Il ragazzo che sapeva volare

Milly Michaelson (Lucy Deakins), her little brother Louis (Fred Savage) and mother Charlene (Bonnie Bedelia) move into their new home. She gets a new friend in pushy Geneva Goodman (Mindy Cohn) while Louis gets bullied by Geneva's brother and his friends. Charlene has a difficult time to start anew after losing her husband. Eric Gibb (Jay Underwood) is a mysterious mute boy living in the room facing Milly. His drunken uncle Hugo (Fred Gwynne) is his guardian. People think Eric is autistic. He started to believe that he could fly at 5 when his parents died in a plane crash. Milly wonders if he could truly fly. Their teacher Mrs. Sherman (Colleen Dewhurst) works to keep him from being institutionalized with Milly's help.

It's a wonderful sensitive film that is good for the whole family. Lucy Deakins is endearing and sweet. There is a gentle magic about the movie. It's very romantic in the simple childlike way and also surprisingly funny. The family drama is poignant. It's a live action fairy tale.

A classic 80's film that nears cheesy pap but still avoids and retains heart through excellent pacing, dialog and acting. It might not hold up as well as when I first saw it because the family film concept had not yet been run into the ground yet for me.

Fred Savage does a good job in an interesting subplot that involves a bully and funerals for GI JOE soldiers. Fond memories of his confrontation with the neighborhood bullies still color my memory of this film.

A fun warm family fantasy that seems to be in short supply as of late due to it being nearly impossible to make something realistic because of the amount of film cliche in the modern world. Still, the film is very watchable and fun. 7/10

I'm so tired of modern family movies full of fart jokes or movies where teenagers make love to pastries and it's supposed to be funny and then they staple on some superficial message at the end in an attempt to be poignant and balance out all the trash that came before. Every other week we are tortured with some nonsense of this calibre and whenever I wish for a movie that stands out from the crowd I have to go back in time and consider some overlooked gem. The Boy Who Could Fly is exactly that.

The characters seem so real and their emotions genuine, it builds at a slow pace but it never gets boring and story development is consistent. This is not a ferociously loud summer crowd-pleaser or something bloated with pointless SFX. Very few movies have the power to make a whole story out of characters and situation alone without feeling the need for some ridiculous set piece or blaring thrash metal guitars.

In fact Bruce Broughton's score is the wonderful opposite of that. The performances, especially the two leads, are flawless and the direction is far more refined than the typical. Everything in this movie comes together perfectly to make a film so unique and charming. If you have lost your faith in the current dreck that graces our screens and if you want a family movie with some meaning and subtext then check this out. And keep an eye out for director John Carpenter as on of the Coupe De Villes.

The DVD is in 1.78:1 anamorphic widescreen and in Dolby 2.0. It has an introduction by Jay Underwood and director Nick (Michael Myers) Castle, they also feature in a commentary with Lucy Deakins and Fred Savage.

I'm really surprised I didn't see more comments on this movie. I remember watching this movie when I was, I think 13 or 14. I never quite understood the complexities of emotion that were put into this movie. But I had always remembered it from my younger years. I decided to pick up the DVD when it came out again. Now that I'm older, and actually work with cut scenes as an animator for a living. I now see everything that I missed.

I am by all means not an emotional person or cry a lot etc, but I have at least watched this film more then 15 times in the last year. No other movie has ever brought me to tears every time I watch it. Not tears of sadness or being upset , but tears of happiness. There are so many moments in this picture that can overwhelm you with that gut feeling of real love. You really let these characters take your heart and go with it. That is what a true movie is a about , is the ability to let you heart go and pull in that emotion from them and try to imagine feeling what they feel. I don't think any other movie has captured my heart that way. I might seem all soft and sound like a push over but I'm about as manly as you can get.

If you have the time to see this movie or buy it. You truly will receive a much broader look at life , love , fear , relationships and most of all believing in yourself and who you are.

I didn't want reveal any of the movie but it really has touched me.

Michael Loeck Character animator http://www.immortal3d.com

In an atmosphere of fantasy, the movie explores several real human issues. The story centers on a mother (Bonnie Bedelia), her young teenage daughter (Lucy Deakins), and her pre-teen son (Fred Savage) as they struggle to cope after the beloved father's sudden passing. Their grief is intensified by the manner of his death and their almost immediately having to adjust to a new life, a new home, a new neighborhood, and for the kids, a new school and new friends. Into this mix enters Eric (Jay Underwood), the apparently autistic teenage boy next door, who is coping with demons of his own as a result of his parents' sudden death in an airplane crash. So grief is involved, and adjustment, and trying to fit in, and acceptance of human differences, and courage, and love - love within a family group and among people, as well as real boy/girl love. Writer-director Nick Castle deals with these issues with respectful sensitivity, as does the excellent ensemble cast of Lucy Deakins, Jay Underwood, Bonnie Bedelia, Fred Savage, Colleen Dewhurst, Fred Gwynne, and Mindy Cohn. That fantasy might be important to plot movement shouldn't be surprising, considering the movie's title. However, whether that fantasy is allegorical or real, or both, is in the eyes of the beholder. In any case, it's a warm and poignant tale, and it deserves a high place in the literature of motion pictures.