The Park Is Mine

I saw this on HBO in the mid '80s and I loved it. Tommy Lee Jones was so cool and I had no problem buying the premise. It was kind of like Assault on Precinct 13 or The Warriors in its cartoonish depiction of violence. I remember especially the part where he's in full military garb and grease paint on his face with an arsenal of weapons around his body and he tells a woman to leave the park because its filled with "thugs and perverts and weirdos." Check it out if you can, it won't change your life, but it's good.

Tommy Lee Jones does his part to hold this movie together, and that's about the only thing going for it. The plot about one man taking over Central Park (!) is highly improbable, but makes for a good Saturday afternoon action flick. Don't put a lot of thought into this movie, just enjoy it for what it is!

Following the success of First Blood and other attempts to cash in on the struggle of vets in overcoming their still recent emasculation, The Park is Mine strips away any unnecessary subtext and nuance, leaving a gratifying action flick that shoves its foot up the collective ass of the cops, the politicians, and even the Viet Cong, as Tommy Lee Jones uses domestic terrorism and an astronomical sense of entitlement to control Central Park as a publicity stunt to tell the world that we should be kinder to each other, not because he so desperately needs to prove to them that we could have won the war, guys, if only we'd...

Like many of the Reagan era action movies, it is rampantly xenophobic, incrediably incoherent, and in no way grounded in reality. Tommy Lee (not the hair band drummer)plays a Vet who takes over central park to generate sympathy for the forgotten soldiers of that war. A noble sentiment, but a man would have to be completely out of his gourd to attempt that...its not like the park has a series of fortified bunkers and a moat around it!!! The most insane plot twist (no one is in suspense about this piece anyway) is that the "authorities" hire two Asian assasins to take out the hero. What the $%^#$^! is that all about? It is just one of the many warped plot contrivances that earn this work a lofty six on the Tango and Cash scale of implausability. Forgive the spelling.

The premise of this movie - a lone ex-soldier unraveling a plan to take over New York's Central Park singlehanded and managing to keep the police at bay over several days - does seem kind of hard to swallow. However, with the way the movie is executed, you'll almost believe it could happen. The movie does have a good amount of merit to it. While it's a mid-'80s Canadian movie, the production values are surprisingly good; this movie obviously had a budget. Tommy Lee Jones gives a fairly commanding performance at the Vietnam vet with a plan, and there are other good performances by Helen Shaver as the curious news reporter, and Yaphet Kotto as a chief police officer (though he's given little to do until near the ending.) Director Steven Hilliard Stern creates some good action sequences and keeps things moving at a rapid rate. Though maybe the movie is a little bit too swift; we hardly learn anything about Jones' character at the beginning, and before the twenty minute mark he's already taken over the park. Some people may be offended that Jones' Vietnam vet character is yet another cinematic Vietnam vet who is a "loser" (unemployed, estranged from his wife, etc.), despite surveys that show that most Vietnam vets in real life are adjusted and happy. But if you can look over this "loser" portrayal, chances are you'll find some enjoyment with this movie.