Vendetta dal futuro

Thank you, Claudio Simonetti. This was neither the first nor the last time in your career that the flavorful original music you provided for a film was one of its top highlights, if not the only highlight. Here, your contribution is not necessarily the only highlight, but it's certainly the most reliable one.

It's not that 'Hands of steel,' initially released as 'Vendetta dal futuro,' is absolutely rotten. The script is a weird hodgepodge, but there are some genuinely good ideas here amidst the more dubious ones, and those plainly borrowed from existing properties. At least a few of the actors on hand seem to be making an effort. The filming locations are terrific, and I think the crew operating behind the scenes turned in some good work including sets, lighting, costume design, and even the cinematography. The stunts and practical effects look pretty good, and the action sequences at large, especially as they populate the back end. The thing is, I can't bring myself to offer more substantial or enthusiastic praise.

Sergio Martino's direction and Aldo Devgen's editing are both rather curt and brusque at points, doing the whole no favors, and there are times when the editing is kind of just sloppy. For every actor seemingly making an effort, there is at least one who is chewing scenery, including star Daniel Greene and Italian B-movie regular George Eastman; elsewhere the performances are direly limp and unconvincing. Even if we make allowances for dubbing the dialogue is mostly terrible, and the dubbing is less than great. The plot development relies in no small part on "Just So" Movie Magic, especially as the government investigates the attempted assassination, and feels coarse and unpolished broadly, and maybe rushed. The picture overflows with tiresome, frankly repulsive machismo, and do note some gratuitous nudity and an obligatory romantic element that is likewise not fully convincing.

I don't mind that 'Hands of steel' lifts some ideas directly from other sci-fi flicks. We get tastes of 'The Terminator' as "Paco" is a cyborg like Arnold, but he is also a hero like Michael Biehn, as paired with "Linda," standing in for, well, Linda Hamilton. Heading into the last third we get a character based on Pris in 'Blade Runner,' and so on. It's fine; these are thoughts I could work with. What I do mind is that the construction here seems a little careless in too many ways. I see fantastic potential in what the feature could have been if the screenplay had been approached more mindfully, if the direction were stronger, if the acting was more consistent, and if the editing didn't questionably chop up the proceedings. Through to the ending, abrupt though it may be, there are smart notions that could have been exercised to meaningful effect. We do get glimmers throughout of that more significant, more lasting value. It's too bad that such glimmers are dragged down by the more tawdry facets.

I don't dislike this title; there are much worse ways to spend your time. For everything else that we could be watching instead, however, there's also not much reason to sit with it unless one is extra keen on B-movies of this nature. Don't go out of your way for 'Hands of steel'; if you're going to check it out then save it for a lazy day, and be well aware of the flaws throughout. Maybe we should just leave it at that.

Not only is this Italian flick a ripoff of THE TERMINATOR, but it predated the arm wrestling cinema classic OVER THE TOP. In an undisclosed future, cyborg Paco (David Steele) is sent to assassinate a blind environmentalist (whose slogan is "You have no future!"). But he doesn't finish the job when a bit of his human heart takes over. Paco heads to the Nevada desert to hide out and, while at a cheapo motel, becomes the region's champion arm wrestler. Because we all know arm wrestling is the sport of the future. I laughed out loud when they showed their wall of arm wrestling champs that included wrestlers Bruno Sammartino, Hillbilly Jim, Magnum TA and Dory Funk, Jr. Lead Greene looked so familiar but I couldn't place him. Checking here at the IMDb, he played the Dad in KINGPIN and the meathead in ELVIRA, MISTRESS OF THE DARK. So there is life after Sergio Martino movies. Janet Agren, John Saxon, George Eastman and Donald O'Brien show up for support and are all fine. Sadly, I also read here that Italian character actor Claudio Cassinelli, who plays Saxon's hired hit-man, was killed in a helicopter crash while filming that. I guess that is why Saxon's men off him quickly at the end and you just see him lying face down. That is really too bad.

Developed by an evil organisation, cyborg Paco Queruak (Daniel Greene) is sent to assassinate a political activist but resists his programming at the last moment. On the run from both the FBI and those who created him, Paco finds employment with Linda (Janet Agren), the beautiful owner of a remote roadside bar and motel. His solitude is short-lived, however, when he comes to blows with local arm-wrestler Raul Morales (George Eastman) who isn't best pleased about Linda's handsome new lodger and who will do whatever it takes to be rid of him.

Unlikely to appeal to most casual movie viewers, Hands of Steel should prove to be of most interest to those with a particular fondness for cheap European sci-fi/action nonsense from the 80s, featuring as it does many a familiar name from the genre. In addition to exploitation legend Eastman (Anthropophagus) and Fulci star Agren (City of the Living Dead), Hands of Steel's cast includes Euro-cinema regulars Claudio Cassinelli (who sadly died during production), Donald O'Brien and John Saxon, all of whom have starred in more than their fair share of Italian schlock.

Seasoned writer/director Sergio Martino approach lacks finesse and style but is still reasonably fun, the cheap and cheerful nonsense on offer including a perilous drive through an acid rain storm, a hilarious arm-wrestling bout involving rattlesnakes, an unforgettable smack-down against a female cyborg wearing a nappy and a plastic skirt, a ridiculous action packed finalé in which Paco is hunted by John Saxon armed with a massive laser cannon, and a mind-numbingly dumb 'surprise' ending. Also adding to the fun: a reasonable rip off of the self-surgery scene from The Terminator by Italian FX man Sergio Stivaletti and a nifty synth score from Claudio Simonetti (of Goblin fame).

The year 1997 : the guardian of the future is much more than a human being... There an evil international industrialist , the arrogant Francis Turner (John Saxon) is determined to terminate the interference of a world-leading ecological scientist (Franco Fantasia) , so he assigns the ace hit killer-cyborg Paco Queruak (Daniel Greene) to murder him . However, things go wrong . As Paco is 30% human, 70% robot, 100% lethal , but then the human side takes over and he refuses to execute his mission. Paco flees to Arizona where he has to take on his opponents ; and ultimately choose between his humanity and robotic natures .

Thrilling , stirring and exciting Cyborg movie with unstopped action , snappy pace , top-rate fights , shootouts , fierce combats and breathtakingly spectacular scenes . It contains traditional and abundant FX perfectly adapted to the noisy action , adding appropriate make-up by specialist Sergio Stivaletti . Vendetta dal futuro (1986) is derivative and rip-offs other American film as Terminator and Over The Top , these were Sergio Martino's influences for the film. Expert filmmaker Sergio Martino relates the uneven , but attractive story at a quick pace by staging compellingly some rousing set pieces , showing breathtaking Arizona desert locations , and he maintains intrigue and surprises throughout, resulting in a dynamic and twisted final . There's a charming cast of familiar Italian B-pic veterans and packing a good support that helps a lot : as a passable acting by the beefy American Daniel Greene as the resourceful cyborg who has been programmed to eliminate the leader of an ecological faction that stands in the way of the dystopian country in which the story is set. Along with the tall George Eastman or Luigi Montefiori in smoothly nasty form excels as an obnoxious wrestling trucker , the lovely Janet Agren as likable motel owner Linda, Donald O'Brien has a swift bit as bitter crippled scientist and unfortunately co-star Claudio Cassinelli died in a helicopter crash on July 12, 1985, during shooting in Arizona .

It displays colorful and adequate cinematography by the good professional cameraman Giancarlo Ferrando , shot on location in Arcosanti , Navajo Generating Station, Page, Lake Powell, Vermilion Cliffs National Monument, Arizona, The Domes, Casa Grande,Arizona, USA and studios from Incir De Paolis Studios, Rome, Lazio, Italy . Moving and moody score by Claudio Simonetti in his habitual funky style, including ordinary leit motif , composed by means of synthesizer . The motion picture was professionally directed by Sergio Martino who delivers the goods with skillness and aplomb enough . Competently directed by the prolific filmmaker Sergio Martino who usually uses pseudonym as Martin Dolman . Talented and versatile writer/director Sergio Martino has made a vast array of often solid and entertaining films in all kind of genres as horror , Giallo , comedy , Western , and science fiction in a career that spans over 40 years . He was especially expert on Western as proved in ¨Mannaja¨ and this ¨Arizona returns¨ , Giallo such as ¨The case of scorpion's tail ¨ , ¨Torso¨ ,¨the scorpion with two tails¨ , ¨The strange vice of Mrs Ward¨ , Cannibal movies such as "Mountain of the Cannibal God", Italian crime thrillers as "Violent Professionals" and ¨Sci-Fi as ¨Destroyer¨ , "2019: After the Fall of New York" . Rating: 6/10 , acceptable and passable , this is a great Sci-Fi Ravioli in which the camera stalks in adequate style throughout a story with decent visual skills . This is a bewildering story , enjoyable as well as violent , and it will appeal to Italian hardcore fans . A hugely amusing flick.

Martino's cyborg movie is definitely one of the better exploitation flicks of it's kind. Daniel Greene makes a good beefcake hero roaming the well-photographed wasteland wasting the sleazy corporate villains. The dire dialog and rather slow pacing tend to work with this Italian B-movie shlocker rather well.