Morirai a mezzanotte

This film begins with police officer "Nicola Levi" (Leonardo Treviglio) discovering that his wife, "Sara Levi" (Barbara Scoppa), has been having an affair. Enraged, they get into a fight when she comes home, nearly leading to her being killed after she stabs him with an ice pick. Fortunately, Levi pulls himself together and leaves the house at the last moment, first going to see a psychologist named "Anna Berardi" (Valeria D'Obici), whom he trusts completely. While he's there, someone enters his wife's house and stabs her to death with the same ice pick she previously used against Nicola. Needless to say, he immediately becomes the prime suspect, even though Anna is convinced that he is entirely innocent. Not only that, but she also believes the killer will strike again soon. However, when he does, rather than clearing Nicola, the police continue to list him as their prime suspect, which makes things even more difficult for all concerned. Now, rather than reveal any more, I will simply say that this was an okay slasher film that benefited greatly from the mystery surrounding the actual identity of the killer. On the other hand, I thought that some of the scenes were a bit too unrealistic, and other scenes could have used a little more gore or intensity. But that's just my opinion. In any case, although certainly not one of the better horror films during this particular era, it managed to pass the time reasonably well, and I have rated it accordingly.

I recently watched the Italian giallo 🇮🇹 You'll Die at Midnight (1986) on Tubi. The storyline follows a man who gets into an argument with his wife, who shortly thereafter ends up stabbed to death. He goes on the run from authorities and decides to stay with his ex-girlfriend, who reluctantly agrees to help him. As he searches for clues to clear his name, he's fortunate that his ex-girlfriend is assigned to the case. However, as bodies start piling up, it becomes increasingly hard for him to hide.

This film is directed by Lamberto Bava (Demons) and stars Valeria D'Obici (Escape from the Bronx), Leonardo Treviglio (Titus), Eliana Miglio (Demons), and Paolo Malco (The New York Ripper).

This is a unique giallo that keeps the audience guessing until the very end. The storytelling and dialogue feel like an 80s soap opera at times, despite having a unique and interesting premise. The opening shower scene was disappointing and a far cry from Psycho. The kill scenes are classic giallo, with stalking elements and limited gore but enjoyable stab scenes. The diverse kill settings add an extra layer of interest. The killer's mask was cool and reminded me of Mr. Bean. The final reveal was solid.

In conclusion, You'll Die at Midnight is a mediocre addition to the giallo genre but is still worth a watch for genre fans. I would score this a 5/10 and recommend it with appropriate expectations.

Midnight Killer is exactly what you would expect from Lamberto Bava.Full of suspense,thrills,twists,turns,red herrings.But also people (mostly women acting stupid). Some of the victims act in such an illogical manner that at one point you begin to think."Don't tell me she is that stupid.Go ahead,kill her already". The pace is really good and you are constantly wondering who the killer is. At one point you can deduce it for yourself. Although I must admit that Lamberto successfully made me doubt a couple of times. He uses some clever tricks to put you off the trail.And in this case I simply loved that.Of course the ending might be too far fetched for some especially since the explanation is fast and short.It did not matter to me since it was effective.Overall Midnight Killer is a very decent giallo that delivers.

'You'll Die at Midnight' also known under other titles such as 'Midnight Ripper' & 'Midnight Horror' is a rather cheesy and quite enjoyable Italian made for TV Giallo/slasher flick from the 1980's directed by Lamberto Bava. This movie's plot is fairly routine and oddly structured and given its time period its lacking some much needed stylish visuals and interesting set-pieces that could have elevated things.

The plot begins with a man named Nicola (Leonardo Treviglio) who discovers his wife is cheating on him and after a violent argument she is murdered and he becomes the prime suspect. Soon more young women begin to die at the hands of the maniac, is Nicola the killer or is it someone else?

Trying to find a classic Giallo flick from the late 80's onwards is a hard task, and you'll have to look through a lot of lesser efforts just to find anything decent. But sadly, this movie isn't quite a lost gem waiting to be discovered, instead this is a by the numbers Giallo that has been forgotten for a reason. The lack of suspense and violent or interesting death scenes really hurts this film and given that it was a made for TV production I can't fault the director on that one. Instead we get a mystery that isn't very compelling and a bunch of flatly written characters and wooden performances.

Overall 'You'll Die at Midnight' is certainly not the worst Giallo out there, it's just very average at best.

Lamberto Bava's films may not have the cutting edge that many of his father's did, but the good thing about it is that you can always count on a decent thrill ride, and while You'll Die at Midnight doesn't set the genre on fire; it's a more than decent Giallo and I'm pretty certain that regular viewers will get a lot out of it. Being released in 1986, this one comes very late in the Giallo cycle although it recaptures that mysterious feel of the classic Giallo's well and the cinematography is good despite the fact that this obviously wasn't an A-class production. The plot is pure Giallo, and focuses on a murderer. We start by focusing on Nicola; a man who spots his wife buying lingerie and notices she has an affair. After arguing and almost killing her, he visits his colleague Anna, but shortly after he leaves the house; someone breaks in and murders his wife! Naturally, Nicola is the main suspect, but Anna, a psychologist, sees signs that the murder may have been committed by the so-called "Midnight Ripper". The only problem is that The Midnight Ripper has been dead for several years...

The film features lots of scenes reminiscent of classic Giallo's, and many of the murders are memorable. The kitchen scene is probably my favourite, but the murder scene inside a lingerie store has a more nasty edge. There isn't a great deal of variety with the weapons, but at least Lamberto ensures that the imagery is good and the film is always at least interesting. You'll Die at Midnight is pretty short, running at around 85 minutes and this is a good thing as it means that there is little filler and the film doesn't really have time to become boring. You'll Die at Midnight has more of a range of central victim characters than many other Giallo's too, and this makes the film more interesting as the killer appears to be after each one for different reasons. Naturally, it all builds into a final twist; which although somewhat silly (as the climaxes in these films often are), it's interesting enough and somehow (almost) makes sense in the context of the film. Overall, I can't say that this is a classic example of the genre; but like Lamberto's other Giallo attempts; it's certainly worth watching!