9 settimane e 1/2

Don't know why I didn't see this movie until recently, as I am a big Adrian Lyne fan. Maybe because Mickey Rourke has become so repulsive in recent years. However, I found this to be a thoroughly entertaining film, with fascinating performances and all the 80's accoutrements - music, fashion, set decoration, etc. I don't know how anyone could call it boring, but we all see different things when we watch a movie.

I thought the much-vaunted "sex" scenes were pretty tame, actually, but really, really fun to watch! Kim Basinger never looked more beautiful, and Rourke looked great, too. I disagree that there was no character development. I think there were depths to both characters that didn't come out until the end of the movie, which I found very poignant. Yes, I think it was more about power than sex, and when the moment of truth came for the balance of power to shift - as the Rourke character had planned for it to do - he had scared off his true love. Sad, and a true sequel could have been fun.

I give it 8/10 and plan to add it to my video collection ASAP.

I have seen this movie many times. I find it to be, not a sexual movie. It does have depth and symbolism if you are able to get passed the simple sex scenes. My favorite part is when Elizabeth goes to visit Fransworth, the artist.If you really think about it just as he is at the gallery opening of his show, so is she "a fish out of water".It can't survive and in the end neither can she.I love the way this film was shot.This movie is more about stepping out side your comfort zone. You know about her family and life, but you don't learn about his until it is to late.People need to get passed the sex scenes and realize this movie is about human limits.All of us feel this inside, but are afraid, like Elizabeth to try it.

Although generally rubbished by critics because of the two lead actors, among other things, this was an interesting film in that it attempted to be artistic, something of a rarity for Hollywood. Much of what is presented was designed to look sexy, even if it was unlikely to be if you tried it yourself. And to give it its due, those responsible for art direction and cinematography did a pretty good job and it stands repeated viewings to pick up on nuances missed first time around. It is tantalizing but not especially erotic; a lot more is suggested than actually happens. Anyone who can remember working in an office in the 80s will relate to the telex machines, phones with bell-rings, and no desktop computer for the manger, and no mobile phones. The 80s apartment decor and fashions will also jog memories.

This memorable sexual drama is an adaptation of a novel by Elizabeth McNeill. Kim Basinger stars as a character named Elizabeth, a divorced art gallery worker. One day, she chances to meet John (Mickey Rourke), a charming young Wall Street financier. She finds out that he likes to play sexual games, and realizes that she's vulnerable to his manipulations. Ultimately, she finds this strange relationship taking dominance in her life.

"Nine 1/2 Weeks" is a largely two character film that is not degrading or "pornographic" as some people might have you believe. It's actually rather restrained, and even in its full length uncut version is never overly concerned with nudity or depravity. This may come as a disappointment to some potential viewers, but most of the time it's concentrating on detailing the evolution of this sex-based relationship.

Unfortunately, we never get to know our two principals all that well. But since she has more to work with, Basinger definitely comes off better. Rourkes' character forever remains an enigma. Also, for a film running close to two hours, it doesn't seem to have all that much story going for it.

The sex scenes will stick in the mind, even if most of them aren't particularly imaginative. The exception is the notorious "food" sequence, which was later parodied in "Hot Shots!". But the choice of song in the sequence kind of kills the mood.

Basinger looks positively ravishing throughout - the camera loves her - and she delivers an appealing performance. Familiar faces turn up - Margaret Whitton, David Margulies, Christine Baranski, Karen Young, Julian Beck, Dan Lauria, Ron Wood of The Rolling Stones, etc. - but the supporting cast has little to do in the grand scheme of things.

Fairly interesting but not all that successful, this marked a stepping stone for former actor Zalman King (who co-wrote and co-produced); he went on to a prominent career as a soft core auteur.

Six out of 10.

Two successful, but lonely yuppies embark on a sexual odessey for 9 and a 1/2 weeks. All people seem to talk about when it comes to this movie is about the sex scenes and the nudity in the film. This film is not about sex and nudity in my opinion. It is about control and power. I found this film to be intelligent and stylishly done and yes very erotic. Rourke and Basinger make a steamy couple and the ending and the events that unfolded in the film lingered with me long afterwards and left me thinking for a while. This is one film that actually seems to have gotten better with time.