Un uomo, una donna oggi

Having exquisite memories of the first film, "A Man and a Woman", I looked forward to seeing the sequel, "A Man and a Woman: 20 Years Later."

Yes, there were the famous faces and superb actors (Aimee and Trintigant), looking very little the worse for wear; in other words, wonderful. So expressive, both of them, in facial expression, mood expressions and fantastic acting. However, they are in a losing vehicle, with this film. It is so unmoving, that it relies on several subplots to impart to it some action. Hardly fair to two such stellar actors! They deserve better. And the viewer, alas, deserves better. I am, however, grateful for small things - and if seeing those two magnetic characters again thrilled and elated me...what's a plot? Yes, I would recommend it to any viewer who feels as I do about great actors. Just don't look for anything more; simply bask in their respective glows. Hence, my title: A Bittersweet Viewing Experience.

The movie begins badly, with some racing scenes that go on for so long you may start thinking you're watching a James Bond flick. Then it wastes some more time by following the characters in their everyday activities, which are of little interest. But when the couple from "A Man And A Woman' is finally reunited, Lelouch shows that he still hasn't lost his touch when it comes to quiet dialogue scenes, in which expressions speak as loudly as words. And the idea of filming a movie ABOUT the story we saw in the first movie makes for an intriguing re-examination of the original from an unusual perspective - the perspective of the fictional character who starred in it. But Lelouch still can't stay concentrated on the things that really matter, and even when he later introduces a new, completely unexpected story thread (the "adventure" in the desert), he keeps intercutting it with another film-within-a-film, which is boring and pointless. The final impression is that of a film with many good things in it, but also a whole lot of flaws. (**1/2)

Often it goes like this - big love come into existence and it is unshared. Often it goes also like this - the feelings between (at least) two lovers are not the same and start at a different point.

People say that is harder for the man to live through separation rather than a woman. He felt it in the beginning weakly but with time the lack becomes a pain and the pain - in crisis. It was absolutely opposite for the woman. In the beginning she felt awfully but with time compared to man she got on her feet in searching another rogue.

For good or for bad this movie makes this stereotype in pieces by showing the more realistic variant of a such possible experience. Was it because of the refinement of a cinema woman and (surprisingly) of a race driver or it was because of the soberness of the producer - this is what I do not know - but the movie was very real, charming, romantic till its end. Was it because of the samba of Vinicius or because the love of a blond - this is what I do not know.

Both protagonists, step back in front of the ambition to take main role in life, find equal language which lead them to the natural end of such adventure. But right then, the feelings which run through us, guiding us as we are their marionettes take part; the feelings of which we are slaves. With them the expected end becomes hard to be predicted.

What about twenty years later? Who knows? Who knows where will lead us our life path. Will it make clear our desires or will present to us new ones. In every case such a try to predict this end grows pale in front of the present intensity of sensual forgetfulness and dottiness but stays very good model of thinking plots, real or not.

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In 1966 a beautiful and very artistic film with a very simple story caught the attention of many movie lovers, the romantic and deep "Un Homme et Une Femme", directed by Claude Lelouch and starred by Anouk Aimee and Jean-Louis Trintignant playing the title roles. The movie won the Palm D'Or at Cannes and 2 Academy Awards and was well acclaimed by the public and the critics. 20 years later the same team returned and that return was named properly as "Une Homme et Une Femme, 20 ans Deja" ("A Man and a Woman, 20 Years Later"). The result is quite different of the original film but it has it's good moments and it's full of charm.

Jean-Louis (Trintignant) and Anne Gauthier (Aimee) were a happy couple in the 1960's but for some odd reason they split and follow different paths. Both got married with different persons. The former race car pilot married with a younger woman and now he drives in rallies; the actress is now a film producer married with a TV newscaster. Anne and Jean-Louis have the chance to meet each other again when Anne is producing a movie about their relationship and she wants his consent to make the film and remember the good old days, when they met, they got involved with each other and the song of their lives. But their partners aren't satisfied with that meeting and their jealousy might disturb the calm and lovely encounter.

OK, many have said that this film was unnecessary sequel, that it's weaker than the original film, that this a waste of time and that sometimes was hard to follow because it has an minor plot that looks dislocated of the movie and only near of the end you understand why the minor plot appeared. My opinion over "Un Homme et Une Femme, 20 ans Deja" is that Lelouch missed a good chance to make a great movie, way better than it is. It looks like a poor sequel of a great film mixed with Truffaut's "Le Nuit Americaine" ("Day by Night"). In Truffaut's movie we see all that happens during the making of a film, the actors relationship and the problems that happens while a movie is made. Same thing here. We don't have the chance to see the emotional changes between Anne and Jean-Louis, we've only seen talking about the film she's making and a little bit of their memories. It could have been like "Before the Sunset" was to "Before Sunrise", the reunion of what a passionate couple and their views on life, romance, marriage, fears, secrets, and other similar things discussed by couples when they split and met again years later. It lacked intelligence here, it lacked humor also. But at least you can see the physical difference between Anne and Jean-Louis. Lelouch alternate a few moments with scenes from "Un Homme et Une Femme" and this film. She's still beautiful, very charming; he looks like a villain taken of some B-movie, with beard, nothing similar to what he used to be, seductive and handsome.

Francis Lai's theme music appears here in a Jazz style, way different of the original film but it's still good, a very romantic theme. I liked this sequel because of its nostalgic moments, the city of Paris is beautifully shot, the behind the scenes of Anne's film is very interesting and to see two great talented Jean-Louis Trintignant and Anouk Aimee, they're great together even if the movie is weak. If it wasn't for the scene where Jean-Louis's wife goes crazy in the desert I might give an 10. 9/10

Sometimes Claude Lelouch makes good films or masterpieces, sometimes not at all.

This sequel of "Un homme et une femme" is useless. It's not a bad movie in itself, because it's well acted, well made and very refined -high quality is a trademark in Lelouch movies. That's why I give 4 stars out of 10...

But it's a useless project. Was it necessary to go back to the story and spoil the original picture? The 1966 film is very simple -it's a masterpiece because of that. There are only Jean-Louis Trintignant and Anouk Aimée, the chemistry is incredible. The film is really poetic, we don't want to know how their love story goes on.

In the 1986 sequel we find them 20 years later -Lelouch tells us what they have become and how they meet again. There are other characters and facts which intersect with them.

As I said not a really bad movie, but it doesn't stand comparison at all with the original. It would have been better not to produce it.