Labyrinth - Dove tutto è possibile

The teenager Sarah (Jennifer Connelly) is forced by her father and her stepmother to babysit her baby brother Toby while they are outside home. Toby does not stop crying and Sarah wishes that her brother be taken by the Goblin King. Out of the blue, Toby stops crying and when Sarah looks for him in the cradle, she learns that he wish was granted and the Goblin King Jareth (David Bowie) has taken him to his castle in the Goblin City in the middle of a labyrinth. Sarah repents an asks Jareth to give Toby back; but the Goblin King tells that she has to rescue her brother before midnight, otherwise Toby will be turned into a goblin. Soon Sarah teams up with the coward goblin Hoggle, the beast Ludo and the knight Didymus and his dog Ambrosius in her journey. Will they rescue Toby in time?

"Labyrinth" is another magic film from the 80's, maybe the best decade in cinema history. It is amazing the quantity of wonderful films produced in this period and "Labyrinth" is no exception. This film makes the viewer feel good and the plot is a journey to the childhood of any adult. It is also delightful to see David Bowie, Jennifer Connelly and these puppets again. My vote is eight.

Title (Brazil): "Labirinto - A Magia do Tempo" ("Labyrinth – The Magic of the Time")

This is a classic fantasy film from Jim Henson, in collaboration with George Lucas. There really is a magic about the film and that has helped it last as a firm family favourite all these years. As with many films aimed at younger audiences there are messages that the writers, in this case Henson himself, have tried to convey, such as `be careful what you wish for (as in the heat of the moment we are not always sure what is best for us) and also about not taking things for granted. These lessons not only relate to the major target audience of young children but also teenagers and adults alike. The film also has values and attitudes about growing up, the central character Sarah is in the awkward stage between child and womanhood, the stage of adolescence. She acts like a child in her self importance and possessiveness but she is perhaps starting to grow out of her young imagination. She does not want to, her room full of inanimate companions, dreams and fantasies, she feels are slipping away.

Labyrinth is about Sarah keeping her imagination alive, her fantasies and dreams, and these help her figure out what she is doing wrong, it helps her realise how her attitude is wrong and causes her to be depressed. There is certainly intelligence to this film if analysed deeply. There is depth to the script, and clear attitudes and values that Jim Henson conveys. Henson is in a way telling not just kids, but also adults, that our subconscious, which includes our dreams and imaginative side (in terms of taking yourself to another place, more than imagination in creating something like a piece of music for instance.) can be as affective a guide to where and when your live is going wrong as your conscious. Sometimes we don't realise things we have said or done until we dream. How many times have you said something, that every teen must have to their parents, for instance `I wish you were dead', very cruel but it is said. I have in the past and realised the full implication in a bad dream, a dream is the most effective doorway to imagine something outside of it really happening.

What is fantastic about the way the film opens and closes as that it really hints to the fact that Sarah has been through the same dream before, and that she needs these imaginative friends, and dreams to help her see the light as it were. She says for instance at the close that every now and again she needs Hoggle and company. The opening of the film sees Sarah reciting from a book to herself, she is addressing the Goblin king and the characters of this book and her room are the cast of a play inside her mind, they are special to her and meaningful, in a way we might have a favourite song that speaks to us in some way. At the start of the film when we are first in her room there is clever use of visual hints that you wouldn't pick up on until watching a film the second time. Look around her room and you see the characters everywhere, Hoggle, Ludo even a little replica of a maze. There is also a clipping of Sarah's mother, who we do not know whether she is still alive, but in any case is not around, but she is with a man who is the likeness of the Goblin King. The man in the photo probably a figure of blame for the loss (however large) of Sarah's mother. What is also interesting is Sarah being a young girl at the start of puberty has a certain fascination and perhaps crush on the Goblin King, perhaps a combination of the character from the book and the likeness of which she has created this character in her head. Certainly on a visual and script basis there are some clever touches when you consider this is a kids film.

The film itself is much like the Wizard of Oz in terms of story (intentional maybe as it could represent something that Sarah finds special and perhaps inspirational). What I really love about the film is, that before the days of CGI, inside the Goblin world, which accounts for 90% of the film, everything is 100% set work, there must be well over a hundred sets and they are all imaginative an create the enchanting atmosphere of the film, these sets combined with some fantastic matte paintings from ILM that give even more of a scale to the film.

I do really like this film, the look, the cheesy feel good 80's music, the characters, it is all great. There is some good humour and of course the odd piece of very childish low brow humour but that is to be expected. It is movie magic no question. David Bowie is good as the Goblin King and all the puppeted characters are fantastically brought to life in there movements and voicing as you would expect from a Henson film. A very youthful Jennifer Connelly before the days when many a website was devoted to her ample bosom, has a charm to her, she has to hold the movie together and win the audience, especially after being very bratty and effectively wishing her baby brother into the clutches of Goblins. She does manage to win the audience though and enchant them with her green eyes and youthful innocence.

This film is great, it is what makes, or made fantasy films of this time really enchanting. Real artistry was involved, there was exuberance and charm to it and it has lasted a long time. It is a firm fans favourite and still gains new young fans. I can still to this day sit down and enjoy the film because I remember what Jim Henson tries to teach us. `Keep the inner child alive inside you sometimes he/she actually knows best'. Perhaps certain events in recent years may have panned out differently had this been heeded by more people, but that is all just hear say.

Overall this is a classic fantasy film with much artistry and charm to appreciate, certainly Henson had a skill in all his fields in the industry. ****

The first time I saw this movie was two years ago. Don't ask me how I managed to miss it as a child but I did.

It is obvious that this movie was made for the kiddies but I don't think it can just be enjoyed by the younger crowd. I think perhaps if I had seen this as a child instead of a teenager I would have enjoyed it more but I didn't and I still enjoyed never the less. There is something magical about watching Labyrinth. You just feel the happiness that rubs off from this movie. It almost makes you wish you were a kid again. I admit seeing it now I have to say some parts are beyond corny but I think that's just part of it, I mean that was the 80's right? I am not even a David Bowie fan but I can't help but smile whenever he starts singing (which is quite often). I recently showed this to my 4 year old cousin and he couldn't get enough of it. It was so great to watch him turn his head back to look at me with a giant smile to make sure I saw the puppets doing whatever they were doing at that moment. He really loved it so I bought him the dvd for X-mas this year along with myself a copy. This is really just one of those movies you have to see at least once in your life, just because there isn't another like it. Sure the story isn't much when it comes to plot but try to watch this film all the way through without smiling once, I dare you!

A great movie for the kids or kids at heart! 8 out of 10 stars.

'Labyrinth' has deep symbolic and psychological significance. It's about a girl going into the fantasy world to work through her issues and fears about growing up. In her room there are all the different creatures/toys etc found in the labyrinth and books from which the symbolism of the labyrinth is taken. Some themes in the movie reminded me of 'The Phantom of The Opera', because it involved a labyrinth, The Goblin King is a musician and a magician and he's in love with a young girl. This movie can be seen on several levels: first, as a children's movie, but also as a movie for grownups, because there are some universal lessons that everyone can learn from it...this movie is so magical and wonderful...the characters in the labyrinth are truly fantastical...I saw this movie in 2006, but i still love it very much and I wish i saw it when i was younger...I probably would have loved it even more, if that's possible :D

In case anyone is interested in the symbolism of Labyrinth and it's characters, here are some interesting links:

http://www.katiescarlett.co.uk/ http://www.oddpla.net/realm/ http://www.angelfire.com/mi2/lorelei/littlemagpie.html http://www.angelfire.com/mi2/lorelei/labyanalysis.html

Oh dear, Jim Henson, you are sorely missed. Not necessarily because you went before your time, or even in somewhat rotten circumstances. No, it is because unlike the purveyors of so-called family entertainment these days, your work was actually entertaining to the whole family. When I was a lad, I used to think these films were childish and patronising. By comparison to what is being aimed at the children of my cousins, it is MENSA material, and I realise now that it was far more brilliant than I had previously given it credit for. Indeed, compared to the "you're not good if you don't have good feelings" rubbish that the likes of B'Harni fill the heads of children with, Henson productions deserve a medal.

At its heart, Labyrinth is a simple fable about how much we miss something once it is gone. A young girl wishes that her annoying stepbrother would disappear, only to find when he is gone that she misses him. Enter the Goblin King, played with a great malice by David Bowie. The challenge the Goblin King sets almost sounds like a video game. Indeed, one popular Commodore 64 game of the time set the challenge of collecting the pieces to solve a key puzzle to save the world in a certain time period. Labyrinth was even adapted into a game for the Commodore 64. In Labyrinth the film, this young woman named Sarah, played with a certain kind of brilliance by a young Jennifer Connelly, is challenged to navigate a massive labyrinth in less than thirteen hours, lest her brother become one of the Goblins.

It sounds like a very simple idea, and it is. What makes Labyrinth the under-appreciated classic that it is is in the details. As previously indicated, the leads are absolutely brilliant. While David Bowie chews scenery like there is no tomorrow, Jennifer Connelly gets so into her character that she makes it seem perfectly natural when she is interacting with some of Jim Henson's most ludicrous creations. The scene in which she rescues a giant yeti-like thing called Ludo is one of the most superbly-made things in the history of children's film. It is also worth noting that in contrast to the aforementioned normalism of B'Harni and his ilk, Henson's creations taught the valuable lesson that appearances are not the sum total of a living creature's character. Ludo looks like he could tear apart our protagonist, but his manner and speech show him as one of the most gentle and lovable characters ever depicted in film.

As you might guess from this film featuring David Bowie as the top-billed star, there are also a few song and dance numbers. Some of them, such as the magic dance number, are immortally embarrassing. Or at least, they would be, if not for two things. First, the suspension of disbelief that Henson so admirably achieves with his puppets is a real pleasure. Second, Bowie's golden voice could charm the paint off walls. When he sings "I saw my baby, crying hard as babe could cry", it stands out like a stark reminder of why this man used to be able to sign record deals worth tens of millions of dollars. It may even bring tears to your eyes.

If Labyrinth does have a weakness, it is in the closing reels. The final song from Bowie stretches the scene beyond its welcome, but it recovers nicely once Sarah returns to the real world. The compositing work in the Firey sequence is rather lousy, and the story seems to grind to a halt when they do their song and dance number. On the other hand, their song and dance number is still incredibly amusing to behold.

In all, I gave Labyrinth an eight out of ten. It is not perfect. In fact, I wonder if whomever designed Bowie's costume was not playing an elaborate joke upon him. But for all of its problems, Labyrinth is an underrated classic. One of the few films that is advertised as being for all ages, and can entertain audiences of that description. A great light went out in our world when Jim Henson passed away.