Silk

My review was written in December 1986 after watching the movie on MGM/UA video cassette.

"Silk" is a 1985 Filipino action pic set in Honolulu, which recently bypassed theatrical release to debut as a video cassette as part of Concorde Pictures' deal with MGM/UA Home Video.

Tough bab Cec Verrell, previously seen as a cop in "Hollywood Vice Squad", title roles as a one-woman SWAT team for the Honolulu police. Episodic screenplay, resembling a tv episode of a cops show, has the police investigating a series of murders, ultimately resolved as drug-related. A corrupt cop teammate of Silk's is involved and the key element is a racke whereby the identities (papers, etc.) of dead people are sold to gangsters for reuse.

Action helmer Cirio H. Santiago does an okay job of staging stunts and shootouts, featuring a combination of American and familiar Filipino thesps. English-language dialog, much of it recorded in direct sound format, is effectively done.

Verrell sports an unusual hairdo: greased-back short haircut which is not punk nor butch. Fortunately, for social occasions her character goes glamorous with curls and dresses instead of the otherwise unbecoming macho look.

This is a low-budget effort about a maverick female cop who single-handedly fights crime and corruption, playing by her own rules (a la Dirty Harry). Set in Honolulu, the film opens with Silk thwarting a robbery with her trusty handgun, as she blasts numerous machine-gun toting bad guys.

Everything about the film is poor, but its difficult to totally dislike a film which is so blatant about its limitations and lack of originality. Cec Verrell as Silk is a statuesque, macho looking female lead, always wearing low-cut vests, with a body to die for - similar to Brigette Nielsen in Rocky IV. Film plays like a sub-standard tacky mid-70's American cop TV series, but it is mildly entertaining for the masochistic viewer.

Great video cover with Silk standing in full Rambo pose, with slicked back hair, denim jacket with turned up collar, firing a HUGE phallic machine gun.

Going by "Silk", Cec Verrell is an underrated 1980s action actress who should have gotten a bigger break. Her dialogue delivery is a little stiff, but in this genre actions speak louder than words, and Verrell shows her credentials right from the opening sequence, doing some pretty daring stunts. She has physical presence; her body looks strong, and that adds authenticity to her part as a cop. And she's not a female Dirty Harry: she always gives her targets the chance to drop their weapons and surrender, before opening fire (of course, if they try to play rough, she can play rough too). Beyond her, there is little else in "Silk" worth recommending. The plot is neither coherent nor interesting, and the supporting cast is largely indistinguishable. Quite frankly, when Verrell isn't on the screen, the film quickly becomes boring. ** out of 4.

It's like a cross between a TV movie and a homemade movie done here. But the plot is well made. You have a cop who fights crime with dignity and grace. A cop who has secrets. Jenny(Cec Verrell) who is like a female Dirty Harry, that is more no nonsense than him. She's not a shrinking violet. When the killer is a Vietnam veteran, it's strike a nerve to one that is in law enforcement.

Plenty of action in this movie. It's a lot of fun. No vigilante would dare to tangle with this cop. It's the 80's with a movie look like the 70's. Plenty of retro here. Recommend for the nostalgic.

2.5 out of 5 stars.

She runs her own cop army.

A whiskey stream of consciousness review.

Seems like another Hawaiian movie in the Philippines. Silk has her own theme song complete with cheesy 80s TV commercial or Saturday morning cartoon lyrics. At times the score has a little Scooby doo qualities. Pretty good action at times and I'm impressed by Silk's (Played by Jenny Sleighton) athleticism. That and she can handle a shot gun! The story and plot are ho hum, and there isn't enough chemistry between characters to keep interest between the action. The final climactic sequence actually has some fairly realistic shoot outs, but the ending is abrupt. The film would be better if it was more a character study focusing on Silk, and less about its cockamamie story. About the only thing we find out about her is how she came to be named "Silk" (which might be the best line in the film). Not drinking Kessler's with this one. Instead, enjoyed with a dram of baby saz. Cheers!