VALUTAZIONE IMDb
6,9/10
22.240
LA TUA VALUTAZIONE
Un fannullone del liceo commette un atto scioccante e procede a far conoscere il segreto ai suoi amici. Tuttavia, la reazione degli amici è ambigua e sconcertante quasi quanto il crimine ste... Leggi tuttoUn fannullone del liceo commette un atto scioccante e procede a far conoscere il segreto ai suoi amici. Tuttavia, la reazione degli amici è ambigua e sconcertante quasi quanto il crimine stesso.Un fannullone del liceo commette un atto scioccante e procede a far conoscere il segreto ai suoi amici. Tuttavia, la reazione degli amici è ambigua e sconcertante quasi quanto il crimine stesso.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 5 candidature totali
Joshua John Miller
- Tim
- (as Joshua Miller)
Christopher Peters
- Tom
- (as Chris Peters)
Recensioni in evidenza
"River's Edge" is a very perplexing movie. The most striking feature of the movie seems to be the universally apathetic characters. In the opening sequence we learn that Samson, a very large, uncontrollable teenager has killed Jamie, a member of his group of stoner friends from school, and left her naked body by the river's edge.
While there are many movies about heartless killers, Samson is fully realized, such as he is, and I was struck by the utter lack of any rime or reason to his actions, any "Hollywood" touches to humanize him or explain what he did. He killed a girl and really doesn't care. There was no planning, before or after, no moralizing, at most he is amused by it.
Samson (also called John because of his last name) tells his friends, who display apathy that might be shocking. The only one who seems to care is Layne (Crispin Glover) who wants to cover it up so his friend doesn't get arrested and executed. But the rest don't really seem too shaken by it, they don't get mad at John, they even justify his actions, and they certainly don't go to the police right away.
River's Edge works because there is no clear message. I'm sure many people can find one in it, but it's definitely not a movie that hits you over the head with some moral. It presents some very strangely behaving people, who are often over the top but depicted with just enough realism that you have to take what is going on seriously. The fun in this movie is that you get to float around in this shockingly apathetic teenage wasteland for an hour and a half, and see what you can make of it.
The main problem I had with the movie was the direction and soundtrack, which coincide to create awkward transitions and moments where "River's Edge" feels like a crappy low-budget flick you'd find being mocked on MST3K. None of the dialogue or plot falls into that category, but it's the transitions between scenes, where they often just kind of end unimpressive and cut to the next one.
The soundtrack also kept drawing me away from the movie. It includes some edgy metal for 1986, which is perfectly fine for the movie, but it doesn't do much with it, and instead most of the music is an orchestral soundtrack. Parts of it are very atmospheric and perfect for the movie's feel, but at other times it is hitting cliché film score notes during tense scenes and really seeming quite cheesy. I contrasted this movie with "Picnic at Hanging Rock", a spiritual cousin of "River's Edge" I would say, where the score was so utterly perfect at always building the mood, and really think River's Edge could have been an incredible movie with a score that consistent.
River's Edge isn't perfect. I had honestly never even heard of it until I saw it mentioned as a superior film with the same basic themes as "Bully" by Larry Clark. I am very glad I rented it, and am a bit surprised I'd never heard of it. It deserves to be better known. It has some flaws and not everyone will like it, but there is a lot of depth here, and of course its cast includes several famous people in early or debut roles.
While there are many movies about heartless killers, Samson is fully realized, such as he is, and I was struck by the utter lack of any rime or reason to his actions, any "Hollywood" touches to humanize him or explain what he did. He killed a girl and really doesn't care. There was no planning, before or after, no moralizing, at most he is amused by it.
Samson (also called John because of his last name) tells his friends, who display apathy that might be shocking. The only one who seems to care is Layne (Crispin Glover) who wants to cover it up so his friend doesn't get arrested and executed. But the rest don't really seem too shaken by it, they don't get mad at John, they even justify his actions, and they certainly don't go to the police right away.
River's Edge works because there is no clear message. I'm sure many people can find one in it, but it's definitely not a movie that hits you over the head with some moral. It presents some very strangely behaving people, who are often over the top but depicted with just enough realism that you have to take what is going on seriously. The fun in this movie is that you get to float around in this shockingly apathetic teenage wasteland for an hour and a half, and see what you can make of it.
The main problem I had with the movie was the direction and soundtrack, which coincide to create awkward transitions and moments where "River's Edge" feels like a crappy low-budget flick you'd find being mocked on MST3K. None of the dialogue or plot falls into that category, but it's the transitions between scenes, where they often just kind of end unimpressive and cut to the next one.
The soundtrack also kept drawing me away from the movie. It includes some edgy metal for 1986, which is perfectly fine for the movie, but it doesn't do much with it, and instead most of the music is an orchestral soundtrack. Parts of it are very atmospheric and perfect for the movie's feel, but at other times it is hitting cliché film score notes during tense scenes and really seeming quite cheesy. I contrasted this movie with "Picnic at Hanging Rock", a spiritual cousin of "River's Edge" I would say, where the score was so utterly perfect at always building the mood, and really think River's Edge could have been an incredible movie with a score that consistent.
River's Edge isn't perfect. I had honestly never even heard of it until I saw it mentioned as a superior film with the same basic themes as "Bully" by Larry Clark. I am very glad I rented it, and am a bit surprised I'd never heard of it. It deserves to be better known. It has some flaws and not everyone will like it, but there is a lot of depth here, and of course its cast includes several famous people in early or debut roles.
River's edge is not a PLEASANT film to watch but it is an incredible one. Having viewed it many years ago I truly think it would still have the ability to shock were it to be re released or remade or something. Perhaps no movie ever made has captured the essense of young suburban inertia like this distrubing frightening movie. Given that this is based on a true story it is even more disturbing. Very well acted and just UNPLEASANT at many times to watch but also a little known masterpiece and a truely important film. Should be a mandatory to watch shown nationwide in all highschools. Fantastic.
Samson 'John' Tollet (Daniel Roebuck) is a strange guy. But nobody foresaw that he would kill his girlfriend Jamie. He left her naked body on the river's edge. When he tells everybody, nobody believed him. When people actually saw the body, everybody must deal with it in their own way.
The friends are all heavy metal listening slacker disaffected teens. Keanu Reeves plays the nice guy Matt. He's conflicted about Jamie's death. He knows something is morally wrong but he's unable to voice it at first. Keanu is able to inhabit this role perfectly. His uncomfortableness with Layne afterwards is amazing. Ione Skye plays Clarissa the sweet girl who just can't get up the courage to call the police. But it's Crispin Glover who steals the show playing Layne. He is the complete amoral weirdo. It's almost as if he enjoys the rush. It's more than a simple great movie. It's actually giving a slice of humanity and inhumanity without being preachy. It is unique.
The friends are all heavy metal listening slacker disaffected teens. Keanu Reeves plays the nice guy Matt. He's conflicted about Jamie's death. He knows something is morally wrong but he's unable to voice it at first. Keanu is able to inhabit this role perfectly. His uncomfortableness with Layne afterwards is amazing. Ione Skye plays Clarissa the sweet girl who just can't get up the courage to call the police. But it's Crispin Glover who steals the show playing Layne. He is the complete amoral weirdo. It's almost as if he enjoys the rush. It's more than a simple great movie. It's actually giving a slice of humanity and inhumanity without being preachy. It is unique.
Not to take away from anyone else, especially the writer Jimenez and the director Hunter, and the high school teacher and a lot of other people that make this movie really good, but I have to say I found Daniel Roebuck's performance completely riveting. He should have been nominated for it. He's big and brutal but also young and self-pitying and yet careless about his own fate. Those gestures, the tossing of beer cans and breaking into the ammo shop. Really well done.
That scene w/Hopper and the doll by the riverbank was one of the better moments of cinema I've seen in a long, long time. Why was this movie so under the radar compared to other 80's movies? That's what I want someone on this board to answer. The critics kind of mystify me, I guess. I agree with a lot of the postings here that this movie is underrated. Buy why?
That scene w/Hopper and the doll by the riverbank was one of the better moments of cinema I've seen in a long, long time. Why was this movie so under the radar compared to other 80's movies? That's what I want someone on this board to answer. The critics kind of mystify me, I guess. I agree with a lot of the postings here that this movie is underrated. Buy why?
Tim Hunter made a masterful film in River's Edge, one of the most serious and thoughtful dramatic studies of teenage life I have ever seen. So many elements of the film have a cult following (chief among them the performances of Crispin Glover as Layne and Dennis Hopper as Feck) that I will comment on my own personal favorite moment: the harrowing sex scene between Matt (Keanu Reeves) and Clarissa (Ione Skye). Entwined in sleeping bags with a six pack while police search for their good friend, the two try to find respite while the overwhelming events of the day coil into a vacuum of solitude and silence experienced by children who have sex without knowing each other or themselves. Some will argue that Hunter is heavy-handed with the close association of sex and death, but to see Matt writhe helplessly under Clarissa while elsewhere John (Daniel Roebuck) describes to Feck what it was like to strangle his girlfriend always sends chills up and down my spine.
Lo sapevi?
- QuizAlthough this film is a work of fiction, it was inspired by the murder of Marcy Conrad, who was killed by her friend Anthony Jacques Broussard in Milpitas, California, in 1981.
- BlooperLayne drives two different VW Beetles in the movie. One car seen later in film has the stock front hood and fenders, while another seen early on has a modified "dune buggy" front end, with the headlights moved to the center. The rear rims on Layne's VW changes style from scene to scene. In some scenes, they are of a five-spoke style (which match the front rims) while in others the rims change to another style.
- ConnessioniFeatured in Fates Warning: Kyrie Eleison (1986)
- Colonne sonoreKyrie Eleison
Written byJim Matheos & John Arch
Performed by Fates Warning
Courtesy of Metal Blade Records
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Dettagli
Botteghino
- Budget
- 1.900.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.600.000 USD
- Fine settimana di apertura Stati Uniti e Canada
- 67.794 USD
- 10 mag 1987
- Lordo in tutto il mondo
- 4.600.000 USD
- Tempo di esecuzione1 ora 39 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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