rate with many wicked and grisly images. The direction can feel loose, but it's visually enticing and at times suspenseful. It does look cheap, but this only enhances the mischievously neurotic air and helping out that tenor is Jonathan Elias' spiralling, steamy music score. The cast are on a real high. Chris Makepeace and Robert Rusler are ably good as the two central characters. Gedde Watanabe admirably pulls the strings in his obnoxiously weedy comic part. Grace Jones gets top billing, despite saying nothing and having little screen time. However she's naturally imposing and her dominance comes from her luridly effective physical actions and appearance. Especially those eyes! A bubbly and sincere Dedee Pfeiffer steals the film for me, and you got a memorably eerie Billy Drago as an albino thug of a street gang. Sandy Baron was also good fun. The comparisons with "After Hours (1985)" are justified, as both follow a path of triggered events during one bad night in an unrecognisable part of town for the unlucky foe/s. Also I wouldn't be surprised if "From Dusk Till Dawn (1996)" was influenced by 'Vamp'.
A neat, showy and off-kilter little horror/comedy romp of the 80's.
What starts off like your ordinary teen comedy, turns into a spontaneously imaginative and tantalizing vampire feature. The horror/comedy element more often comes off, despite some awkward moments and bad timing. The wry humour is blackly broad and weird, while the ominous thrills are jarringly explicit. Director / writer Richard Wenk gives the oddball concept unpredictable twists with a wide range of sub-plots that work in a lot of tact on climaxes, and the highly witty and clever script is a saucy treat with its banter. The script had a rapid touch about it, but the pacing of the story and direction can get scratchy. Wenk stylishly floods the seedy locations with neon pink and green lighting for ample effect, and Elliot Davis' singular angle photography gaudily displays a sinisterly lingering and nocturnal atmosphere. The make-up FX by Greg Cannom is pretty top-rate with many wicked and grisly images. The direction can feel loose, but it's visually enticing and at times suspenseful. It does look cheap, but this only enhances the mischievously neurotic air and helping out that tenor is Jonathan Elias' spiralling, steamy music score. The cast are on a real high. Chris Makepeace and Robert Rusler are ably good as the two central characters. Gedde Watanabe admirably pulls the strings in his obnoxiously weedy comic part. Grace Jones gets top billing, despite saying nothing and having little screen time. However she's naturally imposing and her dominance comes from her luridly effective physical actions and appearance. Especially those eyes! A bubbly and sincere Dedee Pfeiffer steals the film for me, and you got a memorably eerie Billy Drago as an albino thug of a street gang. Sandy Baron was also good fun. The comparisons with "After Hours (1985)" are justified, as both follow a path of triggered events during one bad night in an unrecognisable part of town for the unlucky foe/s. Also I wouldn't be surprised if "From Dusk Till Dawn (1996)" was influenced by 'Vamp'.
A neat, showy and off-kilter little horror/comedy romp of the 80's.
Lo sapevi?
- QuizGrace Jones does not speak a single word in the film. According to Jones, this was her own idea, opting instead to play the role with silent film techniques inspired by Max Schreck in Nosferatu.
- BlooperWhen Grace Jones is killed by sunlight. Her skeleton arm raises up and gives the finger to her destroyer. Just as the finger goes up, you can see a crew member's hands holding the other end of the skeleton's arm in the shot. This is only noticeable on the UK Blu-Ray, as the Anchor Bay DVD is slightly cropped.
- Curiosità sui creditiThere is a statement in the closing credits: "Any similarities to persons living, dead, or undead is purely coincidental!"
- ConnessioniFeatured in At the Movies: Vamp/Pirates/Aliens/A Great Wall (1986)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- La fiesta de los vampiros
- Luoghi delle riprese
- Downtown, Los Angeles, California, Stati Uniti(Boys drive red car through downtown Los Angeles.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.300.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.941.117 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.187.458 USD
- 20 lug 1986
- Lordo in tutto il mondo
- 4.941.117 USD
- Tempo di esecuzione
- 1h 33min(93 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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