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This film was amazingly well acted and filmed. It plays like a very intimate stage play. Sissy Spacek & Anne Bancroft each present their characters so seamlessly and flawlessly that I left the theater wondering if they actually were mother and daughter.

This movie is extremely well written. The fact that it infuriated me, in this instance is not a put-down. I believe this script was designed to do so. It's infuriating because Ms. Spacek's character is so hell-bent on her intentions that nothing but nothing is going to change her mind. Ms. Bancroft's character's job is to try and stop Spacek from reaching this particular goal she's set, at any cost. This script is a good case study into the mind-set of people who are suffering from extreme depression and the skewed decisions that they might make while in the midst of that depression.

I would highly recommend this film, with the understanding that it is not your light, airy, happy-ending movie. If you're looking for one of those don't bother with this one.

Marsha Norman's play was gripping and harrowing on Broadway and while Director Moore opens it up as much as possible without losing the repartee, it is still a filmed stage play -- but one that packs every bit of the emotional wallop it did on the stage. The acting is marvelous and pulls no punches. Bancroft is almost unrecognizable, in a good way, completely immersing herself in the energetic mother character. Spacek is completely believable as the determined daughter. This is a true clinic in two-person character study acting.

This film is an adaptation of a play - and it shows. It all takes place in one small house, and there are really only two characters, Jessie and her mother. Sissy Spacek and Anne Bancroft do an incredible job in their respective roles. The writing is fantastic. Jessie is intent on killing herself, and tells her mother what she is planning, in order to explain herself. Her mother, of course, is appalled, and struggles to convince her to change her mind, and also to try to understand why Jessie wants to do something so drastic and final. Both roles are emotionally laden, and extremely well-drawn. The result is a film that is complex, interesting, sometimes funny, and heart-wrenchingly sad. It is, no doubt, a tear-jerker, but it is well worth seeing.

I loved this movie. I caught it this morning and I was glued to the TV from the first minute. The two main actresses did a wonderful job, you don't doubt their performance for one minute. Everything seemed so real, the set could have been any house in the mid-west. This is definitely a movie that sticks with you long after the movie ends. I can't believe this movie isn't more well known and celebrated. Though I rarely watch movies a second time this is one I want to add to my collection to watch again and again. I think every time I watch this it will touch me in different ways. The story is so rich with detail, it feels as if you know the characters. A very moving, thought provoking, touching film you won't want to miss.

That is just one of the thought provoking lines from this movie. There are many. And while most of the reviewers praise the acting in this movie, and rightly so since it is a tour de force, I have to give praise to Marsha Norman who adapted her own Pulitzer Prize winning stage play for the screen.

When a movie is a "slice of life" such as this one, I unconsciously look for good and realistic dialog. There are just so many lines in this movie that ring true to real life conversations. There's a part where the Mom (Bancroft) tells Jessie (Spacek) to call her ex-husband up & try again, he might be ready and Jessie tells her that there's no point in calling him up because what's she gonna say, "nothing's changed, I'd just like to look at you if you don't mind?" In another scene Jessie compares life to a bus ride. She says it's hot, crowded & noisy and the only reason you don't get off is that your destination is 10 stops away. She says if she gets off now, or later, it's the same place when she steps down to it. In another part of the movie she says that she thought about sticking around if there was just something that she really liked, like rice pudding or cornflakes- but Jessie is a person robbed of any enthusiasm for life. So for her, staying around, especially for others, just doesn't make sense any more- she's had enough.

I really don't think Marsha was asking us to agree w/that point of view or to even condone it. I think she was just giving us some perspective- another point of view. And I have to admit, after having seen this many times, maybe Jessie made the right decision. As she also says in the movie, she is what *became* of her (Bancroft's) child. That she, Jessie, that might have made a difference to herself, didn't show up. Which is really food for thought for ANYone watching this movie- make a difference to yourself first and foremost. Despite the movie being about suicide, this is actually a life affirming movie if you look at it from that point of view.

The "acting" (I say that in parenthesis because it's so real it doesn't even seem like acting) from Spacek and Bancroft is absolutely first rate. I would recommend this movie on that score alone. Luckily, with the powerful and thought-provoking screenplay and the lovely music by Dave Grusin, there is much to recommend this heart wrenching tale of life and death.