Il ragazzo che sapeva volare

Back in the late 1980's, Jay Underwood was a teenaged boy who had a short lived starring career in films. He made his starring debut in this 1986 Lorimar release which could've been a major star making vehicle if its theatrical response was more profitable. Time has served it well and it now stands as a family favorite from the 1980's. Underwood portrays a boy who isolates himself from society after his parents die in a plane crash. He stays in his house all day long and pretends to be in a land where he can fly. Lucy Deakins portrays a teenaged girl who feels sorry for Underwood and tries to help him fit in. Somewhat sappy at times but otherwise genuinely touching. Film is also notable for serving as the debut performance of Fred Savage, the star of the TV series "The Wonder Years."

I also watched this movie as a young teenager. And it's a movie I will never forget, I just remember it changed me somehow, as a person.

The Boy Who Could Fly is one of those rare family films that mixes just a touch of fantasy with a truly down-to-Earth dramatic story.

Following the death of Bedelia's husband, she moves her family into a new neighborhood next door to an autistic young man (Underwood). Deakins gains interest in Underwood's silent world of thought while attempting to keep things stable at home. Unusual things begin to happen around Underwood. While life seemingly falls apart for her family, Deakins and the audience are irresistably drawn into Underwood's world and we begin to question if his apparent dream to fly isn't more than just a fantasy. The acting in this film is superb, especially silent Underwood who conveys more thought and emotion with his eyes, face and body than the actors who speak. Bruce Broughton's melodious score is heartwarming and delivers full enchantment for the "flying?" scenes. (The main theme is so enchanting, the Walt Disney company has used it to open every film at their El Capitan theater in Hollywood, CA). This is a wonderful film for the entire family. Slight warning: for families that have recently lost a parent, it would be a good idea for the other parent to watch with the kiddies. And although they may find themselves dealing with the emotion of their trauma, they should feel much better when the film ends.

I'm really surprised I didn't see more comments on this movie. I remember watching this movie when I was, I think 13 or 14. I never quite understood the complexities of emotion that were put into this movie. But I had always remembered it from my younger years. I decided to pick up the DVD when it came out again. Now that I'm older, and actually work with cut scenes as an animator for a living. I now see everything that I missed.

I am by all means not an emotional person or cry a lot etc, but I have at least watched this film more then 15 times in the last year. No other movie has ever brought me to tears every time I watch it. Not tears of sadness or being upset , but tears of happiness. There are so many moments in this picture that can overwhelm you with that gut feeling of real love. You really let these characters take your heart and go with it. That is what a true movie is a about , is the ability to let you heart go and pull in that emotion from them and try to imagine feeling what they feel. I don't think any other movie has captured my heart that way. I might seem all soft and sound like a push over but I'm about as manly as you can get.

If you have the time to see this movie or buy it. You truly will receive a much broader look at life , love , fear , relationships and most of all believing in yourself and who you are.

I didn't want reveal any of the movie but it really has touched me.

Michael Loeck Character animator http://www.immortal3d.com

Sappy? Yeah, I guess at times… but this also mostly earns its big heart, and treats early teens with more far dignity and insight than most films.

Lucy Deakins is terrific as an intelligent, thoughtful 14 year old, who slowly grows to care for the autistic boy next door. He doesn't speak, but dreams only of flying away, a condition brought on by the deaths of his parents in a plane crash years before. Now he's in the care of an alcoholic uncle (the always wonderful Fred Gwynne), and the powers that be think he might be better off being institutionalized.

Almost all the acting is top notch, which is crucial in this character based story. Jay Underwood walks various fine lines as the titular boy, named Eric. By turns mysterious, locked in, charming he seems believable as an emotionally isolated adolescent as well as a possible source of magic. Colleen Dewhurst doesn't have a lot of screen time, but makes something rich and real out of a concerned teacher who doesn't want to see Eric locked away, knowing it will kill his spirit. And Bonnie Bedelia makes a touching warm and understanding widowed mom.

There are some scenes where the comic relief is more than a little forced, and a sub-plot about a little brother taking on neighborhood bullies seems grafted on from a far more Disney-ish film. But this Capra-esque gentle, bittersweet fantasy is a great 1980s film for tweens even today, and not a bad one for adults as well.