Mississippi Adventure

I have watched this movie no less than 20 times which is rare for me as I generally don't watch a movie more than 2 or 3 times and that's if I really, really, like it. Everyone in this movie did a fantastic job in my humble opinion.

I feel something for Ralph Macchio, and it is not love. The first time I ever saw his face, I can swear it inspired greatness. Then he talked, he act, he spread his talents all around, and no person can deny he was a natural. The character he created and developed in the first three "Karate Kids" (the first one is one of my favorite films) was sing of commitment and skill.

I was experiencing the hilarious "My cousin Vinny" the other day and he played another original character, being that one of his last important roles. Maybe what I feel is compassion because he couldn't make it as an elder man, and I really wanted to watch him grow. Maybe I miss his first and few big breaks, where he literally knocked me down; one of those being "Crossroads".

He was 25 at that time, but still had that 17-year old look, where you would have said: "Wow, he's 17 and in main role"…Well, I'd have said that. "Crossroads" is an inspiring tale about life and music; blues. It was not the first time that a filmmaker tried to relate music with life. I have personally never had doubts about it, because music is life for me; but in this film, for writer John Fusco it was about growing up, understanding the gift and use it for good.

Macchio portrayed Eugene Martone, a naive guy, gifted guitar player, crazy driven by the magic of blues. The love for music makes our mind think unconsciously about getting far, being big; and Eugene wants to go to Mississippi to get his chance, but needs someone who knows Robert Johnson's lost melody, knows the way, and has even lived it, if you know what I mean. In this story, that character is blues master Willie Brown (a tremendous Joe Seneca), now forgotten in an asylum, probably crazy (although he says he isn't but some brilliant sequences show him out of place) and without his car. But Eugene will get him out of there and they'll both start that journey together.

What happens next, including the various stops, problems, Ralph Macchio's wonderful guitar playing abilities and encounter with beautiful girl Frances (radiant and talented Jami Gertz) is for the viewer to discover. Now, how the title relates it's touching and interesting, but where director Walter Hill triumphs (and this is something that should never be forgotten for music movies nowadays) is in knowing that the story is there. The heart of his film lies in the development of the kid's and the old man's relationship.

When we now see movies about music that sometimes don't even have a clue "musically" and most of the times there is music to promote an artist in the film, because he/she sings; in Hill's "Crossroads" and in the relationship I was talking about, the discussions, conversations, walks and even music playing, hide some of life's deepest interrogations. And I regret saying blues is always the same, because even when it is, it is one of those musical styles, like jazz, that not many listen but when they do discover their power. It's in the eyes of the musicians when they play where you can see it; they love being in that scenario, and that's just magical.

* Minor Spoilers *

Eugene Martone, the 'Lightening Boy' (Ralph Macchio, an actor who presently 'disappeared' from the big screen) is a lover of blues. He studies guitar in Julliard, but he indeed is looking for the thirtieth unknown song of Roberto Johnson. One day, he meets Willie Brown, the 'Blind Dog Fulton' (Joe Seneca) in an old folk's home and is convinced that he possess the lost song. Eugene helps Willie to escape the asylum and goes with him to Mississippi. They can just afford a bus ticket from New York to half way to Mississippi, so the rest of their journey is hitchhiking. In the way, they meet Frances (Jami Gertz, also vanished from the screen), a girl who left home and wishes to be a dancer in Los Angeles. They three together will pass through many strange adventures and situations. The climax of the movie is the guitar duel between Eugene and Jack Butler (Steve Vai).

This movie is the most wonderful tribute to blues ever made. The cast, direction and soundtrack are perfect. Thank you Walter Hill and John Fusco for such a delightful film. The astonishing music of Ry Cooder is spectacular. If the viewer loves blues like me, will certainly not get tired of watching this movie and listen to the CD with the marvelous soundtrack. In Brazil, this movie has not been released on DVD (only in VHS and the soundtrack on CD). This movie is completely underrated in IMDb. I do not agree with the 6.1 user rating in IMDb. My vote is ten.

Title (Brazil): "Encruzilhada" ("Crossroads")

Note: On 08 January 2012, I saw this wonderful film again on an imported DVD.

This is a really, really good movie and I don't understand why no one ever mentions it or why it is never on cable.

It has everything that I love in a movie: good story, great characters well acted, fine comedy and powerful touching drama. Ralph Macchio is a brilliant young guitar student, Eugene Martone, at Julliard (or some other equally good music school) who does not want to play Mozart. He wants to play guitar like his idol, a long dead blues guitar legend. In search of his dreams, he breaks an elderly black blues player out of a prison nursing home.

The two of them go on an odyssey to the Mississippi Delta in quest of memories and dreams. As in any odyssey, they meet a variety of fascinating and/or dangerous characters along the way. Eugene must also overcome the obstacles and tests that all those who quest must face - until it is time to face the ultimate test against the greatest blues guitarist in the Delta.

I enjoy music, but my knowledge is superficial. I probably wouldn't know a good guitar riff from a raft, but even I could recognize awesome guitar work in the final sequence of Crossroads.

So, if you like good movies and good acting and great guitar music, please check out Crossroads. If enough of us spread the word, it may no longer be a forgotten classic.

Okay, we have all seen the final scene in the movie, and it is a tremendous scene that would be cool in just about any decade. Who would have guessed the rest of the movie was pretty decent.

So the story plays on the old "deal with the devil" trope that we have seen since Faust. The interesting detail is how they incorporated a new wrinkle to the story. While some might say there are too many holes in the story, I don't think it detracts too much from the overall story (like what is the deal with Eugene's parents).

All I can say is stay for the music, enjoy the fun and drink some whiskey.