Hollywood Vice Squad

Hollywood Vice Squad passes itself off as a comedy, even though it's really a drama. Given it's subject, it could of been a much better drama, as some bits work quite effectively, but I'm talking only a minority of scenes. The film has an interesting cast of actors, some lesser known types, like Evan Kim, and Joey Travolta, John Travolta's lesser known brother. It also stars veteran actor, Frank Gorshin, as a sleazy old pimp, well suited to his features. It also has Carrie Fisher, after her Star Wars days, a cop with potential, wanting to make a difference. Her frustration is only increased when stumbling across a kiddy porn flick being made in one of L.A.s own backyards. Ronny Cox, I guess, is kind of stereotyped here as a caring detective who tells mother (Trish Van Devere) straight out the facts on missing teenagers who go searching for their dreams. This film also has Robin Wright in one of her earlier roles, (years before becoming Mr Penn's better half) as a teen pro and junkie who works for pimp, Gorshin, (again what a sleaze). So it's up to the vice squad who must track her down, the missing teen, suspected as belonging to Gorshin's stable. Evan Kim is an asset to this movie in a parade of bad disguises, while working undercover, the last one, before the curtain comes up, a must see, though I did like the first one with as the eager sex tourist. Leon Issac Kennedy, another one of the squad, has his moments too. He plays cool, great, almost a clone of Lionel Richie. The scene in particular that convinced me mentally of this, was when one of Gorshin's women, a tall long legged hottie, strips for Leon's character, who's masquerading here as an upscale pimp, competing with Gorshin, who finds him a hoot as he does a joke, This scene is my favorite scene, that stands superior to the others, but also not forgetting the one with Ms Wright, in nightwear making out with an older client. One thing that freaked me out about the movie was Gorshin's, shockingly thin and short receptionist. Some scenes in this movie stay with me, one a raid with Fisher's mob crashing another kiddie porn flick, this one has it's youngsters in viking gear, horns and all. But this movie is really laughable, but a lot of fun too. It's a pity in one sense, as this flick showed promise, but on the other scale, it's really entertaining B grade fun, Evan and Leon as it's saving grace.

My review was written in March 1986 after a screening on Manhattan's UES.

"Hollywood Vice Squad" is producer Sandy Howard's silly, unfunny spoof followup to his 1982 action hit "Vice Squad". Earlier film worked well as a thriller but the new one is an episodic mishmash that is strictly dullsville.

Main storyline is an elaborate in-oke taking off on Paul Schrader's "Hardcore". Pauline Stanton (Trish Van DeVere) asks the Hollywood police, led by kindly Capt. Jensen (Ronny Cox reprising his "Beverly Hills Cop" role) to help find her runaway daughter Lori (Robin Wright). (Van DeVere's real-life spouse Geroge C. Scot became mired in a similar cesspool of vice in "Hardcore".) Lori has become a hooker working for nasty James Walsh (Frank Gorshin hamming it up) and Jensen assigns several cops, led by Hawk (Leon Isaac Kennedy) to entrap Walsh as a white slaver.

Two dumb subplots also compete for attention. In one, gung-ho cop Betty Melton (Carrie Fisher enacting a "Saturday Night Live" tv skit) heads up a team trying to bust a filmmaker shooting S&M pornography with underage actors. The other has Det. Romero (H. B. Haggerty) trying to use a bookie (Julius W. Harris) to get the goods on N. Y. mob figure Luchessi (Robert Misano).

Not helped by James Docherty's vulgar, unfunny dialog, director Penelope Spheeris muffs the timing of the comedy scenes and fails to integrate exposition & dramatics with the requisite action footage. Slapdash production was filmed last summer, but an extraneous car-stunt sequence jarringly features theater marquees (displaying "Clue" and other pics) filmed much later, around Christmastime.

Tech credits are acceptable, but the musical score, mainly percussion, is a drag.

From the writer of minor exploitation classic "Vice Squad" comes another sleazy 80s crime flick that boasts the film debut of the future "The Princess Bride" star Robin Wright. "Vice Squad" was about a killer targeting prostitutes, but this sudo sequel focuses on a mother searching the mean streets of Hollywood to find her junkie prostitute teen daughter, Wright. Mom finds out her daughter is involved in porn, drugs and general badness, so she then works with the Hollywood Vice Squad to rescue her. Part of the squad is rookie cop Carrie Fisher, who has to go undercover into this skeezy underworld to find Wright and bust the scumbags responsible. In real life, Fisher had just gotten out of rehab and the insurance company wouldn't give her bonding coverage, so director Penelope Sepheeris ("Suburbia" "Decline of the Western Civilization") cast a close friend of Fisher's for the movie so she could make sure Fisher showed up to work each day. Fisher later satirized the production of "Hollywood Vice Squad" in her novel and screenplay for "Postcards From the Edge." But back to the movie at hand, I did enjoy the sleazy 80s grit of the film, though in terms of storytelling and characters, it's pretty weak. Still, I was definitely entertained and would recommend it for fans of similar grimy 80s action flicks (i.e. "10 to Midnight," "Angel," "Vice Squad," etc.). Ronny "Deliverance" "Robocop" Cox, Frank "The Riddler" Gorshin, Leon Isaac "Penitentiary" Kennedy, Joey "Brother of John" Travolta, and character actors H. B. "70s bald guy actor" Haggerty and Evan C. "Kentucky Fried Movie" "The Dead Pool" Kim also appear in the film.

With this film, co-producer Sandy Howard is obviously mining some of the same material utilized for his earlier production "Vice Squad". It purports to fictionalize some of the true life exploits of the men and women who work for the title department. It's episodic, and tells a few stories.

Pauline Stanton (Trish Van Devere) comes to California to search for her runaway daughter Lori (Robin Wright, in her film debut), and is educated by the dedicated Captain Jensen (Ronny Cox) on the sleazy nature of the Hollywood underworld. Betty Melton (Carrie Fisher) is an eager young rookie detective determined to prove herself to grunting-pig colleagues, and gets wind of a porno operation that exploits underage actors. Hawkins (Leon Isaac Kennedy) and his partner Judy (super sexy Cec Verrell) attempt to take down prostitution kingpin Walsh (Frank Gorshin), eventually assisted by Chang (Evan C. Kim) and Stevens (Joey Travolta). And Tank (H.B. Haggerty) and Daley (Ben Frank) try to look out for small time bookie Jesse (Julius Harris) who's being hassled by mobster Luchessi (Robert Miano).

Ably directed by Penelope Spheeris, the movie is hurt at times by detours into silly comedy that don't really add anything. Besides, the movie isn't quite melodramatic, ugly or trashy enough to need any sort of relief. It's still reasonably sleazy, and tells its stories in entertaining fashion. Some viewers might feel that it's a tad overlong, but it managed to hold this viewers' attention for over an hour and 41 minutes. The look for the movie is just right, and the soundtrack features some cool tunes.

The very good cast is the glue that holds it together, with Fisher a standout as the ambitious, hard-driving young woman who is willing to deviate from the "book" in order to get her man. The fine ensemble of character actors also includes Marvin Kaplan, Beau Starr, Tom Everett, Eloy Casados, and Phil Rubenstein.

As was said, this actually might not be hardcore enough for some tastes, but it's a pleasingly diverting exploitation picture just the same.

Seven out of 10.

Taken straight from "actual files of the Hollywood Vice Squad",Penelope Spheeris' fourth film tries to be both a comedy and serious drama at the same time,and fails miserably at both.The comedy doesn't work,and all the actors look like they're acting underwater,so the viewer ends up not caring what happens to any of the characters.This movie is like watching a train wreck in progress,without the adrenaline flow.