Aggiungi una trama nella tua linguaA geneticist takes his assistants to his old family home to locate the deadly product of his late mother's revolutionary research into rapid human evolution--his monstrous, tentacled baby br... Leggi tuttoA geneticist takes his assistants to his old family home to locate the deadly product of his late mother's revolutionary research into rapid human evolution--his monstrous, tentacled baby brother--before a mad scientist gets to him first.A geneticist takes his assistants to his old family home to locate the deadly product of his late mother's revolutionary research into rapid human evolution--his monstrous, tentacled baby brother--before a mad scientist gets to him first.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Nell Valentine
- (as Bunki Z)
- Porsche Driver
- (as Ben Perry)
Recensioni in evidenza
"The Kindred" (1987) is similar in spirit to "The Boogens" from six years prior and the soon-to-come "Slugs." It mixes HP Lovecraft with horror bits from "Halloween," "Alien" and "Jaws." For instance, there's an aged doctor in the periphery who's reminiscent of Donald Pleasence's Dr. Loomis, just less noble (Rod Steiger). It's okay, but seems off somehow and therefore is the least of these, which explains its obscurity.
The female cast is decent with Talia Balsam (Sharon), Amanda Pays (Melissa) and Julia Montgomery (Cindy), but the director evidently didn't know how to shoot women.
While it won't strike you at first, the movie ends up being a cabin-in-the-woods flick. It delivers the goods just enough if you're in the mood for such a film but, like I said, it's not exactly great or even really good. It needed another rewrite to flush out more entertainment.
It runs 1 hour, 33 minutes, and was shot at Laird International Studio in Culver City, but also nearby Los Angeles (the hospital) and Mentryville (Amanda's house), which is an hour's drive northwest of the city, just west of Santa Clarita.
GRADE: C.
Is it worth a hunt? Well, it's made just before the end of the horror era. It doesn't show luckily but it's cheesy as hell. But the effects are on-camera and done with the classic latex as seen in the classics so be happy that those are used and not some stupid CGI from that era.
Low budget as hell is shown if you look sharp, a few times the microphone is seen in shots. But if you like them cheesy and messy and with mediocre acting or even over acting try to find it. Be honest, no good storyline you only watch this for the effects.
It has been a while i've seen a 4:3 format on VHS, a trip down memory lane.
Gore 2/5 Nudity 0/5 Effects 3/5 Story 1,5/5 Comedy 0/5
If you like a scare, I recommend it and if you do see it and like it you might want to try "From Beyond".
Sure, as some others have stated here, there are some pretty Cheeeeeeezy moments, but even compared to MOST of the Horror crap that has come out during that time and even within, say, ten years of this being made, I think this one very much holds it's own in drawing the audience in and creating a decent level of tension. There are also a nice twist or two that adds to the entertainment value of the movie. One transformation scene, which I WON'T go into because I do not want to enter Spoiler territory, was honestly quite effective and well done, despite some of the scornful comments from a couple of other reviewers here.
The acting is nothing to get too excited about; we don't see very much from the veterans here, except the usual Rod Steiger getting worked up to either an orgasm or heart attack, take your choice... I personally liked Brad though; he had a rather entertaining personality. Everyone else was adequate; the British girl was decent, of course the accent (to us easily impressed Americans) always helps.
I'm NOT trying to say that this is by ANY reach of the imagination an 'ALIEN', 'SESSION 9', or 'EVENT HORIZON', believe me; but for the modest intent of the film and for PRECISELY what it is, it comes across surprisingly well. So, like I mentioned before, IF you are indeed a fan of these kinds of films, then you should have a lot of fun watching it...
Lo sapevi?
- QuizWhen Rod Steiger reluctantly took direction for a specific scene from young co-director, Stephen Carpenter, he pulled him aside and told Carpenter, "an actor is the only person whose mistakes are photographed." Carpenter went on to say in interviews that he never forgot this moment, and that it changed he and his co-director's (Jeffrey Obrow) approach to directing.
- Citazioni
Amanda Hollins: Dear God, he's still living, he's still alive!
- Versioni alternativeThe US version of the film is cut for an "R" rating. Cut out were a shot of the monster's tentacle going into a woman's nose, and also the monster opening its belly during its death.
- ConnessioniFeatured in Trailer Trauma 3: 80s Horrorthon (2017)
I più visti
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.407.024 USD
- Fine settimana di apertura Stati Uniti e Canada
- 602.834 USD
- 11 gen 1987
- Lordo in tutto il mondo
- 2.407.024 USD