VALUTAZIONE IMDb
5,5/10
2069
LA TUA VALUTAZIONE
Dopo una guerra nucleare, Phillip e Marlowe hanno trascorso quindici anni in un bunker. Quando lasciano il loro rifugio trovano un mondo pieno di mutanti, mostri e cannibali.Dopo una guerra nucleare, Phillip e Marlowe hanno trascorso quindici anni in un bunker. Quando lasciano il loro rifugio trovano un mondo pieno di mutanti, mostri e cannibali.Dopo una guerra nucleare, Phillip e Marlowe hanno trascorso quindici anni in un bunker. Quando lasciano il loro rifugio trovano un mondo pieno di mutanti, mostri e cannibali.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Paul Keller Galan
- Chester
- (as P.K. Galán)
Hilary Shepard
- Biker Leader
- (as Hilary Shapiro)
Gulcin Gilbert
- Greaser Chick
- (as Gulshin Gilbert)
Glory Fioramonti
- Biker #2
- (as Glory Fiormonti)
Recensioni in evidenza
This is that rarity amongst post-apocalyptic cinema - a film that dares to show people trying to enjoy life in the ruins of civilization. Although it's eighties heritage shows through in an overzealous use of neon, tacky dance-rock and the frankly dodgy nightclub scenes, any film that can combine a nuclear war with disco has to be applauded.
Our heroes emerge after a childhood in a bomb shelter. Their only guide to the 'real' world has been the work of crime writers such as Raymond Chandler. Convinced, therefore, that everyone wears sharp suits, talks like a hipster and goes down after one swift punch to the jaw, they embark on their journey back to civilization.
Although the film starts by gently mocking the conventions of post-apocalyptic cinema (disco dancing midgets in white suits for instance (no, I'm not making this up!)), the bravery of the script dwindles, and about half way through it degenerates into the very generic twaddle that it sets out to mock. Still, as generic twaddle goes, it is enjoyable and entertaining, and hey, love that disco dancing...
Our heroes emerge after a childhood in a bomb shelter. Their only guide to the 'real' world has been the work of crime writers such as Raymond Chandler. Convinced, therefore, that everyone wears sharp suits, talks like a hipster and goes down after one swift punch to the jaw, they embark on their journey back to civilization.
Although the film starts by gently mocking the conventions of post-apocalyptic cinema (disco dancing midgets in white suits for instance (no, I'm not making this up!)), the bravery of the script dwindles, and about half way through it degenerates into the very generic twaddle that it sets out to mock. Still, as generic twaddle goes, it is enjoyable and entertaining, and hey, love that disco dancing...
Having only been previously exposed to Albert Pyun's 90s-era direct-to-video low-budget action garbage, I picked up "Radioactive Dream" expecting a futuristic crapfest like "Nemesis" or "Omega Doom". I was surprised to discover this movie is not only original, but extremely funny and entertaining.
Michael Dudikoff (in an effectively humorous role the same year he kicked off his B-action career with "American Ninja") and John Stockwell ("Christine", "My Science Project", and now a director of motion pictures) play Marlowe Chandler and Phillip Hammer - a couple of real dicks! Having been raised on 50s pulp detective novels (hence their names) while confined to an underground bomb shelter, they emerge 15 years after a nuclear war has turned the world into a post-apocalyptic wasteland. All these guys want is dames and to become the world's biggest private dicks. The first person they meet is a revolutionary rebel by the name of Miles Archer (Lisa Blount, who I also remember from another of my favorite guilty-pleasure 80s flicks, "Nightflyers", as well as "Blind Fury" and "Prince of Darkness"). Purely by accident, our two heroes end up in possession of the two keys that can launch the last nuclear missile in existence, and when this fact is discovered after they reach the last outpost of civilization - Edge City - they find themselves on the run from every mutant gang in town.
This movie's pluses include a colorful variety of characters, many based on specific stereotypes from different eras (pulp detectives, disco mutants, greasers) as well as cannibals and giant rats; general goofiness in both the action sequences and the heroes' trying to get acquainted to the changed world; a most excellent 80s soundtrack; and George Kennedy to boot. As expected, the movie is a comedic satire for most of the first hour, but then suddenly turns serious in the last 20 minutes. But this movie does end with the coolest two-man song and dance number ever.
In short, don't let the Pyun credit fool you. "Radioactive Dreams" is a good rental for those who wish to see something completely different. (Especially suggest a double billing of this with "Six-String Samurai") 7/10
Michael Dudikoff (in an effectively humorous role the same year he kicked off his B-action career with "American Ninja") and John Stockwell ("Christine", "My Science Project", and now a director of motion pictures) play Marlowe Chandler and Phillip Hammer - a couple of real dicks! Having been raised on 50s pulp detective novels (hence their names) while confined to an underground bomb shelter, they emerge 15 years after a nuclear war has turned the world into a post-apocalyptic wasteland. All these guys want is dames and to become the world's biggest private dicks. The first person they meet is a revolutionary rebel by the name of Miles Archer (Lisa Blount, who I also remember from another of my favorite guilty-pleasure 80s flicks, "Nightflyers", as well as "Blind Fury" and "Prince of Darkness"). Purely by accident, our two heroes end up in possession of the two keys that can launch the last nuclear missile in existence, and when this fact is discovered after they reach the last outpost of civilization - Edge City - they find themselves on the run from every mutant gang in town.
This movie's pluses include a colorful variety of characters, many based on specific stereotypes from different eras (pulp detectives, disco mutants, greasers) as well as cannibals and giant rats; general goofiness in both the action sequences and the heroes' trying to get acquainted to the changed world; a most excellent 80s soundtrack; and George Kennedy to boot. As expected, the movie is a comedic satire for most of the first hour, but then suddenly turns serious in the last 20 minutes. But this movie does end with the coolest two-man song and dance number ever.
In short, don't let the Pyun credit fool you. "Radioactive Dreams" is a good rental for those who wish to see something completely different. (Especially suggest a double billing of this with "Six-String Samurai") 7/10
You will either love this film or wish you hadn't started it.
I loved it, can't help it.
A great post-nuclear-tribe-based world with no rhyme or reason to it. But who cares. Absolute ridiculous. Totally 80s
Lisa Blount is amazing in her pseudo "V" post apocalyptic costume, a must for her fans (which is how I ended up seeing this). Dudikoff is (somehow) hilarious. Albert Pyun juggles the mish-mash of film genres, whether comedy, action, pop video, or detective noir (little bit tongue in cheek with that last one), and keeps the film together going even at its sloppiest.
Escape From New York meets The Warriors meets John Hughes meets Buckaroo Banzai meets Blade Runner meets low budget meets classic 80s DTV.
I loved it, can't help it.
A great post-nuclear-tribe-based world with no rhyme or reason to it. But who cares. Absolute ridiculous. Totally 80s
Lisa Blount is amazing in her pseudo "V" post apocalyptic costume, a must for her fans (which is how I ended up seeing this). Dudikoff is (somehow) hilarious. Albert Pyun juggles the mish-mash of film genres, whether comedy, action, pop video, or detective noir (little bit tongue in cheek with that last one), and keeps the film together going even at its sloppiest.
Escape From New York meets The Warriors meets John Hughes meets Buckaroo Banzai meets Blade Runner meets low budget meets classic 80s DTV.
This fulfills the criterias to be a cult classic, something to love OR hate for everyone. I belong to the first category: 2 kids growing up in a nuke shelter with a large collection of detective novels deciding to be the post apocalyptic worlds first dicks, The Atomic Dicks! Fastpaced wachy post apocalyptic tong-in-the-cheek comedy. Irresistible. B-movie queen Lisa Blount pops up in this weird mix and singer Sue Saad gives a few nice songs like the excellent title song "Radioactive Dreams", the soundtrack certainly deserves to be released. Great acting, excellent photography and score. It is very low budgeted, but every last penny is up there on the screen and stretched well beyond its limit, just as it was the case with director Albert Pyun's "The Sword And the Sorcerer". This movie stands up to repeated viewing. 7/10
I have been a sort-of fan of this film for a long time, as it was an attempt (no matter how misdirected) to like two of my favorite genres of film. This is a strange movie, but about as good as it could have been, given the budget. However, I must warn any potential viewers that you MUST be prepared to suspend a significant amount of disbelief...
The ultimate problem is that it cannot seem to decide if it is a comedy, or more serious film. It begins with sort of a comedic premise, it works well as a strange sort of slapstick comedy (with Michael 'American Ninja' Dudikoff turning a surprisingly good performance). It is two kids who were locked in a fall-out shelter by their 'fathers' the day of the nuclear war. All they are left with is pulp detective books and so they model themselves on the characters therein. They then enter the world after the bomb and thier innocence is confronted by a series of unpleasant challenges and betrayals (some that are surprisingly un-funny, but not bad). They then become 'real' film noir style, jaded anti-heroes and confront the baddies.
Then the film ends in a dance number...
OK, it's wierd, but I honestly believe that anyone who has an appreciation for strange film will really enjoy this movie. It is cute and kind of innocent and relatively entertaining. It is worth at least a watch.
The ultimate problem is that it cannot seem to decide if it is a comedy, or more serious film. It begins with sort of a comedic premise, it works well as a strange sort of slapstick comedy (with Michael 'American Ninja' Dudikoff turning a surprisingly good performance). It is two kids who were locked in a fall-out shelter by their 'fathers' the day of the nuclear war. All they are left with is pulp detective books and so they model themselves on the characters therein. They then enter the world after the bomb and thier innocence is confronted by a series of unpleasant challenges and betrayals (some that are surprisingly un-funny, but not bad). They then become 'real' film noir style, jaded anti-heroes and confront the baddies.
Then the film ends in a dance number...
OK, it's wierd, but I honestly believe that anyone who has an appreciation for strange film will really enjoy this movie. It is cute and kind of innocent and relatively entertaining. It is worth at least a watch.
Lo sapevi?
- QuizThis movie marks the first appearance of the name "Brick Bardo" in an Albert Pyun movie. It has, so far, appeared in seven of his movies.
- BlooperWhen Phil and Marlowe leave their bunker, they bring their car to abrupt halt upon seeing a woman. The sound used is of tires screeching on asphalt, while they are on an obviously dirt road.
- Citazioni
Miles Archer: I'm going to blow your head off unless I get those keys!
Marlowe Hammer: So what does this mean, Miles? You don't love me no more?
- Versioni alternativeThe United States release of this film includes a written introduction that other cuts of the film do not have. It contains more information regarding the keys and bomb. This can be viewed on the Vestron Video release and the Laserdisc that followed it. The German DVD contains the only Widescreen cut of the film. As a special feature; this intro is included.
- ConnessioniFeatured in Best of the Worst: Cyborg and Arcade (Albert Pyun Double Feature) (2022)
- Colonne sonoreNightmare
Performed by Jill Jaxx
Written by Michael McCarty, Jill Jaxx and Judith Nee
Produced and Arranged by Michael McCarty
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 220.038 USD
- Fine settimana di apertura Stati Uniti e Canada
- 141.055 USD
- 21 set 1986
- Lordo in tutto il mondo
- 220.038 USD
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