Fievel sbarca in America

Ex-Disney animator Don Bluth brings us a tail (sorry, TALE! Well, that's the proper word in the context!) of the Russian Mousekewitz mouse family, who, like all of the other mice in late 1800's Russia, want to escape from the cats. They dream of a land known as America, where there are no cats. Travelling to

Germany, they board a ship bound for America.

However, during a violent storm, little Fievel Mousekewitz (voiced by Phillip Glasser) becomes separated from his parents and sisters. Fortunately for Fievel he was saved from drowning by being ensconced within a bottle, which quite by chance floats to New York, USA. Unfortunately not only is America very big, but it -- well, let's just say that for all mice concerned it's not all it was cracked up to be.

With the help of friends such as Tony Toponi (voiced by Pat Musick) and Tiger (Dom DeLuise), Fievel goes on a mammoth quest to become reunited with his

family.

Although it is a little on the sentimental side, it does have a certain charm, which is further helped by James Horner's musical score, as well as the wonderful

song 'Somewhere Out There' which has since become my favourite duet of all

time (I've even sung the end-credits version, as sung by Linda Ronstadt and

James Ingram, on Karaoke!). Some adults may not like the sentimentality, but stick with it, and you'll be rewarded with a gem, particularly if watching with either the young or the young-at-heart.

Not only is An American Tail easily one of the best animated features ever made, but it proves to be leaps beyond the efforts of recent Disney movies by refusing to be constricted to an all-too-familiar formula. This movie does not stay within the cozy, comfortable guidelines that Disney adheres to in order to make money. Instead, it tells a truly unique tale, one not borrowed from any other source, and one overflowing with artistic wonder and originality.

The characters you will see here are not stock, not pulled from the typical Disney hat. The story is not a chuckle-a-minute, lowbrow attempt to take the easy way out in pandering to children. The main character, Fievel, suffers real hardships and tragedy, and stares into the despair of his own soul before the movie is finished. This, of course, makes the ending that much more satisfying, an infinitely more significant and authentic moment than any cardboard cut-out Disney plot.

If you want to see what animation was meant to be as an art form, if you want to feel the power and emotion that can truly be reaped from this under-appreciated and over-commercialized medium, look no further than An American Tail.

I agree that the standards set by Walt and his animators are the only ones that matter when it comes to judging animated films, and I had trouble accepting this to, but there are OTHER ANIMATION COMPANIES!! No one would dare describe "Shrek" (which sucked) as a Disney movie, so let's leave Don Bluth alone, okay?

Having said that, this movie is absolutely wonderful. A heartwarming story, beautiful songs (including the now standard "Somewhere Out There") great performances and the animation is stellar. Much darker and grittier than any story Disney would even dream of making, it revolves around an immigrant mouse named Fievel, whose family comes to America to escape oppression ("In America," says Poppa, "There are no cats."). Fievel learns the hard way that America has its problems, too.

In my opinion, this movie is worth seeing solely for Dom DeLuise's characterization of the soft-hearted alley cat Tiger. All in all, this is probably the best Don Bluth has ever made.

We watched this in kindergarten. This is like the best film of all time of the century. There's no way in hell it deserves a 6.8. I don't know what's up with the kids these days they don't seem to understand Jack diddly squat 50 Moskowitz was my hero lol. How dare you write this a 6.8 lol I'm gonna write it at 10 just so it offsets and gets a better review lol coming to America. This is a true story one of the very few Walt Disney movies that I do enjoy and I like and not understood why it got such a bad review from other people. Anyways, not much more I can say about this just go ahead and watch it and you will love it because I do.

Don't take me wrong: although An American Tail is a wonderful film, the old Disney classics are not the ones I'm talking about in the summary. I'm talking about the over-commercialized crap we get these days. Don Bluth's second animated feature is again about mice, like Secret of NIMH. I think NIMH was better, though not by much. The songs are pretty good, although not like some Disney songs. The animation, however, is simply gorgeous. I can't believe people dismiss it as poorly animated just because the colors aren't bright! The colors are dark and moody, as they should be, An American Tail--nor any of Bluth's films--were ever supposed to look like Rayman. If you want to see Bluth with bright colors, glance at some cheery scenes from A Troll in Central Park. I find the way Fievel and his family miss each other by inches frustrating, though. In fact, I was surprised Fievel and Tanya couldn't hear each other as they sang "Somewhere Out There". A simply beautiful film, a must for anyone who looks for variation in the field of animation, but infuriating for anyone who thinks the scope of animation should be restricted to Disney.