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Il mattino dopo

Titolo originale: The Morning After
  • 1986
  • R
  • 1h 43min
VALUTAZIONE IMDb
5,9/10
7770
LA TUA VALUTAZIONE
Il mattino dopo (1986)
A washed up, alcoholic actress who is prone to blackouts wakes up next to a murdered man. Did she kill him and, if not, is she in danger?
Riproduci trailer2: 33
1 video
41 foto
CrimeMysteryRomanceThriller

Un'attrice alcolizzata e ubriaca, incline all'amnesia, si sveglia accanto a un uomo assassinato. Lo ha ucciso lei e, in caso contrario, è in pericolo?Un'attrice alcolizzata e ubriaca, incline all'amnesia, si sveglia accanto a un uomo assassinato. Lo ha ucciso lei e, in caso contrario, è in pericolo?Un'attrice alcolizzata e ubriaca, incline all'amnesia, si sveglia accanto a un uomo assassinato. Lo ha ucciso lei e, in caso contrario, è in pericolo?

  • Regia
    • Sidney Lumet
  • Sceneggiatura
    • James Cresson
  • Star
    • Jane Fonda
    • Jeff Bridges
    • Raul Julia
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,9/10
    7770
    LA TUA VALUTAZIONE
    • Regia
      • Sidney Lumet
    • Sceneggiatura
      • James Cresson
    • Star
      • Jane Fonda
      • Jeff Bridges
      • Raul Julia
    • 53Recensioni degli utenti
    • 28Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 1 candidatura in totale

    Video1

    Trailer
    Trailer 2:33
    Trailer

    Foto41

    Visualizza poster
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    + 33
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    Interpreti principali29

    Modifica
    Jane Fonda
    Jane Fonda
    • Alex Sternbergen
    Jeff Bridges
    Jeff Bridges
    • Turner Kendall
    Raul Julia
    Raul Julia
    • Joaquin Manero
    Diane Louise Salinger
    Diane Louise Salinger
    • Isabel Harding
    • (as Diane Salinger)
    Richard Foronjy
    Richard Foronjy
    • Sergeant Greenbaum
    Geoffrey Scott
    Geoffrey Scott
    • Bobby Korshack
    James 'Gypsy' Haake
    • Frankie
    Kathleen Wilhoite
    Kathleen Wilhoite
    • Red
    Don Hood
    Don Hood
    • Hurley
    Fran Bennett
    Fran Bennett
    • Airline Clerk
    Michael Flanagan
    • Airline Supervisor
    Bruce Vilanch
    Bruce Vilanch
    • Bartender
    Michael Prince
    • Mr. Harding
    Frances Bergen
    Frances Bergen
    • Mrs. Harding
    José Angel Santana
    José Angel Santana
    • Driver
    • (as José Santana)
    Bob Minor
    Bob Minor
    • Man
    George Fisher
    George Fisher
    • Cabbie
    Rick Rossovich
    Rick Rossovich
    • Detective
    • Regia
      • Sidney Lumet
    • Sceneggiatura
      • James Cresson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti53

    5,97.7K
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    Recensioni in evidenza

    NAragonss

    What a beautiful LA!

    I Think I´ll never see again the city of Los Angeles so beautiful like in this movie. The sky is so blue that the color seems made in a laboratory. The shining California sun gives a very lighted look to all the scenes filmed on street locations. Jane Fonda, playing an alcoholic but also a sensual lady, is brilliant too and so sexy as she was in 1971, when she won the Oscar for "Klute". You´ll enjoy watching "The Morning After", if you love LA, the sunny days and ladies like Jane Fonda.
    Movie_Man 500

    Fonda looks good as a has been

    While Jane's last Oscar nominated performance (before she retired from films) has its moments, the film falls apart after she takes off her blonde wig. I thought she looked like a knockout with it on. Some really well photographed scenery pops up near the first half and there's a long extended sequence that has her clean up the dead man's apartment, which is filled with many sly touches; alas the beginning is ten times better and more developed than the weak conclusion. Jeff Bridges adds a nice touch to the story but was it really wise for the Fonda character to place all her trust in a total stranger? Kathy Bates has a cameo as a neighbor before she hit the big time scaring everyone in Misery. She's on the screen maybe 10 seconds to a minute, tops. Overall, the parts, as other reviewers have stated, are juicier than the whole.
    8sunznc

    Despite the flaws I enjoy this film.

    The film takes place in LA in the 1980's. So you know what that means- I don't even need to say do I? Any film from the 80's has a very distinct look and while you see glimpses here and there of that era it's not too much to be distracting even if some screen time takes place in a beauty salon.

    The film is interesting to watch because of the actors. They all do a good job here. Jane especially. Jeff Bridges and Raul Julia also are very good here. So it is the acting, the performances that make the film. The sets too are great-they almost are a character themselves from Alex's Pink and Mauve art deco place to the low budget but homey place of Turner's garage pad.

    The flaws. There are some. Some of the dialog is cheesy and clichéd with laughable lines. The references to different cultures here in crude and crass terms. This was way BEFORE "politically correct".

    This is not the greatest movie but I still love it and drag it out to watch about once a year.
    5Doylenf

    All the right ingredients but what happened?...

    THE MORNING AFTER is one of those films that begins with an intriguing opening--JANE FONDA wakes up in bed next to a murdered man and, because she was in an alcoholic daze, can't remember even entering the man's apartment. So far, so good. Nice hook to draw the viewer in.

    But as the story unwinds, it becomes clear that the writers ran out of material for a substantial story about midway through. The weaknesses are offset somewhat by the good performance of JEFF BRIDGES as a helpful policeman who agrees to help Fonda solve the who-dun-it aspect of her plight.

    It's all beautifully staged and photographed in a sunlit Los Angeles and worth watching for the performances alone. Fonda is at her best as the worried alcoholic who refuses to believe she could have committed the crime and Bridges provides some good chemistry as a co-star.

    But the ending (with its revelation) is a bit disappointing after all the build-up to a conclusion. RAOUL JULIA and KATHY BATES have minor roles but the weak ending is hard to dismiss.

    Fonda won an Oscar nomination and deserved it for creating a dimensional character in a story thin on believable characters.
    6budikavlan

    Great murder mystery film, except for the murder mystery

    It's a shame the filmmakers decided to make this a murder mystery, because the "mystery" is the only bad part of the film. Fonda and Bridges are both terrific, as usual, and the story of their meeting and falling in love along with the moral rebirth that love sparked in both would have made a fantastic movie. Jeff Bridges is the USA's stealth great actor: he quietly nails every role without an ounce of flash. His chemistry with Jane Fonda (hell, he has chemistry with every actress he's ever costarred with) is the best reason to watch this. Unfortunately, the heart of the plot is a lackluster murder/conspiracy story which undermines the rest. It takes "The Morning After" from a "must see" to a "see if there's nothing better."

    Altri elementi simili

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    5,6
    Una estranea fra noi
    La Garbo dice
    6,4
    La Garbo dice
    Per legittima accusa
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    Doppio taglio
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    Sono affari di famiglia
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    Sono affari di famiglia
    Prove apparenti
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    Prove apparenti
    Daniel
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    Daniel
    Terzo grado
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    Equus
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    Equus
    Power - Potere
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    Power - Potere
    Trappola mortale
    7,0
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    Il gruppo
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    Il gruppo

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This was the only film that director Sidney Lumet ever made in Hollywood, a place that he disliked.
    • Blooper
      The taxi driver tells Alex that it is Thursday November 28, 1986. However, November 28, 1986 was a Friday.
    • Citazioni

      Alex Sternbergen: [Her first lines] What the fuck?

    • Curiosità sui crediti
      The credits don't begin until nine minutes into the film.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Platoon/Lady and the Tramp/No Mercy (1986)
    • Colonne sonore
      Solo saxophone
      Performed by George Howard

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    Domande frequenti19

    • How long is The Morning After?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 20 febbraio 1987 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Francese
    • Celebre anche come
      • The Morning After
    • Luoghi delle riprese
      • La Cienega Oil Fields, La Cienega Boulevard, Los Angeles, California, Stati Uniti(Alex & Turner stop next to the oil fields to talk.)
    • Aziende produttrici
      • Lorimar Productions
      • American Filmworks
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 15.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 25.147.055 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 5.069.926 USD
      • 28 dic 1986
    • Lordo in tutto il mondo
      • 25.147.121 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 43 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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