I ragazzi del fiume

Not to take away from anyone else, especially the writer Jimenez and the director Hunter, and the high school teacher and a lot of other people that make this movie really good, but I have to say I found Daniel Roebuck's performance completely riveting. He should have been nominated for it. He's big and brutal but also young and self-pitying and yet careless about his own fate. Those gestures, the tossing of beer cans and breaking into the ammo shop. Really well done.

That scene w/Hopper and the doll by the riverbank was one of the better moments of cinema I've seen in a long, long time. Why was this movie so under the radar compared to other 80's movies? That's what I want someone on this board to answer. The critics kind of mystify me, I guess. I agree with a lot of the postings here that this movie is underrated. Buy why?

"River's Edge" (1986) was based on a true story that took place in 1981: a high school student murders his girlfriend and tells his friends at school about it; the group goes to view the body in the woods but they're so apathetic and spiritually bereft that no one informs the authorities and the body just lies there for a couple of days. Daniel Roebuck plays the lumbering murderer and his clueless friends are played by Keanu Reeves, Crispin Glover and Ione Skye, amongst others; Dennis Hopper is on hand as an aged biker/hippie.

What struck me about the film was how much it reminded me of real life experiences, both as a youth growing up and also as an adult dealing with youths. Here are some of the things in the movie that I've also experienced:

• Kids as young as 11-13 obsessed with "partying." - The idolization of drugs (pot, pills, etc.) and the party lifestyle above all else. - Kids, that young and older, out all night doing whatever (partying, having sex, crime). - Parents who aren't much more than phantoms in their kid's lives and therefore allow such. - Older, crazy dudes that the youths sometimes hang with, get drugs from or look up to. - The group dynamics of such youths and the unwritten law of not being a "narc." - Killing a friend and leaving the body where it lies for a couple of days.

This was (and is) the downside of the 60's revolution -- a somewhat sad emptiness in people who have lost their innate moral compass with the passing of religious faith as they desperately search for meaning or cause in the new secular frontier (Layne's "cause" in the film is rigid loyalty to John, since he had "his reasons" for murdering the girl, and covering up his crime). Most of the characters are neither likable nor unlikable; they're just human beings trying to live and find meaning or fulfillment with the hand they've been dealt.

The film runs 99 minutes and was shot in California (Sacramento, La Crescenta and Los Angeles).

BOTTOM LINE: Glover steals the show with an over-the-top (yet believable) performance in a film that details the dark side of coming-of-age in modern America. It plays like a mid-80's version of Coppola's "The Outsiders" (1983), which was about early 60's youths; note, for instance, the seemingly incongruent melodramatic score (there's also a great metal soundtrack, but the songs are merely soundbites). People who have grown up in loving homes with positive role models & friends probably won't like "River's Edge." They'll likely think it's trash. However, those who grew up in the dysfunctional insanity depicted in the film understand it fully. And many of us are doing everything in our power to prevent our kids and other youths from experiencing it.

GRADE: B+

Although the movie begins with a crime on the river's edge ,the film is not really a detective story,not a thriller.It is rather a chronicle of the lives and times of a bunch of high school students ,not particularly brilliant.The milieu in which they're nurtured is not particularly appealing:the scene when the mother screams that she would never have had children if she had had the choice is desperate to a fault.There's an interesting parallel between DEnnis Hopper's doll ,the young sister's one and ...the criminal's one.No actor overacts so the movie can be depicted as realistic.The history teachers provides the low point of the movie,his lesson being made of clichés we have heard a thousand times or more.THe wanderings through the night recall sometimes Lucas's "American Graffiti" but it seems that the young heroes come here from the wrong side of town.

Samson 'John' Tollet (Daniel Roebuck) is a strange guy. But nobody foresaw that he would kill his girlfriend Jamie. He left her naked body on the river's edge. When he tells everybody, nobody believed him. When people actually saw the body, everybody must deal with it in their own way.

The friends are all heavy metal listening slacker disaffected teens. Keanu Reeves plays the nice guy Matt. He's conflicted about Jamie's death. He knows something is morally wrong but he's unable to voice it at first. Keanu is able to inhabit this role perfectly. His uncomfortableness with Layne afterwards is amazing. Ione Skye plays Clarissa the sweet girl who just can't get up the courage to call the police. But it's Crispin Glover who steals the show playing Layne. He is the complete amoral weirdo. It's almost as if he enjoys the rush. It's more than a simple great movie. It's actually giving a slice of humanity and inhumanity without being preachy. It is unique.

Tim Hunter made a masterful film in River's Edge, one of the most serious and thoughtful dramatic studies of teenage life I have ever seen. So many elements of the film have a cult following (chief among them the performances of Crispin Glover as Layne and Dennis Hopper as Feck) that I will comment on my own personal favorite moment: the harrowing sex scene between Matt (Keanu Reeves) and Clarissa (Ione Skye). Entwined in sleeping bags with a six pack while police search for their good friend, the two try to find respite while the overwhelming events of the day coil into a vacuum of solitude and silence experienced by children who have sex without knowing each other or themselves. Some will argue that Hunter is heavy-handed with the close association of sex and death, but to see Matt writhe helplessly under Clarissa while elsewhere John (Daniel Roebuck) describes to Feck what it was like to strangle his girlfriend always sends chills up and down my spine.