Furia incontrollata

I thought this movie was really laid back, boring for the first hour or so, but if you like the 80s (like myself) and horror (like myself) then I would say this movie is worth watching! I dig the soundtrack and the scary 80s beats when death arrives, and the Queenie is definitely poster-child of the 80s! Shes got style shes got grace, shes got beaten to death by a rock in her FAACE!! MWAH HA HA HA! If you're bored, watch it! There needed to be a bit more action and gore but for the most part its pretty enjoyable if you like the horror films that are pretty dark all the way through. You don't grow any attachment to any of the characters, its pretty much just a cheesy horror film of the 80s! And mind you, those are the best.

The beginning is quite fantastic, who doesn't love a young little girl in a scary little pink dress who kills off some teenagers who try to have sex in her playhouse!? lol.

A little known, low-budget horror flick, Hell High actually has more in common with the vengeance exploitation films of the '70's than with the teen slashers that were so popular during its time.

When trouble making teens decide to terrorize their teacher, they go over board with some murderous consequences!

With a compelling story, moody atmosphere, and a good cast, Hell High (which has little to do with its title) is a horror film that manages to over come the limitations of its low budget. Even still, the film is pretty well made for a B horror flick. The music score and filming locations aren't bad either.

The cast of unknowns is pretty good. Maureen Mooney does a good turn as the tormented teacher. Christopher Cousins isn't half bad as a reluctant teen assailant. Best of all though is the late Christopher Stryker (who died of AIDS before the film could be released). He makes for a great teen bad boy and a surprisingly merciless villain! Stryker could have easily went on to bigger films.

Criticize it for what you will, but Hell High is one of the better 'lost' horror flicks of its day. It's 80's horror that takes a refreshing break from the slasher film conventions.

*** out of ****

Four outcast high schoolers in the Northeast play a prank on their biology teacher at her home on the weekend, but the fun turns into murderous trouble.

"Hell High" was shot in 1985, copyrighted in 1986, but not released until 1989. It's also known as "Raging Fury" and "Real Trouble," which are more accurate titles. I was thinking it was a slasher, but it's really high school thriller/horror meshing the milieu of "Carrie" (1976) and "Christine" (1983) with the revenge exploitation of "I Spit on Your Grave" (1978). It only cost $188,000, but seems more polished than "I Spit," which cost $650,000.

The flick effectively takes you back to the high school days and the various cliques and types, such as the troublemaking leader of the outcasts, the hot girl that hangs with the misfit dudes, the goofy guy, the quarterback and his cheerleading babe, as well as the guy who's an inbetweener (Christopher Cousins). The agitator, played by Christopher Stryker, died of AIDs at the age of 27 before the movie was released.

It's relatively serious, but there's a little camp, e.g. The football coach. The best thing is you don't know where it's going. Don't expect a typical 80's slasher.

On the female front, Millie Prezioso is interesting as Queenie while Maureen Mooney plays the biology teacher and Kathryn Rossetter the girls' coach. The brunette girlfriend of the quarterback is worth a mention, Mink (Victoria Andahazy). As usual with this genre, there's a bit of harmless nudity.

The movie runs 1 hour, 24 minutes, and was shot in Westchester, Bronx, which is just a couple miles east of The Bronx Zoo with the high school interiors done in Scarsdale, New York, which is located eight miles north of The Bronx.

GRADE: B-

(* out of *****) The Blockbuster Video Guide gave this movie three stars -- I'm thinking everyone involved in the Blockbuster franchise must have undergone mentally-corruptive radiation treatments in the '70s. Boy, is this movie stupid! It's your typical cruel prank/revenge/slasher plot, except it looks even cheaper and bored me even more than usual. Some mean (and over-aged) high school kids throw rocks at their mean teacher's house and then sexually molest her, so she jumps out the window. Well, of course she's not dead, and of course there's a traumatic incident from her childhood (she `accidentally' threw a bucktful of mud onto two libidinous motorists, causing them to fly off the bike and impale themselves on wooden stakes in a scene that I assume was supposed to be shocking, but, instead, had me laughing for a good five minutes), and, next thing you know, she's hopping mad and homicidal. Character motivations are weak and absurd, at best, and the plotting is almost transparent in this sick turkey. I loved the scene where the former football star and his friends drive a car onto the field in the middle of a game and intercept a pass while cheesy, triumphant music swells -- were we supposed to feel uplifted here and like this guy or something because he's not quite as cruel and sadistic as the other guy, he's just too much of a coward and a doofus to not go along with him? It stars -- well, really, who cares?

Lowlight: Oh dear, so much to choose from.... There's the tacky scene where the teacher's out cold and undressed on her bed and the slutty girl's showing her dopey ex-boyfriend how to properly touch a woman. But, no, let's just stick with the opening scene where the kid throws the mud at the bikers and they lose control and somehow land on those sharp wooden stakes. I'm sure there are even `better' scenes, but I'd have to rent the movie and watch it again to refresh my memory, and I'm just not ready to do that.

*Kinda* slasher directed by Douglas Grossman. Seven year-old Brooke likes to play with her dolls in an abandoned shack off a cycling path near her home. When a teenaged couple arrive on their motorcycle to make-out in the shack Brooke hides and watches. The teenaged girl decides she doesn't want sex, and in frustration her boyfriend pulls the head off one of Brooke's dolls (this guy is hardcore). As the couple argue and get back on the motorcycle to leave, Brooke emerges from hiding, looks at the damage to her doll, and decides to go outside and fling mud in the face of the boy steering the motorcycle. The bike crashes and the couple are thrown off and impaled on metal railings, killing them both. Eighteen years later Brook is a science teacher at the local high school and the unexplained deaths of the couple 18 years before have become local legend. When Brooke humiliates high school bad-boy Dickens in front of class, he decides to pay her back and recruits three others to help him. The next night they don Halloween masks and attack Brooke's home, terrorising her inside. What they don't know is that the deaths Brooke caused as a young girl have left her traumatised, causing her to majorly flip out and turn the tables on her tormentors one by one.

Although this was filmed 1986, money running out plus other unspecified delays meant it wasn't released until 1989. By then the slasher was starting to be overtaken by other types of horror. Also, by the time it was released the top-billed actor, 27 year-old Christopher Stryker (Dickens), had been dead for two years from AIDS. The movie underperformed and was largely forgotten for many years. For most of the remaining cast this was their only onscreen credit (with the notable exceptions of soap-queen-to-be Maureen Mooney as grown-up Brooke, and Christopher Cousins as one the of the gang).

The film inverts the slasher trope; instead of a masked killer hunting down a group of innocent teens, it's the teens who are masked (and *far* from innocent), hunted by a killer whose identity isn't hidden in any way. It also makes the moral aspect murkier, with it being debateable how many - if any of the victims - deserve what happens to them. The performances are okay and the obligatory 80s synth score is fine. The film also ticks the boxes for the expected topless nudity. Pacing-wise it's slow after the initial two motorcycle deaths, and does tend to drag until things kick into gear in the third act. And like a lot of these movies if you start to pull at the plot it starts to unravel. You just have to go with it. But it's a fun piece of nostalgia. 6.5/10.