Tra due Ringraziamenti a due anni di distanza, il marito di Hannah si innamora di sua sorella Lee, mentre il suo ex marito ipocondriaco riaccende il suo rapporto con sua sorella Holly.Tra due Ringraziamenti a due anni di distanza, il marito di Hannah si innamora di sua sorella Lee, mentre il suo ex marito ipocondriaco riaccende il suo rapporto con sua sorella Holly.Tra due Ringraziamenti a due anni di distanza, il marito di Hannah si innamora di sua sorella Lee, mentre il suo ex marito ipocondriaco riaccende il suo rapporto con sua sorella Holly.
- Regia
- Sceneggiatura
- Star
- Vincitore di 3 Oscar
- 27 vittorie e 28 candidature totali
- Frederick
- (as Max Von Sydow)
Recensioni in evidenza
Among the Manhattan-dwelling characters is Michael Caine, who is married to Hannah (Mia Farrow) but lusts after her sister (Barbara Hershey) who lives with a tormented artist (Max Von Sydow.) Hannah's ex-husband (Woody Allen) starts dating her other sister (Diane Weist) who wants to date Sam Waterston, even though he'd rather date her friend (Carrie Fisher).
In addition to the cameo by Julia Louise Dreyfuss, the film features two supporting performances by old school actors, Lloyd Nolan and Mia Farrow's real life mom, the original Jane in the Tarzan movies, Maureen O'Sullivan.
If that's not enough, Allen throws in plenty of his trademark hypochondria hysteria, questioning the meaning of the universe and whether God exists.
The strongest scene in this film features the lovely poem by e e cummings entitled somewhere i have never traveled', which Caine sends to Herschey as a token of his regard for her. Other goodies include the touching ending when two misfits learn to love and accept each other. This is my favourite Allen movie as it brings together all the strands of movie-making at which he excels, and perhaps, along with Crimes and Misdemeanors, his strongest cast.
Like I said before, this is not so much a comedy as it is a drama. The comedy that's in it fits, and is good, but the drama is better. Elliot's secret love for Lee is handled in a romantic way, but their infidelity is still seen as wrong, and you feel their guilt and inner turmoil. Mickey thinks he has a brain tumor, he finds out he doesn't and then he feels worse, and starts desperately searching for a purpose to live. All the other stories are equally dramatic, with comedy fittingly sprinkled in places too.
The acting is quite good, everyone playing their part perfectly, whether it's big or small. The film's best performances come from Allen (in what's no doubt his best performance) and Dianne Wiest as the extremely under-confident youngest sister. Allen and Wiest don't necessarily carry the film, as there's no need to, but their segments were certainly the best, for me at least. The rest of the cast put forward too, especially Max von Sydow and Michael Caine in his first (and so far his only deserving) Oscar win.
Woody Allen's direction is at the top of its form here too, much like "Annie Hall" and his other greats. The camera work and use of voice overs are excellent. For instance, there is an intensely dramatic scene where the three sisters have lunch together and for the entire scene the camera rotates around the table, the speaker not always in the frame. His script is great too, it knows when to be dramatic and when to be funny and when to be both.
One of Allen's very best, 8/10.
Like Manhattan, this picture looks beautiful; NY in all its many breath- taking colors. The relationships of everyone on the screen are perfectly woven, and Woody has the best sight gag of the film when he takes a bible and a crucifix out of a paper bag (to find religion), and follows them up with some Wonder Bread and mayonaisse. Hilarious!
Deserving of its writing and supporting actor Oscars, it's too bad everyone in the movie couldn't have won. They're all believable and enjoyable to watch. My favorite: Max Von Sydow as the very cynical, older Frederick. He should have had more moments. Imagine him at one of the Thanksgiving dinners...
Lo sapevi?
- QuizMany of Hannah's scenes were filmed in Mia Farrow's apartment. Woody Allen said that Farrow once had the eerie experience of turning on the television, stumbling upon a broadcast of the movie, and seeing her own apartment on television, while she was sitting in it.
- BlooperMickey's audiometry doctor tells him he has a loss of hearing in the "high decibels" region. He clearly meant "high frequency" region, as "high decibels" refers to increased loudness.
- Citazioni
Frederick: It's been ages since I sat in front to the TV. Just changing channels to find something. You see the whole culture. Nazis, deodorant salesmen, wrestlers, beauty contests, a talk show. Can you imagine the level of a mind that watches wrestling, huh? But the worst are the fundamentalist preachers. Third grade con men telling the poor suckers that watch them that they speak with Jesus, and to please send in money. Money, money, money! If Jesus came back and saw what's going on in his name, he'd never stop throwing up.
- Colonne sonoreSola, perduta abbandonata
Segment from the opera "Manon Lescaut" by Giacomo Puccini (as Puccini)
Filmed at the Regio Theatre of Turin, Italy
Performed by Orchestra del Teatro Regio di Torino (as The Orchestra of the Regio Theatre)
Conductor - Angelo Campori
Director - Carlo Maestrini
Set by Pasquale Grossi
Costumes - Tirelli Costumes, Rome
Manon Lescaut - Maria Chiara
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Hannah y sus hermanas
- Luoghi delle riprese
- Mount Vernon Hotel Museum & Garden - 421 East 61st Street, Manhattan, New York, New York, Stati Uniti(Architecture tour: Abigail Adams Smith House Museum)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.400.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 40.084.041 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.265.826 USD
- 9 feb 1986
- Lordo in tutto il mondo
- 40.084.041 USD