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IMDbPro

Seize the Day

  • 1986
  • Unrated
  • 1h 33min
VALUTAZIONE IMDb
5,8/10
1644
LA TUA VALUTAZIONE
Robin Williams in Seize the Day (1986)
DrammaDramma psicologico

Aggiungi una trama nella tua linguaTommy Wilhelm is a good honest man who's fallen on hard times after losing his job, but what really gets to Tommy is seeing both his friends and family turning their backs on him one after t... Leggi tuttoTommy Wilhelm is a good honest man who's fallen on hard times after losing his job, but what really gets to Tommy is seeing both his friends and family turning their backs on him one after the other. He tries to seize the day - in vain.Tommy Wilhelm is a good honest man who's fallen on hard times after losing his job, but what really gets to Tommy is seeing both his friends and family turning their backs on him one after the other. He tries to seize the day - in vain.

  • Regia
    • Fielder Cook
  • Sceneggiatura
    • Saul Bellow
    • Ronald Ribman
  • Star
    • Robin Williams
    • Richard B. Shull
    • David Bickford
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,8/10
    1644
    LA TUA VALUTAZIONE
    • Regia
      • Fielder Cook
    • Sceneggiatura
      • Saul Bellow
      • Ronald Ribman
    • Star
      • Robin Williams
      • Richard B. Shull
      • David Bickford
    • 29Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Foto18

    Visualizza poster
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    Visualizza poster
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    + 11
    Visualizza poster

    Interpreti principali47

    Modifica
    Robin Williams
    Robin Williams
    • Tommy Wilhelm
    Richard B. Shull
    Richard B. Shull
    • Rojax
    David Bickford
    David Bickford
    • Son-in-Law
    Glenne Headly
    Glenne Headly
    • Olive
    Stephen Strimpell
    Stephen Strimpell
    • Stockbroker
    Joseph Wiseman
    Joseph Wiseman
    • Dr. Adler
    Jayne Heller
    • Mrs. Adler
    Katherine Borowitz
    Katherine Borowitz
    • Margaret
    John Fiedler
    John Fiedler
    • Carl
    William Duell
    • Joey
    Jerry Stiller
    Jerry Stiller
    • Dr. Tamkin
    James Cahill
    • Phil
    Louis Guss
    • Rubin
    Gillien Goll
    Gillien Goll
    • Receptionist
    Mara Lori
    • Little Girl
    Fran Brill
    Fran Brill
    • Mother
    Steve Vinovich
    Steve Vinovich
    • Zeigler
    Tony Roberts
    Tony Roberts
    • Bernie Pell
    • Regia
      • Fielder Cook
    • Sceneggiatura
      • Saul Bellow
      • Ronald Ribman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti29

    5,81.6K
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    10

    Recensioni in evidenza

    7madbard

    Agree - small gem of a film

    Saw this on American Playhouse years ago. A very powerful performance by Robin Williams. A slice in the life of a man on the brink of desperation, a life long midnight of the soul. There is no resolution because there is not supposed to be a resolution. I don't necessarily recommend seeking it out, but if given a chance to see it please do so.
    7Rodrigo_Amaro

    Good, very relevant but flawed

    Before leading his students to noble pursuits and seize the day in "Dead Poets Society" Robin Williams appeared in a small film named "Seize the Day" whose inspiration is totally different from the other film; the inspiration here is deeper, sometimes invisible to the eyes of a regular viewer but a regular viewer won't be watching any of those films even if they're Williams fans.

    Based on the great novel written by Saul Bellow, Seize the Day" follows Tommy Wilhelm (Williams) a failed actor, defeated salesman, out of luck, out of job, who left his wife and children and now needs to pay for their alimony; he tries to find a way for his life with a new girlfriend (Glenne Headly) who wants something concrete with this guy, more than just promises that everything will be fine. On his way of trying to get some help he'll try two options: working closely with a successful doctor (Jerry Stiller) who teaches all about stock market and how to make money in risky business or ask to his estranged and repressive father (Joseph Wiseman) for money, love and understanding which is something very hard to get with this man, since he almost rejects his son simply because he didn't followed his advice of going to medicine school and end up getting underemployed and underpaid. But with all this drama, sadness and failures Tommy still has the compassion of crying for a stranger during a funeral, or as some might say, seize the day.

    The movie progresses with a story about the importance of money versus human feelings in an animalistic society that believes in the power of an object (money) instead of deeper and positive feelings like love and respect; people simply don't care about what they cannot see. They don't help each other unless money is involved. But, hey, at the end of the day we can all sit down, breathe and think about our lives and think: there's worst problems in the world so here's a chance to smile and enjoy the things to come, carpe diem! The film and the book work with that idea but they diverge in a few things.

    Bellow is not much of an easy writer to read but the book is his most accessible; the film knows how to translate his story and environment despite its looks of an B movie with an extremely low budget, but what the film doesn't seem to capture its the essence of the characters, often neglected in some low acting from the cast reduced to shouting scenes, or moments when we couldn't understand what they were saying and they were too different from the way they were written in the book, something that would be appealing in the film version because they were dramatic enough and very believable while in the film sometimes they were comical and a little bit hysterical.

    It is a very good film, has its good moments, presented a relevant story even today and there's some good acting from few members of the cast (Jerry Stiller surprised me big time, this is his best role ever). I guess this was a way of Robin Williams showing his dramatic skills for the first time, a film which almost no one saw except the producers from "Good Morning Vietnam" who really saw a natural talent coming from his performance in "Seize the Day" and decided to take a shot, and the rest is history. His performance went from moving and interesting to mildly bad. You can see and feel his desperation but there were times when it seemed he was going to make us laugh when we didn't needed, but I guess this was a script problem that treated some of the dramatic moments as a comedy; rare moments, nothing to ruin the film. But his last scene, in a different perspective from what Bellow made in the book, was incredible, with one of the most ambiguous crying scenes I've ever seen. That's the moment he realizes everything and we keep thinking: what's the most important value in our lives? Money? Love? Or we don't have values because we're animals that need to do everything possible to survive in a cruel world? Why is it so difficult to be understood? Don't wait for answers about all that, just seize the day and watch this film. 7/10.
    8Sylviastel

    The truth is one parent can support ten children but ten children can't support one parent.

    I remember this movie because I took a junior college course entitled literature and film. One of the books was Saul Bellow's novel, Seize the Day. I don't remember much about the story but I remember the film. It's set in New York City about a poor man played to perfection by the one and only Robin Williams. It's not a laughing matter with him in the starring role as the Jewish salesman. The final scene leaves more questions than answers. I remember the film was faithful to the author's version. After all, Saul Bellow is a Nobel Prize winner for literature. Robin's performance is no laughing matter because his character can never catch a break in New York City. You just realize that he is one of thousands who are more or less suffering from society's neglect. In the end, society can be hell after all.
    dreed444

    happy dispair

    I have to say that Robin Williams has come a long way regarding his acting. This is an early work and one that probably had folks confused since he was best known as the manic comic. But this Saul Bellow story of dispair and humor would have been considerably more depressing (good or bad) with, perhaps, Dustin Hoffman in the lead. Being 1986 and for TV, this was quite a groundbreaker. Don't get me wrong, I liked it -- I just couldn't help but wonder what a re-make would be today with our current abilities (and obsessions) at making rage and dispair truly palpable. There was a bit too much self-awareness on the part of the director/writer at making sure there was comic relief where none was needed......
    9jmcgraw7

    little known gem

    This is an obscure little film that is probably Williams' best dramatic role--at least on par with the troubled psychiatrist in "Good Will Hunting". He plays a man victimized by his life--everything that can go wrong does go wrong. Williams is painful to watch in this role, but proves that his dramatic talent knows no bounds. Absolutely compelling; a film I am not likely to forget. Why this sleeper is so underrated and obscure I will never know. If you can get your hands on it, do so!

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Final film of Jo Van Fleet and Joseph Wiseman.
    • Blooper
      As Tommy drives through the suburbs, cars from the 1980s can be seen parked in driveways.
    • Citazioni

      Man in Elevator: The truth is one parent can support ten children but ten children can't support one parent.

    • Curiosità sui crediti
      After the end credits have rolled, this can be seen: ...for Joe, who taught so many to seize each day.
    • Connessioni
      References Popeye - Braccio di ferro (1980)

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    Dettagli

    Modifica
    • Data di uscita
      • 9 settembre 1986 (Canada)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Das Geschäft des Lebens
    • Luoghi delle riprese
      • New York, New York, Stati Uniti
    • Azienda produttrice
      • Learning in Focus
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 33 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.33 : 1

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