Fievel sbarca in America

Not only is An American Tail easily one of the best animated features ever made, but it proves to be leaps beyond the efforts of recent Disney movies by refusing to be constricted to an all-too-familiar formula. This movie does not stay within the cozy, comfortable guidelines that Disney adheres to in order to make money. Instead, it tells a truly unique tale, one not borrowed from any other source, and one overflowing with artistic wonder and originality.

The characters you will see here are not stock, not pulled from the typical Disney hat. The story is not a chuckle-a-minute, lowbrow attempt to take the easy way out in pandering to children. The main character, Fievel, suffers real hardships and tragedy, and stares into the despair of his own soul before the movie is finished. This, of course, makes the ending that much more satisfying, an infinitely more significant and authentic moment than any cardboard cut-out Disney plot.

If you want to see what animation was meant to be as an art form, if you want to feel the power and emotion that can truly be reaped from this under-appreciated and over-commercialized medium, look no further than An American Tail.

Ex-Disney animator Don Bluth brings us a tail (sorry, TALE! Well, that's the proper word in the context!) of the Russian Mousekewitz mouse family, who, like all of the other mice in late 1800's Russia, want to escape from the cats. They dream of a land known as America, where there are no cats. Travelling to

Germany, they board a ship bound for America.

However, during a violent storm, little Fievel Mousekewitz (voiced by Phillip Glasser) becomes separated from his parents and sisters. Fortunately for Fievel he was saved from drowning by being ensconced within a bottle, which quite by chance floats to New York, USA. Unfortunately not only is America very big, but it -- well, let's just say that for all mice concerned it's not all it was cracked up to be.

With the help of friends such as Tony Toponi (voiced by Pat Musick) and Tiger (Dom DeLuise), Fievel goes on a mammoth quest to become reunited with his

family.

Although it is a little on the sentimental side, it does have a certain charm, which is further helped by James Horner's musical score, as well as the wonderful

song 'Somewhere Out There' which has since become my favourite duet of all

time (I've even sung the end-credits version, as sung by Linda Ronstadt and

James Ingram, on Karaoke!). Some adults may not like the sentimentality, but stick with it, and you'll be rewarded with a gem, particularly if watching with either the young or the young-at-heart.

"An American Tail" was Don Bluth's second animated feature since leaving Disney, and, in my opinion, it is his best. It's got the most heart out of all of his movies. It's got the Oscar-nominated song "Somewhere Out There" and the main character of Fievel. This character just warms my heart and I can easily feel for him. Don Bluth has made only three very good animated features: this movie, "The Secret of NIMH", and "The Land Before Time". But "An American Tail" tops them both. No matter how predictable or sentimental the story is, I always get caught up in it. The sequel was good, but it was more like a fast-paced western comedy with some one-liners and such sight gags. The original is the better film in my opinion. Only complaint: one too many chase scenes with Fievel and other mice running from cats.

Don't take me wrong: although An American Tail is a wonderful film, the old Disney classics are not the ones I'm talking about in the summary. I'm talking about the over-commercialized crap we get these days. Don Bluth's second animated feature is again about mice, like Secret of NIMH. I think NIMH was better, though not by much. The songs are pretty good, although not like some Disney songs. The animation, however, is simply gorgeous. I can't believe people dismiss it as poorly animated just because the colors aren't bright! The colors are dark and moody, as they should be, An American Tail--nor any of Bluth's films--were ever supposed to look like Rayman. If you want to see Bluth with bright colors, glance at some cheery scenes from A Troll in Central Park. I find the way Fievel and his family miss each other by inches frustrating, though. In fact, I was surprised Fievel and Tanya couldn't hear each other as they sang "Somewhere Out There". A simply beautiful film, a must for anyone who looks for variation in the field of animation, but infuriating for anyone who thinks the scope of animation should be restricted to Disney.

In my opinion, this is an excellent movie for all ages that will warm your heart! When Fievel (voice of Phillip Glasser) got lost, I wanted to cry. Although some of the characters were diabolical, I liked everybody. Well, it's hard to say which character was my favorite. The music was good, especially "Somewhere Out There, "A Duo," and "No Cats In America." In addition to the music being good everyone was cast perfectly, and the direction was flawless. In conclusion, I highly recommend this very touching movie for all ages that will warm your heart to anyone who hasn't seen it. You're in for a real treat and a good time, so go to the video store, rent it or buy it, kick back with someone close to you, and watch it.