Ijaazat
- 1987
- 2h 17min
VALUTAZIONE IMDb
8,3/10
1830
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaMeeting accidentally five years after their divorce, a couple reflects on how their marriage collapsed despite transparency.Meeting accidentally five years after their divorce, a couple reflects on how their marriage collapsed despite transparency.Meeting accidentally five years after their divorce, a couple reflects on how their marriage collapsed despite transparency.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 1 candidatura in totale
Rammohan Sharma
- Ticket Checker
- (as Ram Mohan)
Sulabha Deshpande
- Parvati
- (as Sulbha Deshpande)
Recensioni in evidenza
The movie draws very strong performances from the three main characters Nasrudeen Shah, Rekha, and Anuradha Patel. This is an oft touched topic, and the story IS slightly off-beat for 'those times'. The melancholy that pervades the night at the train station and slow revelation about the character's past through flash backs are both done very neatly.
If you watch carefully, a lot of subtle attitudes and character sketch is done through very simple acts. Nasrudeen shah impatiently fiddles with the switch in the bathroom, he throws his towel carelessly and it falls down on the first try. Rekha walks and talks very slowly and is always pensive.
The songs should not have been there in the first place. It looked very odd for this otherwise good movie. I was completely mesmerized by the 'kavithas' that brace the episodes (especially with Anuradha Patel).
Since IMDb does not allow to write Hindi transliteration: a translation of one of them is
What to say of habits? Habit, it has become, for us to breathe. Habit, it has become, for us to live. We continue to live. and, We continue to live.
There are many many more.
If you watch carefully, a lot of subtle attitudes and character sketch is done through very simple acts. Nasrudeen shah impatiently fiddles with the switch in the bathroom, he throws his towel carelessly and it falls down on the first try. Rekha walks and talks very slowly and is always pensive.
The songs should not have been there in the first place. It looked very odd for this otherwise good movie. I was completely mesmerized by the 'kavithas' that brace the episodes (especially with Anuradha Patel).
Since IMDb does not allow to write Hindi transliteration: a translation of one of them is
What to say of habits? Habit, it has become, for us to breathe. Habit, it has become, for us to live. We continue to live. and, We continue to live.
There are many many more.
One of the most touching love stories which leaves the heart yearning for more to see the love tangle....with an ultimate solution!The song MERA KUCHH SAMAAN PADA HAI reveals the cravings of a young heart.Definitely a must see movie.Nassiruddin shah has been to the very peak of a hidden but sincere relationship.His self control is witness to his character and this bears testimony of an undaunted personality.It is a rare love storey in itself.I wonder if I can venture to establish a parallel with the movie MASOOM where again NASSIRUDDIN SHAH succeeds in revealing an outstanding personality of his own as a lover and then as that of a caring husband.Rekha is as usual the very epitome of a devoted wife but careful!no bargain no sharing can be allowed or tolerated if this may someday endanger the very conjugal happiness.Both REKHA and Nassirudin Shah have had the execellence of expression through their performance.Coming out of the theatre the spectators must have definitely felt the lump in their throat.
Ijaazat has a very real and wonderful story with absolutely excellent performances by Rekha and Naseeruddin Shah, and superb direction by Gulzar. This film is highly recommended. One wonders where such talent lies today, films like this keep one living in the glorious past of Indian cinema.
10ngarg
Great plot. Great acting. Lots of symbolism. Really well filmed for its time. Some of my favorite songs. This isn't your usual Hindi movie. It doesn't have an elaborate set. No dance scenes, much less elaborate ones. It doesn't have a huge cast. If you like this try the others by this director.
'Ijaazat' was like a remarkable anthology full of beautiful poetry. There are some wonderful poetry recited by the actors but the film itself is a colourful poem: the characters, the music, the story...all poetry. Directed by a poet himself, Gulzar, takes us into a journey of complex emotions of complex people.
Gulzar starts his movie with a view of beautiful landscapes and a passionate song sung by the legendary Asha Bhosle. After that, we see Nasseeruddin stepping out of the train while we hear torrential rain in the background. Here he meets Rekha and then, as flashbacks, we see their story.
Mahinder (Naseeruddin Shah), a young photographer, is madly in love with the wild and impulsive Maya (Anuradha Patel). However, his marriage has been arranged (by his grandfather) with his childhood friend Sudha (Rekha). He confides in Sudha and tells her the truth. Sudha advises him to speak to his grandfather and arrange for Maya to meet him. All of a sudden Maya leaves. Things don't work out as expected and Mahinder decides to marry Sudha. The couple seem to be happy in their marriage yet they're both trying to deal with Maya. Sudha, trying to deal with the fact that Mahinder still has strong feelings for her and Mahinder, dealing with his feelings and with the fact that Maya is the past. Maya appears every contacts every now and then. Sudha tries to accept things the way they are but the more time she spends with Mahinder, the more difficult it gets.
All the songs are beautifully song by Asha Bhosle, giving life to the poem this movie is and then Maya's poems which add to the intriguing mystery of the character and her relationship with Mahinder. Anuradha Patel as the mysterious Maya is brilliant. Her facial expressions (especially with her eyes) are amazing. As Maya herself is heartbroken that because of her own impulsiveness she lost Mahinder, she tries to prevent herself from reaching out to Mahinder but can't help herself from contacting him.
Rekha is amazing as the strong but also vulnerable Sudha. She plays her part subtly and manages to convey a lot by her presence alone. This is a fine example of how subtle acting stands out. Sudha gradually sees hope that she'll have a happy marriage until she soon comes to terms with the fact that Maya will always stand between them.
Only an actor like Nasseeruddin Shah can do justice to a character like Mahinder. He's excellent as the helpless man torn between two women. His scenes with both Anuradha and Rekha are examples of how fine acting and a display of a quiet but powerful chemistry.
'Ijaazat' is Gulzar's poem which he beautifully recites. It's a poem about three lives. It's a poem that reflects life...
Gulzar starts his movie with a view of beautiful landscapes and a passionate song sung by the legendary Asha Bhosle. After that, we see Nasseeruddin stepping out of the train while we hear torrential rain in the background. Here he meets Rekha and then, as flashbacks, we see their story.
Mahinder (Naseeruddin Shah), a young photographer, is madly in love with the wild and impulsive Maya (Anuradha Patel). However, his marriage has been arranged (by his grandfather) with his childhood friend Sudha (Rekha). He confides in Sudha and tells her the truth. Sudha advises him to speak to his grandfather and arrange for Maya to meet him. All of a sudden Maya leaves. Things don't work out as expected and Mahinder decides to marry Sudha. The couple seem to be happy in their marriage yet they're both trying to deal with Maya. Sudha, trying to deal with the fact that Mahinder still has strong feelings for her and Mahinder, dealing with his feelings and with the fact that Maya is the past. Maya appears every contacts every now and then. Sudha tries to accept things the way they are but the more time she spends with Mahinder, the more difficult it gets.
All the songs are beautifully song by Asha Bhosle, giving life to the poem this movie is and then Maya's poems which add to the intriguing mystery of the character and her relationship with Mahinder. Anuradha Patel as the mysterious Maya is brilliant. Her facial expressions (especially with her eyes) are amazing. As Maya herself is heartbroken that because of her own impulsiveness she lost Mahinder, she tries to prevent herself from reaching out to Mahinder but can't help herself from contacting him.
Rekha is amazing as the strong but also vulnerable Sudha. She plays her part subtly and manages to convey a lot by her presence alone. This is a fine example of how subtle acting stands out. Sudha gradually sees hope that she'll have a happy marriage until she soon comes to terms with the fact that Maya will always stand between them.
Only an actor like Nasseeruddin Shah can do justice to a character like Mahinder. He's excellent as the helpless man torn between two women. His scenes with both Anuradha and Rekha are examples of how fine acting and a display of a quiet but powerful chemistry.
'Ijaazat' is Gulzar's poem which he beautifully recites. It's a poem about three lives. It's a poem that reflects life...
Lo sapevi?
- QuizNaseeruddin Shah's role was first offered to Sanjeev Kumar. Anuradha Patel's role was first offered to Smita Patil. By the time the movie went of floors both of them were unfortunately no more.
- ConnessioniReferenced in Talvar (2015)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Permission?Powered by Alexa
Dettagli
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti