Le avventure di un detective di polizia squilibrato e stupido che cerca sempre la soluzione più violenta a qualsiasi problema.Le avventure di un detective di polizia squilibrato e stupido che cerca sempre la soluzione più violenta a qualsiasi problema.Le avventure di un detective di polizia squilibrato e stupido che cerca sempre la soluzione più violenta a qualsiasi problema.
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This is a show that still puts many comedies on TV to shame.Constantly funny,obvious dirty digs at Moonlighting,FOX network,and even Sledge's own damage to ABCs ratings.A nice,likeable cast,and over the top villans made it Batman of the 80s.This show needs to be on DVD for the whole world to enjoy.David Rasche was a comedic genious on this show.
Ah, the comedies of the 1980s. The Cosby Show, Family Ties, Night Court. There are shows like those, classics indeed, for their own reasons, and then there is "Sledge Hammer!"
It's just a _bit_ different. Imagine if you will the ability of a show to consistently spoof movies, or whole genres of tv show/film, and consistently nail it dead on in a 30 minute time slot. That's the quality of writing the show had, but the execution is what made it work. The three leads had consistent timing and brutally funny comic delivery. David Rasche, as the lead, was a standout, often getting the most manic material, though Page and Martin made it truly a triple threat. On one of the shows, Martin's character takes on Hammer's personality, and she nails that stuff pretty well.
In short, Hammer is the ultimate send-up of the classic loose cannon police detective. Dirty Harry is a great inspiration, but there are other aspects that work their way in as well. A few of the shows sent up the film noir detective genre. While some have compared it to "Get Smart" or "Police Squad," the thing that amazed me about it was how it reminds me at times of British comedies like "Blackadder" or some of Monty Python's skits. It is great that send-ups this consistently good got on American TV. Especially as there was almost always another, more subtle layer of humor under the more over-the-top gags. The main running current of humor was the sending up (by exaggeration) of the ultra-violent tone the action genre had taken on at the time. Yet underneath the people involved managed to work in genuine warmth, sybtle moments of humor, and genuine emotion across the board.
The show only ran for two seasons, agaist stiff competition (Put in a timeslot for example, against CBS' "Dallas" and NBC's "Miami Vice.") If only there was a better timeslot.. and maybe more budget, though the show did quite well with what they had.
I saw this in it's initial ABC run, then a few years later when a local station in Philadelphia put it on in reruns. Some of it held up very well, especially when classic genres/films were "given tribute." Some of the 80s references date it, but it wasn't bad. In fact, it rocked. Plus I remember seeing the first run as a kid, and the scene with the bazooka in the first show hooked me. Hilarious. In short, although it struggled, it built a pretty strong following among fans, and that is the definition of a cult classic. Websites have sprung up in recent years, allowing fans to chat about this truly unique show. When they put this one together, they really did know what they were doing.
It's just a _bit_ different. Imagine if you will the ability of a show to consistently spoof movies, or whole genres of tv show/film, and consistently nail it dead on in a 30 minute time slot. That's the quality of writing the show had, but the execution is what made it work. The three leads had consistent timing and brutally funny comic delivery. David Rasche, as the lead, was a standout, often getting the most manic material, though Page and Martin made it truly a triple threat. On one of the shows, Martin's character takes on Hammer's personality, and she nails that stuff pretty well.
In short, Hammer is the ultimate send-up of the classic loose cannon police detective. Dirty Harry is a great inspiration, but there are other aspects that work their way in as well. A few of the shows sent up the film noir detective genre. While some have compared it to "Get Smart" or "Police Squad," the thing that amazed me about it was how it reminds me at times of British comedies like "Blackadder" or some of Monty Python's skits. It is great that send-ups this consistently good got on American TV. Especially as there was almost always another, more subtle layer of humor under the more over-the-top gags. The main running current of humor was the sending up (by exaggeration) of the ultra-violent tone the action genre had taken on at the time. Yet underneath the people involved managed to work in genuine warmth, sybtle moments of humor, and genuine emotion across the board.
The show only ran for two seasons, agaist stiff competition (Put in a timeslot for example, against CBS' "Dallas" and NBC's "Miami Vice.") If only there was a better timeslot.. and maybe more budget, though the show did quite well with what they had.
I saw this in it's initial ABC run, then a few years later when a local station in Philadelphia put it on in reruns. Some of it held up very well, especially when classic genres/films were "given tribute." Some of the 80s references date it, but it wasn't bad. In fact, it rocked. Plus I remember seeing the first run as a kid, and the scene with the bazooka in the first show hooked me. Hilarious. In short, although it struggled, it built a pretty strong following among fans, and that is the definition of a cult classic. Websites have sprung up in recent years, allowing fans to chat about this truly unique show. When they put this one together, they really did know what they were doing.
A hidden gem from the eighties. In-jokes seemed to be the rage at ABC around the '86-87 and '87-88 seasons (Moonlighting, Growing Pains etc.) and this was no exception. A cool look, a lot of pop culture riffs, and an original in every way. How many other half hour sitcoms had action and adventure like this but still maintained a comic edge ? I rented four episodes from the video store ten years after the show went off the air and still found it funny. Like Miami Vice, the look of the show was very much of the time. Too bad it was scheduled opposite it on Friday nights.
I laughed my ass off watching this show.!!! David Rasche had a ball spoofing Dirty Harry. This show sort of reminded me of Police Squad. They cancelled it because it was ahead of its time and people were too slow to catch all of the gags in it. Anne Marie Martin was wonderful as Sledge's partner and the chemistry between the two was irresistable. I have so many fond memories of this show and I only wish they would put it back in syndication.
This is one of the greatest TV comedies that has ever been produced. Episodes like "All Shook Up" (the Elvis impersonators one) and "Hammeroid" (the Robocop spoof) will stay with me forever. Today's comedies can't hold a candle to this. It discovered irony and satire 10 years before the rest of America. "Trust me- I know what I'm doing!" should have been a catchprase for one of Ronald Reagan's campaigns, it summed up the spirit of an age that is no more, like this sublime show...<sob>
Lo sapevi?
- QuizAlan Spencer originally wrote the pilot script in 1976 as a parody of Ispettore Callaghan: il caso 'Scorpio' è tuo!! (1971) and its sequels. Every network rejected it, and executives questioned Spencer's mental health because of the exaggerated violence. Networks began showing an interest in Spencer's script after the success of Coraggio... fatti ammazzare (1983).
- Citazioni
[repeated line]
Sledge Hammer: Trust me - I know what I'm doing!
- Curiosità sui creditiThe episode "Last of the Red Hot Vampires" ends with the dedication "In Memory of Mr. Blasko". Blasko was the real last name of Bela Lugosi.
- Versioni alternativeAn alternate, unaired version of the pilot episode "Under the Gun" is available on the Season One DVD. It includes 10 minutes of additional footage, an alternate epilogue and completely different opening and ending theme music.
- ConnessioniFeatured in Sledge Hammer: Go Ahead, Make Me Laugh! (2004)
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