VALUTAZIONE IMDb
5,5/10
1674
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA rebel without a cause at an elite uptight High School discovers some of his classmates have formed an even more elite clique hell-bent on ridding the school of what they deem to be its und... Leggi tuttoA rebel without a cause at an elite uptight High School discovers some of his classmates have formed an even more elite clique hell-bent on ridding the school of what they deem to be its undesirables because of ethnicity, politics, etc.A rebel without a cause at an elite uptight High School discovers some of his classmates have formed an even more elite clique hell-bent on ridding the school of what they deem to be its undesirables because of ethnicity, politics, etc.
- Regia
- Sceneggiatura
- Star
Gerard Christopher
- Lang Bridges
- (as a different name)
Karen Lorre
- Betsy
- (as Karen Witter)
Recensioni in evidenza
A group of right wing jingoism students terrorise the lower class classmates.
Director Albert Pyun (known for sci-fi and fantasy films) in a wave of 1980s teen delinquent films offers a teenage murder yarn in the vain of The Brotherhood of Justice and 3:15 The Moment of Truth (1986) also released the same year.
It befits from a seemingly on location small town shoot. At times stylishly filmed (with that MTV feel, flashbacks, cars, beaches and VHS shenanigans) but it's slow paced, meandering and plodding along in the adolescent world where our clever lead can't figure out what's really going on with his class mates. It heats up a little in the heavy handled last act.
It has a notable staple soundtrack including Robert Palmer, Depeche Mode and more. Pyun offers wall to wall 1980s nostalgia, with a load of familiar faces including John Stockwell (Christine, Top Gun), Carey Lowell (Licence to Kill), Tom Mathews (Return of the Living Dead) Dede Pfeiffer to name few.
Overall, worth watching if you're a 80s nostalgia hound.
Director Albert Pyun (known for sci-fi and fantasy films) in a wave of 1980s teen delinquent films offers a teenage murder yarn in the vain of The Brotherhood of Justice and 3:15 The Moment of Truth (1986) also released the same year.
It befits from a seemingly on location small town shoot. At times stylishly filmed (with that MTV feel, flashbacks, cars, beaches and VHS shenanigans) but it's slow paced, meandering and plodding along in the adolescent world where our clever lead can't figure out what's really going on with his class mates. It heats up a little in the heavy handled last act.
It has a notable staple soundtrack including Robert Palmer, Depeche Mode and more. Pyun offers wall to wall 1980s nostalgia, with a load of familiar faces including John Stockwell (Christine, Top Gun), Carey Lowell (Licence to Kill), Tom Mathews (Return of the Living Dead) Dede Pfeiffer to name few.
Overall, worth watching if you're a 80s nostalgia hound.
Probably the best movie Albert Pyun directed. First rate cinematography and photography (shades of blue and red during the night scenes especially). So-so actors but with a special mention to Mr Stockwell and J. Eddie Peck (whatever happened to him anyway after that movie?).The screenplay is the best on this subject.Most of the time in college/high school movies, the fact of being different is an issue and you end "normal" at the end (She's all that and others very bad stuff). Here, being different is enough to get you killed. This is the most interesting part of the plot : it got an unusual political and sociological issue that is scarier than any Scream movie. Be sure to see the movie til the very last image and you'll know why. Great suspense that makes you think!
School newspaper editor and pool boy living in a warehouse with his drunk dad gets recruited by the cool kids to join their vigilante group called The Sentinels. His pal Kruger, a punk metal head smells trouble but he doesn't listen and things get ugly with bodies and fights and smashed cars.
This movie looked great, had a great 80s soundtrack, and was nearly great, but the story is mangled and the ending rushed as heck. There could have been some real drama and suspense but it was just sort of bungled into a rapid stop. One part most dangerous game, one part High school movie starring people who all looked 30. But the style was on point!
This movie looked great, had a great 80s soundtrack, and was nearly great, but the story is mangled and the ending rushed as heck. There could have been some real drama and suspense but it was just sort of bungled into a rapid stop. One part most dangerous game, one part High school movie starring people who all looked 30. But the style was on point!
"Dangerously Close" is one of those silly flicks that are almost enjoyable as it knows how to give us some tension while treating issues revolving
safety during high school years. It talks about a troubled prep school that uses of its own student body to enforce laws on reckless students who destroy
school property, vandalism and robbery among classmates. But it's a very obvious film where you know exactly where the threat comes from, therefore all the
tension required disappears in thin air and you keep on waiting for its end just to confirm your predictions and ease the pain after the painful misery of
everything.
One-dimensional characters from the start, which is acceptable to audiences who like those kind of devices. J. Eddie Peck plays the nerd-looking and responsible good guy who is torn apart from his punk rebel friends as he's invited to join the security group formed by John Stockwell character, one of those rich kids who likes to cause controlled mayhem in order to enforce law and order. Truth is that the group runs secret attacks on the "undesireable" students after school hours, late at night, where they make a trial mockery, convicting those rebels and teaching them some hard frightening lessons.
It's not like all students like a fascist kind of security enforcement, there's opposition even from a teacher, and Peck's character (editor of the school paper as well) is used by the others to present a less negative view of the infamous group. Doesn't help much, as their obscure attacks becomes more and more dangerous, and when students start disappearing from view, our hero becomes intrigued.
Everything is so obvious with "Dangerously Close" that it's annoying. While I liked the limited acting of everyone involved, but they're all playing a formula (the good guy is good and without flaws; the bad group is bad but it comes with a redemption; the punk friend is only there to cause riot and bring a humorless humor; and the pretty girl is there to cause a rift between the new buddies). Kudos to Stockwell for picking the most "challenging" of the roles, but he's also one of the screenwriters so he knew what he was doing and it's a nice way to see him outside of "Christine" (1983) or "Top Gun".
But I couldn't stand each and every action and fighting sequence. Abrupt and ugly editing cuts where it's hard to tell why a beaten character is up and without injuries when there's change in the shot, or why they move to a different direction; the head of security (or school director, the movie wasn't clear about his function) can physically assault a student without consequences; the local police was a joke; the series of bizarre things makes it all look weird and slightly funny to follow.
Besides the "entertainment" parts, was there an actual good discourse while dealing with how students can secure their own environment and help themselves and the community? Not really. The adults in the room were so absent in this utopic dream that I guess it only proved that teens shouldn't be allowed to enforce anything but their proms. It was basic a clear case of right versus left, and it's easy to tell apart who's right and who's wrong, and the only thing missing were the uniforms. 4/10.
One-dimensional characters from the start, which is acceptable to audiences who like those kind of devices. J. Eddie Peck plays the nerd-looking and responsible good guy who is torn apart from his punk rebel friends as he's invited to join the security group formed by John Stockwell character, one of those rich kids who likes to cause controlled mayhem in order to enforce law and order. Truth is that the group runs secret attacks on the "undesireable" students after school hours, late at night, where they make a trial mockery, convicting those rebels and teaching them some hard frightening lessons.
It's not like all students like a fascist kind of security enforcement, there's opposition even from a teacher, and Peck's character (editor of the school paper as well) is used by the others to present a less negative view of the infamous group. Doesn't help much, as their obscure attacks becomes more and more dangerous, and when students start disappearing from view, our hero becomes intrigued.
Everything is so obvious with "Dangerously Close" that it's annoying. While I liked the limited acting of everyone involved, but they're all playing a formula (the good guy is good and without flaws; the bad group is bad but it comes with a redemption; the punk friend is only there to cause riot and bring a humorless humor; and the pretty girl is there to cause a rift between the new buddies). Kudos to Stockwell for picking the most "challenging" of the roles, but he's also one of the screenwriters so he knew what he was doing and it's a nice way to see him outside of "Christine" (1983) or "Top Gun".
But I couldn't stand each and every action and fighting sequence. Abrupt and ugly editing cuts where it's hard to tell why a beaten character is up and without injuries when there's change in the shot, or why they move to a different direction; the head of security (or school director, the movie wasn't clear about his function) can physically assault a student without consequences; the local police was a joke; the series of bizarre things makes it all look weird and slightly funny to follow.
Besides the "entertainment" parts, was there an actual good discourse while dealing with how students can secure their own environment and help themselves and the community? Not really. The adults in the room were so absent in this utopic dream that I guess it only proved that teens shouldn't be allowed to enforce anything but their proms. It was basic a clear case of right versus left, and it's easy to tell apart who's right and who's wrong, and the only thing missing were the uniforms. 4/10.
The Sentinels is a group of self appointed high school monitors at Vista Verde High. Leader Randy McDevitt (John Stockwell) befriends magnet student Danny Lennox (J. Eddie Peck), but may have ulterior motives as the group likes to torment those they feel don't belong in their social circle. This was Albert Pyun's third film and his first of several for Cannon. Probably inspired by The Wave (1981), this shows how fascism and intolerance can quickly grow out of control. The problem here is while you are supposed to hate the jocks, the guy playing Lennox's punk buddy is so annoying that you want to see him killed. One of the more interesting things is Stockwell co-wrote the script and opted to play the bad guy. Perhaps rebelling from his hero status in John Carpenter's Christine (1983)? Also impressive is the soundtrack (featuring the likes of The Smithereens and Depeche Mode) which shows you could get a song cheap back in the day as we all know Golan and Globus wouldn't put out big bucks for those artists (interesting note: this hit theaters the same week Robert Palmer's "Addicted to Love" featured in the film hit no. 1 on the Billboard charts). Cool cast of co-stars include Miguel Nunez, Don Michael Paul, Bradford Bancroft, Carey Lowell, and Thom Mathews (the last two later appearing in Pyun's better Down Twisted).
Lo sapevi?
- QuizAlmost identical to Giustizia violenta (1986), and in fact uses some of the same actors.
- Citazioni
Krooger Raines: Deploy! Deploy!
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Dangerously Close?Powered by Alexa
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.390.525 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.180.506 USD
- 11 mag 1986
- Lordo in tutto il mondo
- 2.390.525 USD
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti