Una pazza giornata di vacanza

Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly.

Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.

First of all let me say that this movie is genuinely, ingeniously funny, the watch-it-twelve-times-and-it-never-gets-old kind of movie. I myself have seen it seven and a half times and will probably view it again before the end of summer. The movie stars then 23-year-old Matthew Broderick as 17-year-old Ferris Bueller, a high school student who would like nothing better than to be done with school. So he gives in to a strong temptation to cut class and go to downtown Chicago with friends Cameron and girlfriend Sloane (who he gets out of school extremely cleverly, and quite hilariously i might add!). It doesn't take long for principal Edward Rooney to catch on to Ferris's skipping, so he tries as hard as he can to catch him, but is going on about it quite unsuccessfully. All through the movie we learn of Cameron's struggles with his parents and life itself, and through all the hilarity of the movie Cameron finds a part of himself that he hadn't been able to find before. The movie consists of several several fun scenes, such as the German American Appreciation Day Parade, in which Ferris climbs onto the Great Float and the parade-goers dance to "Danke Schoen" by Wayne Newton and "TWIST AND SHOUT" of course, by the Beatles. Other very important characters are Jeanie Bueller, his revenge-seeking sister who can't seem to understand why Ferris gets away with everything, and Grace, the absent-minded and honest-to-a-fault secretary. There are so many left out parts and characters but to see them all you'll have to watch the movie (you won't regret it!). "Life moves pretty fast. If you don't stop and look around once in a while, you could miss it." -ferris bueller I give this movie 2 thumbs up, if only i had more hands i could give it a higher rating....

I rewatched FBDO (sorry, had to) for the first time in many years. I was not even 10 when it came out, and it is not until now that I have appreciated it a level beyond the basic comedy. It has comedy for sure, of all kinds. Slapstick, absurdity, farce, comedy-of-errors, comedy-of-manners, puns, shock, swearing, satire, parody, and on and on.

But is so much more than an outstanding comedy. It has real philosophy that is not sophomoric (they're seniors and juniors...haha). This comes in Ferris's asides, but also in what the characters say when they are not joking.

It has some complete non-sequiturs and montages that really make you ponder the characters and that capture what it is like to be young in a way that you almost never see, e.g., them looking down from the Sears Tower, the scene at the art musuem, etc.

Why? Well, real teenagers can almost never make enduring art, so they have a hard time capturing what its like to be young in any way beyond the surface. You have to know what it fleeting about youth to capture it and you only know that once you're not young any more. A 17 year old writing this movie couldn't capture youth because youth are just to callow and to inexperienced with life. But adults, even when they try to write about youth, often infuse that feeling with too much importance that isn't present when you're young. It gets too nostalgic, or treacly, or whatever.

But with FBDO, John Hughes just takes your mind back to what it was like to be about to graduate high school.

Yes, these are all privileged white kids. Yes, the whole move is extra white and extra privileged. Minorities are relegated to some really insulting stereotypical parts. So in that regard, it has not aged well at all.

BUT! This movie still captures late adolescence perfectly. That feeling of knowing your childhood is about to disappear and missing it already, but being excited about your unknown future that seems to stretch out forever ahead of you. And scared at the same time.

It just leaves you feeling warm and reminiscent and happy to be an adult, but really glad you were a kid.

I also like that Ferris, for all his likability, is a flawed character. He is a narcissist. But he's 17 (maybe 18). He hurts Cameron's feelings over and over in a way that is close to bullying or gaslighting. But protagonists shouldn't be perfect. And Ferris's flaws illustrate those of the other characters in a way that is very illuminating.

All these characters have a depth that is so lacking (except maybe the dad). Certainly Sloane and Cameron and Ferris are totally three dimensional. But even his sister, and mom are shown as real people too.

But then you have totally INSANE absurd non-sequiturs thrown in. The principal is an absolute cartoon. So is his secretary. The BONKERS way everyone in town is pulling for Ferris. I mean, they paint a WATERTOWER in like an hour?!?! The parking lot joyride. Abe Froman!? The whole parade sequence?! It is just crazy how all that happens and the movie still feels "real."

An absolute joy to watch. I haven't seen a comedy this deep in years. Planes, Trains, and Automobiles, another John Hughes movie is probably similar in that regard. They do not make them like this much any more. Even 40 Year Old Virgin and Knocked Up, for all their dealing with "big issues" seem to be inhabited by cardboard cutouts (the stoner, the hectoring girlfriend/wife) compared to this film.

Watch it every couple years. You won't regret it.

I have an ongoing discussion with my friends and family about what movie defines your generation, and for me, this is it! Ferris' commentary throughout the movie is hilarious and irreverent, giving a voice to those on the borderline between Generations X and Y. It's Office Space, the teenage years! This movie is witty and fast-paced, not relying on the bathroom humor and physical comedy that most teenage and college comedies do these days. Yes it is dated, but that's part of what makes it great. I love it!

Before all the slapstick, before re-writing "Home Alone" umpteen times and before selling his soul to "Disney Pictures Inc.", John Hughes was believed to be THE scribe for teen angst.

He wrote eloquently of it in "Sixteen Candles", "The Breakfast Club" and "Pretty in Pink". And with "Ferris Bueller's Day Off", he creates a person and a time in life that just about anyone who's ever been a teenager can relate to.

Who hasn't known someone like Ferris Bueller (Broderick)? Someone who always has a plan, someone who made loafing off an art form, someone who could fall in a barrel of you-know-what and come out smelling like a rose?

All he wants to do is take a day off from school and enjoy the day in Chicago - simple enough, but he must also try and convince his best friend Cameron (Ruck) and his best girl (Sara) to join him and, in the process, learn to enjoy what life has to offer.

Naturally, there is a tyrannical school dean (Jones) who is determined to catch Ferris in the act of hookey and Ferris' own sister (Grey, pre-nose job) who has it in for her brother, the "trouser-snake".

There are funny situations throughout the movie, and the characters are ones that grow on you, especially Ruck's worry-wart portrayal of Cameron Frye, constantly fretting about his dystalic, cursing his father and nearly drowning in a pool, all in the name of friendship.

Sara has less to do, but she plays the object of desire well, and Ferris' passion for her is understandable. At least he thinks about the right things, like what their lives would be like after high school.

All the way from beginning to end, this movie is a great trip in search of fun, relaxation, not taking life too seriously and how to sing Wayne Newton songs in the middle of a parade.

You want to catch vintage John Hughes and classic '80s teendom at its best? Seize this "Day"!

Ten stars for "Ferris Bueller's Day Off".