I gesuiti spagnoli del diciottesimo secolo tentano di proteggere una remota tribù sudamericana che rischia di cadere vittima della schiavitù del Portogallo.I gesuiti spagnoli del diciottesimo secolo tentano di proteggere una remota tribù sudamericana che rischia di cadere vittima della schiavitù del Portogallo.I gesuiti spagnoli del diciottesimo secolo tentano di proteggere una remota tribù sudamericana che rischia di cadere vittima della schiavitù del Portogallo.
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- Vincitore di 1 Oscar
- 15 vittorie e 27 candidature totali
Recensioni in evidenza
THE MISSION is a history drama about the expulsion of the Jesuits' missions in South America in the middle of the XVIII century. By what I've learned the plot's background is accurate to history and all we see in this movie truly happened in real life, unfortunately! The search for slavery work was continuous at the time by Portuguese colonists and the Spanish in spite of slavery not being directly allowed by their crown they also used the indigenous slaves. The Spaniards which had been creating Indian reductions since the middle of the XVI century, as a form to convert and control those indigenous people, were followed by the Portuguese, and both built Jesuit reductions in their territories. But after the 1750 treatment the Jesuits would be expulsed because they refused to leave their missions where their lived together with the indians, in peace. And the indians themselves they didn't want to abandon the reductions too because they knew that in the main jungle they would be an easy target to slave traders (known as "bandeirantes" in Portuguese colony).
So it's just the main plot's topic of this movie which then focus on the personal story of father Gabriel (played by Jeremy Irons), a Jesuit missionary, and Rodrigo Mendoza (Robert de Niro) a former slave trader which was converted to the Christian faith (and to the Jesuits) after kill his brother (because of a woman). The movie has good moments, especially in the last hour, and it describes very well the feeling of injustice and desperation those native people felt by the furious anger of the greedy imperialist armies! There're a few scenes, which focus the sad and empty native children' eyes, that worth more than a thousand words!
I enjoyed this movie and the plot's main topic which portrays a sad period of our history (unfortunately empires were always built under massacres and the subjugation of other people, and I know Portuguese empire was no exception!).
So it's just the main plot's topic of this movie which then focus on the personal story of father Gabriel (played by Jeremy Irons), a Jesuit missionary, and Rodrigo Mendoza (Robert de Niro) a former slave trader which was converted to the Christian faith (and to the Jesuits) after kill his brother (because of a woman). The movie has good moments, especially in the last hour, and it describes very well the feeling of injustice and desperation those native people felt by the furious anger of the greedy imperialist armies! There're a few scenes, which focus the sad and empty native children' eyes, that worth more than a thousand words!
I enjoyed this movie and the plot's main topic which portrays a sad period of our history (unfortunately empires were always built under massacres and the subjugation of other people, and I know Portuguese empire was no exception!).
I had the good fortune to see The Mission on the big screen in 1986 when it was first released. I went into the theater knowing only the title, the two lead actors, and that it had something to do with South America. Two hours later I was a puddle of tears, both from the subject matter and from the knowledge that I had just witnessed a cinematic masterpiece. It is perhaps the most intelligently spiritual film I've ever seen. The cinematography is gorgeous throughout, the settings are stunning, the acting is top-notch across the board, the musical score is breathtaking, and the screenplay is brilliantly eloquent. Roland Joffé did a fantastic job directing The Killing Fields, but this one is even better. I just watched it again on DVD, and nearly 25 years later, the film has not aged or lost any of its power. Still one of the greatest and most underrated films of all time.
After hearing a quick clip from the soundtrack recently I decided to have another look at 'The Mission' which I hadn't seen for more than ten years. Interesting viewing in these days when epics abound: Lord of the Rings, Gladiator, Troy etc.
The first thing that struck me was the intelligence of the script which often seems an afterthought in today's big budget jobs. Robert Bolt weaves an intriguing web of characters; mercenary, slavetrader, starcrossed lover, papal emissary and man of faith. The passion of Robert de Niro's Mendoza beautifully contrasts the quiet firm conviction of Jeremy Irons' Gabriel. And the moral dilemma facing the Catholic Church, whether to abandon influence abroad for the sake of power at home, is ably brought to life in the tortured mind of Ray McAnally's Altamirano. This man sent from Rome by the Pope himself has the power of life and death over the Guarani Indians and the Jesuit priests who have dedicated their lives to Christian service in the deepest regions of the South American rainforest.
The film isn't perfect by any means: I would have liked better representation of at least one Guarani character but the integrity of Joffe's direction and Chris Menges' spectacular camera-work make this one film you have to see. And there's that lovely soundtrack by Ennio Morricone.
We may be more sophisticated these days in terms of technology, sound engineering and special effects but the lesson from 'The Mission' for today's directors has to be: it's the story, stupid.
The first thing that struck me was the intelligence of the script which often seems an afterthought in today's big budget jobs. Robert Bolt weaves an intriguing web of characters; mercenary, slavetrader, starcrossed lover, papal emissary and man of faith. The passion of Robert de Niro's Mendoza beautifully contrasts the quiet firm conviction of Jeremy Irons' Gabriel. And the moral dilemma facing the Catholic Church, whether to abandon influence abroad for the sake of power at home, is ably brought to life in the tortured mind of Ray McAnally's Altamirano. This man sent from Rome by the Pope himself has the power of life and death over the Guarani Indians and the Jesuit priests who have dedicated their lives to Christian service in the deepest regions of the South American rainforest.
The film isn't perfect by any means: I would have liked better representation of at least one Guarani character but the integrity of Joffe's direction and Chris Menges' spectacular camera-work make this one film you have to see. And there's that lovely soundtrack by Ennio Morricone.
We may be more sophisticated these days in terms of technology, sound engineering and special effects but the lesson from 'The Mission' for today's directors has to be: it's the story, stupid.
The Mission is amoung the top ten or twenty films ever made. At this point it is my favourite film. It is an eloquent essay in faith and redemption. The two most moving scenes are the one in which the Brother enters the Jungle above the waterfall, from which the Indians have cast the previous Brother that went up to them, and knowing that the Indians are all about him unseen in the jungle with their poison tipped arrows, he sits down in a clearing and plays the hauntingly beautiful "Gabriel's obo" tune on his own obo. The Indian's are mesmirised and emerge and befriend him. The Brother thinks: "If I had an orchestra, I could have subdued the whole continent." The other scene is where the former Slave driver, who repents after killing his brother, whom he loved above all else, goes with the Brothers up to the settlement of the Indians whom he was taking away to slavery on sugar plantations. The former slave driver has been forgiven his sins but he nevertheless feels the need to do a private penance of dragging the battle armour of his previous life with him through the jungle. When the brothers come upon the Indians, the slave driver fully expects them to kill him for his deeds but instead they cut away the bundle of armour he is dragging and welcome him to them. This echoing of divine Love by the Indians enables the former slave driver to believe in his redemption and to be born again at one with God. The mission is a film that you won't forget. See it today. (Watch out for Liam Neeson in it too by the way.)
In 1750, Spain ceded part of Jesuit Paraguay to Portugal. The Jesuits had converted many of the Guaranis. The Guaranis above the waterfalls still reject the church sending a crucified priest over the falls. Father Gabriel (Jeremy Irons) climbs up the falls and converts the tribe with his music. He confronts slaver Rodrigo Mendoza (Robert De Niro) who is now hunting above the falls. Mendoza returns to town to find his fiancée and his brother Felipe (Aidan Quinn) are now in love. In a jealous rage, he kills his brother. He is despondent and Gabriel offers him work with the Guaranis as penance. Together with Gabriel and other brothers like Fielding (Liam Neeson), they make the mission thrive. Papal emissary Cardinal Altamirano (Ray McAnally) arrives to decide if the church will continue to protect the missions from the slave running Portugese now that the land has been transfer from Spanish protection.
The location is magnificent. The actors are terrific. And the music score from Ennio Morricone is both epic and haunting. This is an amazing historical drama. The story ends in a heart wrenching battle. Director Roland Joffé pulls together one of the best movie of the year.
The location is magnificent. The actors are terrific. And the music score from Ennio Morricone is both epic and haunting. This is an amazing historical drama. The story ends in a heart wrenching battle. Director Roland Joffé pulls together one of the best movie of the year.
Lo sapevi?
- QuizRobert De Niro was one of the few who did not became ill with amoebic dysentery.
- BlooperThe indigenous characters speak Wawnana, a Colombian indigenous language, not Guarani, the indigenous language of Paraguay.
- Curiosità sui creditiAt the film's end, after the final credits, Altamirano gives the audience an ambiguous, almost accusing look, as if he were asking, "Would you or would you not have done this?"
- Versioni alternativeIn the Blu-ray version, the Warner Bros. Pictures logo is plastered with the 2003 variant.
- ConnessioniEdited into The Nostalgia Critic: Signs (2012)
- Colonne sonoreGabriel's Oboe
Composed by Ennio Morricone
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- La misión
- Luoghi delle riprese
- Iguazú National Park, Argentina(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 24.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.218.023 USD
- Fine settimana di apertura Stati Uniti e Canada
- 40.366 USD
- 2 nov 1986
- Lordo in tutto il mondo
- 17.504.819 USD
- Tempo di esecuzione
- 2h 5min(125 min)
- Colore
- Proporzioni
- 2.39 : 1
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