Una ragazza deve scegliere tra uscire con il suo amore d'infanzia o un playboy ricco ma sensibile.Una ragazza deve scegliere tra uscire con il suo amore d'infanzia o un playboy ricco ma sensibile.Una ragazza deve scegliere tra uscire con il suo amore d'infanzia o un playboy ricco ma sensibile.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Andrew Dice Clay
- Bouncer
- (as Andrew 'Dice' Clay)
Recensioni in evidenza
It is hard to believe that this was 13 years ago. Has it really been that long since we said goodbye to the Brat-Pack? When I watched Pretty In Pink it made me laugh, but more importantly it brought me back to a time that was fun, had less pressure ( in some ways ), and there were a plethora of films that were made aimed at us teens. The early 80's will at least partly be remembered as a time when teen flicks ruled. Everything from Fast Times and Porky's to The Breakfast Club and Pretty In Pink, they were all there and they all tried to do the same thing. Entertain. Sure John Hughes always seemed to have some heavy issues in his films, but ultimately his films were there for us to enjoy for 90 minutes. Pretty In Pink is one of the best at accomplishing that.
What makes this film such the standout that it is, is everything really. The actors were fresh and cool. The dialogue was smart and easy for us to relate to. The situations of love covered areas that we have probably all been through. There was the unobtainable love that just seemed like a fantasy. There was the two really good friends, one male and one female, that just weren't meant to be lovers and the heartbreak that one is inevitably going to experience. There was perhaps not being accepted by your love interests peers and so on. Watching this film I could understand how Duckie felt. I could feel his anger when he watches his best friend, and his secret love interest, date the personification of what ( and Andie ) consider the personification of snobbery. She has probably complained many a night about how she is tired of being treated unfairly just because she wasn't born with a silver spoon in her mouth, and now she dates one. I could feel Ducky's pain. And that can be attributed to John Hughes for writing a brilliant script, but also to Jon Cryer for making his character what he is. You can sense his insecurities and his undying devotion to a girl that he knows he will probably never get. And when he sits with Andies dad and chats about love, there is one of the greatest lines in the film. Jack ( Harry Dean Stanton ) tells him that you can't force love, it is either goging to happen or it isn't. You can't control these things. And that is what makes love so painful. While you may be perfect for someone, that someone wants the perfection of someone else. And that sucks, love's a bitch Duck. Love's a bitch.
Pretty In Pink epitomizes everything that made the 80's a great time for teen flicks. Secret loves, proms, a great soundtrack and John Hughes. What more can you ask for? This is one of the best.
What makes this film such the standout that it is, is everything really. The actors were fresh and cool. The dialogue was smart and easy for us to relate to. The situations of love covered areas that we have probably all been through. There was the unobtainable love that just seemed like a fantasy. There was the two really good friends, one male and one female, that just weren't meant to be lovers and the heartbreak that one is inevitably going to experience. There was perhaps not being accepted by your love interests peers and so on. Watching this film I could understand how Duckie felt. I could feel his anger when he watches his best friend, and his secret love interest, date the personification of what ( and Andie ) consider the personification of snobbery. She has probably complained many a night about how she is tired of being treated unfairly just because she wasn't born with a silver spoon in her mouth, and now she dates one. I could feel Ducky's pain. And that can be attributed to John Hughes for writing a brilliant script, but also to Jon Cryer for making his character what he is. You can sense his insecurities and his undying devotion to a girl that he knows he will probably never get. And when he sits with Andies dad and chats about love, there is one of the greatest lines in the film. Jack ( Harry Dean Stanton ) tells him that you can't force love, it is either goging to happen or it isn't. You can't control these things. And that is what makes love so painful. While you may be perfect for someone, that someone wants the perfection of someone else. And that sucks, love's a bitch Duck. Love's a bitch.
Pretty In Pink epitomizes everything that made the 80's a great time for teen flicks. Secret loves, proms, a great soundtrack and John Hughes. What more can you ask for? This is one of the best.
Possible spoilers: To hell with the Duckie vs. Blane question. Steff's the only interesting one.
1. He's fearless: Duckie's afraid to tell Andie he loves her, Blane's afraid of his friends, but Steff walks up and hits on her right in front of his friends without caring what they'll think. He exploits Blane's shame about Andie but clearly feels no shame himself.
2. Duckie's suffering puppy love, Blane's just curious, but Steff has been after Andie for years. When he says it's "not *only* for sex," he's probably telling the truth, in his own sarcastic way. Key scene, when Blane and Andie walk in on Steff and Benny Bimbo, and Steff clearly wishes he were with the hot geeky girl, instead of the vapid blonde, even if Benny is better-looking, sexually available, and approved by his friends. And it's not only the challenge attracts him to Andie: despite his arrogance, he's probably been turned down before. He just suspects that with Andie, he'd have something real, and with Benny, whether her ecstasy is real or faked, it will be conducted according to "Cosmo."
3. He's willing to fight for what he wants, i.e., sabotaging Andie's relationship with Blane. OK, he's fighting dirty--but he's fighting at all. The others are about as decisive as Hamlet.
Right, enough deep thought devoted to what should probably be regarded as another teen movie. I give full credit to Spader, who fleshed out what could have been a one-dimensional baddie by making him really interested in Andie in his own sociopathic way, instead giving lip-service to a script that could have been played with the character being vicious solely out of hurt pride and snobbery.
1. He's fearless: Duckie's afraid to tell Andie he loves her, Blane's afraid of his friends, but Steff walks up and hits on her right in front of his friends without caring what they'll think. He exploits Blane's shame about Andie but clearly feels no shame himself.
2. Duckie's suffering puppy love, Blane's just curious, but Steff has been after Andie for years. When he says it's "not *only* for sex," he's probably telling the truth, in his own sarcastic way. Key scene, when Blane and Andie walk in on Steff and Benny Bimbo, and Steff clearly wishes he were with the hot geeky girl, instead of the vapid blonde, even if Benny is better-looking, sexually available, and approved by his friends. And it's not only the challenge attracts him to Andie: despite his arrogance, he's probably been turned down before. He just suspects that with Andie, he'd have something real, and with Benny, whether her ecstasy is real or faked, it will be conducted according to "Cosmo."
3. He's willing to fight for what he wants, i.e., sabotaging Andie's relationship with Blane. OK, he's fighting dirty--but he's fighting at all. The others are about as decisive as Hamlet.
Right, enough deep thought devoted to what should probably be regarded as another teen movie. I give full credit to Spader, who fleshed out what could have been a one-dimensional baddie by making him really interested in Andie in his own sociopathic way, instead giving lip-service to a script that could have been played with the character being vicious solely out of hurt pride and snobbery.
... not even in the 80s, not even in a teen movie in the 80s.
This is a cult favorite starring Molly Ringwald as Andie, a high school senior of limited means. She gets persistently bullied by the rich crowd at school. Her mom ran out on her and her dad, and as a result dad is chronically unemployed and likes to drink, but he's not a mean drunk. Molly also has to deal with Duckie (Jon Cryer), an amiable goofball who is madly in love with her.
Andie is surprised when wealthy Blaine (Andrew McCarthy) casts an eye in her direction. However, their dating is causing tensions among his elite circle. Or should I say elitist circle? They have all the charm of the French aristocracy before they were guillotined. Blaine asks Andie to the prom, but when he comes up against brick wall opposition from all of his friends he wilts and pulls away from Andie, making lame excuses about having already asked somebody else to the prom. She sees right through him. Meanwhile Andie's dad has managed to buy a pink dress at a thrift shop, and she decides to fix it up as a prom dress and go to the prom anyways.
How will this all turn out? Watch and find out. Let me single out James Spader as doing a great turn as Blaine's snobby friend Steff. He is the one who convinces Blaine that Andie is nothing special. Plus there is a scene I will never forget. At the high school, as Andie passes Steff at a distance, he gives her a look like she is something he scraped off of his shoe. It is creepy and it is real. Kudos to Mr. Spader for such a great early performance.
The excellent supporting cast includes Harry Dean Stanton as Molly's dad, James Spader perfecting his rich jerk persona, Annie Potts as Andie's kooky co-worker at a record store who thinks she is a relic because she is mid 30s, Kate Vernon, Gina Gershon, Kristy Swanson, Margaret Colin, Dweezil Zappa, and Andrew "Dice" Clay. The script by John Hughes mostly works, and the good New Wave songs on the soundtrack add to the film's charm. I'm not exactly the target audience for teen romance films, even thirty years ago when it was released, but even I enjoyed it, so if it's your kind of thing, you should love it.
Just one more thing...Jon Cryer grew up and filled out nicely. Who would have thought in 1986 that 25 years later Cryer would be the hunk and Charlie Sheen would have the appearance of a death mask. Go for depth girls, you don't know what the geeky guy in high school will look like when he matures.
This is a cult favorite starring Molly Ringwald as Andie, a high school senior of limited means. She gets persistently bullied by the rich crowd at school. Her mom ran out on her and her dad, and as a result dad is chronically unemployed and likes to drink, but he's not a mean drunk. Molly also has to deal with Duckie (Jon Cryer), an amiable goofball who is madly in love with her.
Andie is surprised when wealthy Blaine (Andrew McCarthy) casts an eye in her direction. However, their dating is causing tensions among his elite circle. Or should I say elitist circle? They have all the charm of the French aristocracy before they were guillotined. Blaine asks Andie to the prom, but when he comes up against brick wall opposition from all of his friends he wilts and pulls away from Andie, making lame excuses about having already asked somebody else to the prom. She sees right through him. Meanwhile Andie's dad has managed to buy a pink dress at a thrift shop, and she decides to fix it up as a prom dress and go to the prom anyways.
How will this all turn out? Watch and find out. Let me single out James Spader as doing a great turn as Blaine's snobby friend Steff. He is the one who convinces Blaine that Andie is nothing special. Plus there is a scene I will never forget. At the high school, as Andie passes Steff at a distance, he gives her a look like she is something he scraped off of his shoe. It is creepy and it is real. Kudos to Mr. Spader for such a great early performance.
The excellent supporting cast includes Harry Dean Stanton as Molly's dad, James Spader perfecting his rich jerk persona, Annie Potts as Andie's kooky co-worker at a record store who thinks she is a relic because she is mid 30s, Kate Vernon, Gina Gershon, Kristy Swanson, Margaret Colin, Dweezil Zappa, and Andrew "Dice" Clay. The script by John Hughes mostly works, and the good New Wave songs on the soundtrack add to the film's charm. I'm not exactly the target audience for teen romance films, even thirty years ago when it was released, but even I enjoyed it, so if it's your kind of thing, you should love it.
Just one more thing...Jon Cryer grew up and filled out nicely. Who would have thought in 1986 that 25 years later Cryer would be the hunk and Charlie Sheen would have the appearance of a death mask. Go for depth girls, you don't know what the geeky guy in high school will look like when he matures.
Writer John Hughes has the 80's pegged. But this story could have been set in the 50's or 60's and still worked well. That is why I think this movie is so relevant. Devotion, friendship, and self worth are quizzed. The young actors were better than expected. I have watched this over a dozen times and I don't care if some people refer to this as a "chick flick".
A young girl falls in love with a boy from the other side of the tracks. Problems occur when his peers think the object of his desires is socially beneath him.
Molly Ringwald was very good. Andrew McCarthy and Jon Cryer seemed to feel their part more than the rest of the cast. But James Spader was such a realistic jerk, you want to get up and punch his face in. Harry Dean Stanton and Annie Potts play the adult roles of substance. Have you ever seen Stanton so sympathetic?
A very upbeat soundtrack keeps the movie flowing and helps you feel the atmosphere. Don't write this off as just another teen movie. Highly recommended.
A young girl falls in love with a boy from the other side of the tracks. Problems occur when his peers think the object of his desires is socially beneath him.
Molly Ringwald was very good. Andrew McCarthy and Jon Cryer seemed to feel their part more than the rest of the cast. But James Spader was such a realistic jerk, you want to get up and punch his face in. Harry Dean Stanton and Annie Potts play the adult roles of substance. Have you ever seen Stanton so sympathetic?
A very upbeat soundtrack keeps the movie flowing and helps you feel the atmosphere. Don't write this off as just another teen movie. Highly recommended.
John Hughes knows the 80's. And this proves it. The film is a drama/comedy about a teenage girl and her problems in social and family life. Though I am a guy, I identified with a lot of the problems and I thought there was so much to like in this film. It's just that this is a little softer than the other Hughes films. Maybe cause he didn't direct it. Molly Ringwald gives her best yet and Harry Dean Stanton has never been more tender. Good 80's film, but not in the best column. By the way, Andrew Dice Clay appears as a bouncer, so pay attention to his part which highlights the film for me. A
Lo sapevi?
- QuizJames Spader was offered the role of Blane, but he chose to take the role of Steff instead. He finds it more fun to play the villain.
- BlooperThe movie is set in Illinois. After Andie's kiss with Blain, Duckie rides his bike around Andie's house and towards Trax record store; all the cars have Blue California license plates.
- ConnessioniFeatured in At the Movies: What Makes Woody Run? (1986)
- Colonne sonorePretty In Pink
by Roger Morris (as Morris), John Ashton (as Ashton), Duncan Kilburn (as Kilburn), Vince Ely (as Ely), Tim Butler (as Butler) and Richard Butler (as Butler)
Performed by The Psychedelic Furs
Courtesy of CBS Records, a division of CBS United Kingdom Limited
Lyrics from "Pretty In Pink" by The Psychedelic Furs © 1981 1986 CBS Songs Ltd.
Administered in the U.S. by Blackwood Music Inc.
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Dettagli
Botteghino
- Budget
- 9.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 40.471.663 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.065.870 USD
- 2 mar 1986
- Lordo in tutto il mondo
- 40.480.653 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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