Daunbailò

A cult classic - and yet still relatively little known. Jim Jarmusch is a master when it comes to creating atmosphere (and nobody uses stretches of silence to better comedic effect than he does). Shot in beautiful black and white, this tale of three prisoners who make for very unlikely companions is all mood, deadpan humour and practically no action.

Don't expect a story - just enjoy the ride, the dialogues (consisting mainly of the word 'F***' - unless it's Benigni talking: his chaotic, broken English lines are another highlight of the film) and the fantastic soundtrack by John Lurie and Tom Waits. Perhaps the epitome of a cult movie, this one goes down like a cool beer on a hot summer evening (and as with all cult movies, it is best seen with an audience that already knows and loves the film). A minimalistic comedy masterpiece. 9 stars out of 10.

Favorite Films: http://www.imdb.com/list/ls054200841/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite Low-Budget and B-movies: http://www.imdb.com/list/ls054808375/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

Three men escape from jail and head out into the Louisiana bayous. What follows is their journey and their attempts to evade the law.

Written and directed by Jim Jarmusch, so you already know this is not going to be a conventional movie. Quirkily funny, with some great off-the-wall characters and good interplay between them. Plot is a bit random, though that's part of the movie's charm. The anarchy of the plot fits in well with the characters and general non-seriousness of the movie.

Good work by Tom Waits, John Lurie and Roberto Benigni in the lead roles.

The story of three different men (Tom Waits, John Lurie, and Roberto Benigni) in a Louisiana prison and their eventual journey.

This film is a natural progression from "Stranger Than Paradise". Lurie returns as a lead, and the music of Screamin' Jay Hawkins is replaced with Tom Waits. If Hawkins and Waits know each other, I have no idea, but their music styles are not far removed.

Although Waits is among my favorite actors (he excels at playing villains), the standout performance here is Benigni. How much English he knew at the time I am not sure, but he brings a comic mischief to the film, and is the most light-hearted despite being potentially the most dangerous.

I've been binging Jarmusch's filmography this week for the first-time knowing little about his films and style of storytelling. In my opinion, this is his greatest achievement. The cinematography is beautiful; all of the river-boating scenes looked incredible. The performances are all great, especially Benigni's who had me in tears from laughter. The pacing is also solid; how these three very different men form a bond is a marvel to experience. On the whole, the story is a unique take on the 'prison film' and operates in that perfect balance of quirky and realistic. If you're like me and you're ripping through Jarmusch films for the first time, I'd say this is a pretty great introduction to the man and his mind.

If i had to describe any aspect of this flick i'd say it was "crafted". Utterly sublime direction from Jarmusch, with a sense of desolation in the landscape that is captured so well, it's almost surreal. Waits is, simply put, a genius, and puts in a performance which would silence any who feel that "you can't be both an actor and a musician". Benigni and Lurie are both a delirius joy and deliciously despicable respectively. The use of Waits' music within the film only heightens the sense of dusty Americana, and hip oddball style. It reminds me that indie-film snobs have actually got something right for a change, and its cult classic status is rightly deserved. Exquisitely shot, with an excellent soundtrack and sterling performances. Highly recommended, especially for fans of Waits and Benigny. Also, it's the only film that makes me want ice cream....