Una giovane recluta in Vietnam deve adattarsi a sopravvivere e a sopportare gli orrori della guerra.Una giovane recluta in Vietnam deve adattarsi a sopravvivere e a sopportare gli orrori della guerra.Una giovane recluta in Vietnam deve adattarsi a sopravvivere e a sopportare gli orrori della guerra.
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Riepilogo
Reviewers say 'Platoon' is acclaimed for its realistic Vietnam War portrayal, highlighting soldiers' moral and psychological struggles. Oliver Stone's veteran experience enhances authenticity. The film is lauded for its gritty style and strong performances by Willem Dafoe and Tom Berenger. However, some critics argue it oversimplifies moral issues and lacks historical accuracy. Its anti-war message is both praised and criticized for being simplistic and propagandistic. Despite mixed views on artistic merit, 'Platoon' is recognized for its emotional impact and resonance.
Recensioni in evidenza
Platoon is a 1986 American war film written and directed by Oliver Stone one of the most strongest realistic anti war films of all time. It is one of the best Vietnam war films I have ever seen that won the Academy Award for Best Picture of 1986 and best Director for Oliver Stone, as well as Best Sound Mixing and Best Film Editing. Stone's Vietnam film portrayed a real life human been on his point of view of the story telling that went on in his real life that he experienced after his tour of duty in Vietnam ended in 1968, Oliver Stone wrote a screenplay called Break: a semi-autobiographical account detailing his experiences and the life he was in Vietnam. The characters were portrayed more then a few soldiers they were portrayed more as a human been than been soldiers obeying an order.Platoon shows the Vietnam War was a big mistake, but being a fictional documentary on Vietnam is far from its purpose. It is one of my personal favorite war movies. I love this movie to death.
Those of us who did make it have an obligation to build again, to teach to others what we know, and to try with what's left of our lives to find a goodness and meaning in this life.
In Platoon, Chris Taylor (Charlie Sheen) is a young, naive U.S. soldier who, upon his arrival to Vietnam, quickly discovers that he must do battle not only with the Viet Cong, but also with the gnawing fear, physical exhaustion and intense anger growing within him. While his two commanding officers draw a fine line between the war they wage against the enemy and the one they fight with each other, the conflict, chaos and hatred permeate Taylor, suffocating his realities and numbing his feelings to man's highest value... life.
Chris sees his platoon fragmented into two halves, each aligned with one of two men -- Sgt. Elias (Willem Dafoe) and Sgt. Barnes (Tom Berenger). Those two soldiers are really two positive good things to see in the film because it sets the viewer on the seat of the edge. They both have nominally the same enemy (Viet Cong), but, really, it doesn't take long to realize that Elias is Good, and Barnes is Evil (the "enemy" does not enter into the moral equation of this film, at all it's an outside threat, same as malaria-carrying mosquitoes or even friendly fire). Elias feels the futility of the war and has respect for life; Barnes fights the war doggedly and has no compassion, period. Both are efficient soldiers fighting the same enemy, but really as is at one point aptly put by Chris Taylor himself,they are fighting for the souls of the platoon members, as the outcome of the war is never really in doubt.
The platoon reaches the village, where a food and weapons cache is discovered. While questioning the village chief, Barnes loses his patience and senselessly kills the man's wife despite his denials that they are aiding the Viet Cong. Barnes is about to murder the man's young daughter to force him to tell them to where the enemy is.
Elias doesn't take kindly to this kind of behavior. Elias and Barnes come closer and closer to open conflict, as Taylor becomes a veteran, obviously siding with Elias. Meanwhile, the fate of the platoon comes closer and closer to them, culminating in an explosively shot action conclusion. The end is dark, but morally satisfying.
Platoon is a legendary film. A film that I will always cherish, and a film that I will never get tired of. And the last Vietnam film worth a damn to watch. There isn't any War film today that was filmed as really human drama war today in 2015. It respectively represents the very essence of purposefully haunting powerful cinematography in the history.-- It is representing admirable cinematic craftsmanship and storytelling. A film that is sometimes impossible to watch for its frighteningly intense and emotionally draining account of the Vietnam War as it is waged both on the battlefields and within the very souls of men.
The best real human drama portrayed on screen anti-war film in Vietnam from the 80's, It is my favorite film that I will always love to death to see. I also don't watch this film for an action ; I actually see it for the war and how it everything was, what is more valuable and it is life: The film also have a message in it. The actors portraying the characters did make a believable performance as the real team of squad soldier fighting the Enemy the Viet Cong.
The battles with Viet-Cong are shown realistic mostly on the end of the final battle. 10/10
Those of us who did make it have an obligation to build again, to teach to others what we know, and to try with what's left of our lives to find a goodness and meaning in this life.
In Platoon, Chris Taylor (Charlie Sheen) is a young, naive U.S. soldier who, upon his arrival to Vietnam, quickly discovers that he must do battle not only with the Viet Cong, but also with the gnawing fear, physical exhaustion and intense anger growing within him. While his two commanding officers draw a fine line between the war they wage against the enemy and the one they fight with each other, the conflict, chaos and hatred permeate Taylor, suffocating his realities and numbing his feelings to man's highest value... life.
Chris sees his platoon fragmented into two halves, each aligned with one of two men -- Sgt. Elias (Willem Dafoe) and Sgt. Barnes (Tom Berenger). Those two soldiers are really two positive good things to see in the film because it sets the viewer on the seat of the edge. They both have nominally the same enemy (Viet Cong), but, really, it doesn't take long to realize that Elias is Good, and Barnes is Evil (the "enemy" does not enter into the moral equation of this film, at all it's an outside threat, same as malaria-carrying mosquitoes or even friendly fire). Elias feels the futility of the war and has respect for life; Barnes fights the war doggedly and has no compassion, period. Both are efficient soldiers fighting the same enemy, but really as is at one point aptly put by Chris Taylor himself,they are fighting for the souls of the platoon members, as the outcome of the war is never really in doubt.
The platoon reaches the village, where a food and weapons cache is discovered. While questioning the village chief, Barnes loses his patience and senselessly kills the man's wife despite his denials that they are aiding the Viet Cong. Barnes is about to murder the man's young daughter to force him to tell them to where the enemy is.
Elias doesn't take kindly to this kind of behavior. Elias and Barnes come closer and closer to open conflict, as Taylor becomes a veteran, obviously siding with Elias. Meanwhile, the fate of the platoon comes closer and closer to them, culminating in an explosively shot action conclusion. The end is dark, but morally satisfying.
Platoon is a legendary film. A film that I will always cherish, and a film that I will never get tired of. And the last Vietnam film worth a damn to watch. There isn't any War film today that was filmed as really human drama war today in 2015. It respectively represents the very essence of purposefully haunting powerful cinematography in the history.-- It is representing admirable cinematic craftsmanship and storytelling. A film that is sometimes impossible to watch for its frighteningly intense and emotionally draining account of the Vietnam War as it is waged both on the battlefields and within the very souls of men.
The best real human drama portrayed on screen anti-war film in Vietnam from the 80's, It is my favorite film that I will always love to death to see. I also don't watch this film for an action ; I actually see it for the war and how it everything was, what is more valuable and it is life: The film also have a message in it. The actors portraying the characters did make a believable performance as the real team of squad soldier fighting the Enemy the Viet Cong.
The battles with Viet-Cong are shown realistic mostly on the end of the final battle. 10/10
Its hard to know where to start with such a breathtaking film. Oliver Stone's Platoon is quite simply the best Vietnam war film ever made in my opinion. Everything about it is as close to perfection as we are likely to see. Charlie Sheen plays the lead, and Willem Defoe and Tom Berenger play the two sergeants that form a key part of the plot.
Chris Taylor (Sheen) is torn between the sergeants. Barnes (Berenger) is the battle hardened, brutal murderer, who uses the war as an excuse to tender to his sadistic pleasures. Elias (Defoe) is the other side of the spectrum. We get the sense that he has wrestled with his inner demons, but he has successfully come through to the other side. He has compassion for his fellow man, and he uses drugs as a form of escapism from this brutal war. The two symbolise the struggle that Taylor must face if he is to survive out in Vietnam.
Oliver Stone perfectly captures war. The shooting is frantic and impossible to follow. It perfectly disorientates us, just as the soldiers were. We have no idea who is being shot at, and neither do they. We follow the war at ground level, and see the brutalities first hand. Having served in Vietnam, the film is loosely based on Stone's time out there, and Taylor loosely based on himself.
Full Metal Jacket showcases how inhumane the war was, Apocalypse Now turns it into a story about life in general, and hopelessness, but Platoon has everything. Trying hard to avoid the old cliché, but if you only watch one war film, make sure it is this one. Nothing else can come close.
Chris Taylor (Sheen) is torn between the sergeants. Barnes (Berenger) is the battle hardened, brutal murderer, who uses the war as an excuse to tender to his sadistic pleasures. Elias (Defoe) is the other side of the spectrum. We get the sense that he has wrestled with his inner demons, but he has successfully come through to the other side. He has compassion for his fellow man, and he uses drugs as a form of escapism from this brutal war. The two symbolise the struggle that Taylor must face if he is to survive out in Vietnam.
Oliver Stone perfectly captures war. The shooting is frantic and impossible to follow. It perfectly disorientates us, just as the soldiers were. We have no idea who is being shot at, and neither do they. We follow the war at ground level, and see the brutalities first hand. Having served in Vietnam, the film is loosely based on Stone's time out there, and Taylor loosely based on himself.
Full Metal Jacket showcases how inhumane the war was, Apocalypse Now turns it into a story about life in general, and hopelessness, but Platoon has everything. Trying hard to avoid the old cliché, but if you only watch one war film, make sure it is this one. Nothing else can come close.
At the height of the Vietnam War, America's teens are drafted into the war effort to find themselves in the middle of hell. One such young man is Chris Taylor. He is placed in a squadron where two sergeants have different approaches to the war Elias is more about surviving without being brutal or cruel, whereas Barnes is crueller, more ruthless and more violent. During the course of his term, Taylor's very soul is torn between the two men as he deals with what he must do.
The first film in Oliver Stone's unofficial trilogy is arguably the best of the three. The basic story not only shows us what the war was like for those serving but also how the different personalities come out of those involved in it. As we follow Taylor we see him change as he is influenced by those around him and by his situation. It makes for an uncomfortable film but one that's worth watching. It's certainly a better war movie than things like Wild Geese or The Dirty Dozen, simply because it's a little more real to what happens than those ones.
Charlie Sheen has never been better than when he's acting for Stone. Here he gives one of his best ever performances as the innocent who is changed. Willem Dafoe is a great actor and here is no different he also gives us one of the film's most enduring images so I'm a little biased. Berenger is another one for whom it's hard to think of a higher point reached than when he did this film. He is brutal and ruthless but he makes us support him in a strange way. The support cast are all good and contains a few famous faces (John C McGinley, Whitaker, Depp) however this is really a three man show.
Overall this is brutal and violent with no happy ending. At the end of the day isn't that what a war film should be?
The first film in Oliver Stone's unofficial trilogy is arguably the best of the three. The basic story not only shows us what the war was like for those serving but also how the different personalities come out of those involved in it. As we follow Taylor we see him change as he is influenced by those around him and by his situation. It makes for an uncomfortable film but one that's worth watching. It's certainly a better war movie than things like Wild Geese or The Dirty Dozen, simply because it's a little more real to what happens than those ones.
Charlie Sheen has never been better than when he's acting for Stone. Here he gives one of his best ever performances as the innocent who is changed. Willem Dafoe is a great actor and here is no different he also gives us one of the film's most enduring images so I'm a little biased. Berenger is another one for whom it's hard to think of a higher point reached than when he did this film. He is brutal and ruthless but he makes us support him in a strange way. The support cast are all good and contains a few famous faces (John C McGinley, Whitaker, Depp) however this is really a three man show.
Overall this is brutal and violent with no happy ending. At the end of the day isn't that what a war film should be?
The Vietnam War has been one of the controversial wars in history and was an unpleasant experience for everyone involved. Oliver Stone harnessed these experiences to make Platoon; a film where he could illustrate to everyone what Vietnam was like from his perspective.
In my opinion, this is the best war movie ever made. The sheer horror of war is captured so well in everyway. The fear of death, compatriots dying, divisions in the platoon, guilt of killing; it's all there and Stone doesn't try to disguise it. Platoon is very honestly written and it is this honesty that makes the film so great. Platoon isn't an anti war movie and it certainly does not glorify war in anyway, it is simply how war is in its entirety. There are some shocking scenes such as the one in the Vietnamese village but there are also more light hearted moments such as where the troops on Dafoe's side are partying and having a good time. On base camp, there is great contrast with the mood but on the forest, it is just fear, aggression and blood, nothing else.
Taylor's (Charlie Sheen) story is very good as he experiencing war at the same time of the audience. Before the war, he was a rich kid who loved his grandma and it is how war changes him that is truly fascinating. The character story that always receives most praise however is that between Barnes (Tom Berenger) and Elias (Willem Dafoe) is very compelling and leads to some great scenes with them and carves an interesting divide within the camp. This film is big on character and explores many relationships but (take note Jarhead) doesn't sacrifice any action time for these scenes. Stone struck a perfect balance between action and story.
Acting from everyone involved is very good. Sheen as the naïve newcomer is very good and after this, should have done much better for himself than he did. Dafoe and Berenger, once again steal the attention off the lead. Their extreme contrasting personalities is brilliantly done and raises the standard of the film. Berenger is truly terrifying, he didn't hold back in this one. Dafoe is much more sympathetic and will speak his mind to anyone. Johnny Depp makes one of his early film appearances with a small, yet memorable role. The way Sheen is wearing Depp's bandana after Lerner (Depp) gets taken by the chopper is discretely done but touching.
Platoon is the best war movie there's ever been. Stone wrote and directed this film with such passion that it couldn't be anything but good. A great mix of characters, a great cast and such well crafted action scenes are all what you need for an exceptional war movie and they're all here. The film ends perfectly as we are given a chance to reflect and take it in before the credits start rolling. Stone, who often misses the point with his films, hit the nail on the head with this one.
In my opinion, this is the best war movie ever made. The sheer horror of war is captured so well in everyway. The fear of death, compatriots dying, divisions in the platoon, guilt of killing; it's all there and Stone doesn't try to disguise it. Platoon is very honestly written and it is this honesty that makes the film so great. Platoon isn't an anti war movie and it certainly does not glorify war in anyway, it is simply how war is in its entirety. There are some shocking scenes such as the one in the Vietnamese village but there are also more light hearted moments such as where the troops on Dafoe's side are partying and having a good time. On base camp, there is great contrast with the mood but on the forest, it is just fear, aggression and blood, nothing else.
Taylor's (Charlie Sheen) story is very good as he experiencing war at the same time of the audience. Before the war, he was a rich kid who loved his grandma and it is how war changes him that is truly fascinating. The character story that always receives most praise however is that between Barnes (Tom Berenger) and Elias (Willem Dafoe) is very compelling and leads to some great scenes with them and carves an interesting divide within the camp. This film is big on character and explores many relationships but (take note Jarhead) doesn't sacrifice any action time for these scenes. Stone struck a perfect balance between action and story.
Acting from everyone involved is very good. Sheen as the naïve newcomer is very good and after this, should have done much better for himself than he did. Dafoe and Berenger, once again steal the attention off the lead. Their extreme contrasting personalities is brilliantly done and raises the standard of the film. Berenger is truly terrifying, he didn't hold back in this one. Dafoe is much more sympathetic and will speak his mind to anyone. Johnny Depp makes one of his early film appearances with a small, yet memorable role. The way Sheen is wearing Depp's bandana after Lerner (Depp) gets taken by the chopper is discretely done but touching.
Platoon is the best war movie there's ever been. Stone wrote and directed this film with such passion that it couldn't be anything but good. A great mix of characters, a great cast and such well crafted action scenes are all what you need for an exceptional war movie and they're all here. The film ends perfectly as we are given a chance to reflect and take it in before the credits start rolling. Stone, who often misses the point with his films, hit the nail on the head with this one.
It's September 1967, and Chris (Charlie Sheen) has just arrived in Vietnam. He is sheltered and his father and grandfather fought in the military. As the new guy, nobody cares to be his friend. Lt. Wolfe (Mark Moses) is a weak ineffective leader. His men are divided in two. Some are followers of the cruel Sgt. Barnes (Tom Berenger). Others are followers of the humane Sgt. Elias (Willem Dafoe). In the end, Barnes and Elias are in a struggle for Chris' soul.
This is the quintessential Vietnam war movie. Oliver Stone has recreated the jungle combat and placed a morality tale in the middle of it. It is possibly Charlie Sheen's greatest performance. His innocence at the beginning evolves into a grizzled veteran fighter. The combat is so realistic, and the story is so compelling. It is a must see for all movie goers.
This is the quintessential Vietnam war movie. Oliver Stone has recreated the jungle combat and placed a morality tale in the middle of it. It is possibly Charlie Sheen's greatest performance. His innocence at the beginning evolves into a grizzled veteran fighter. The combat is so realistic, and the story is so compelling. It is a must see for all movie goers.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Lo sapevi?
- QuizAccording to Oliver Stone, he intentionally cast Tom Berenger and Willem Dafoe against type. Berenger was mostly famous for playing good guys, while Dafoe had primarily played villains up until then. Both men received Oscar nominations for their work.
- BlooperWhen the men are playing cards, one of the men is looking at a Playboy from March 1971, despite the film taking place in 1967.
- Citazioni
[Refering to Vietnam]
Chris Taylor: Somebody once wrote, "Hell is the impossibility of reason." That's what this place feels like. Hell. I hate it already, and it's only been a week. Some goddamn week.
- Versioni alternativeTV version has much of its dialogue redubbed and shots refilmed, replacing such lines as "He thinks he's Jesus F---in' Christ!" with "He thinks he's George Freakin' Washington!"
- ConnessioniEdited into A Tour of the Inferno: Revisiting 'Platoon' (2001)
- Colonne sonoreAdagio for Strings
Written by Samuel Barber
Arranged and Conducted by Georges Delerue
Used by arrangement with G. Schirmer, Inc.
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Dettagli
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 138.530.565 USD
- Fine settimana di apertura Stati Uniti e Canada
- 241.080 USD
- 21 dic 1986
- Lordo in tutto il mondo
- 138.546.255 USD
- Tempo di esecuzione2 ore
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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