Gli effetti di un olocausto nucleare sulla città industriale di Sheffield, Inghilterra e gli eventuali effetti a lungo termine della guerra nucleare sulla civilizzazione.Gli effetti di un olocausto nucleare sulla città industriale di Sheffield, Inghilterra e gli eventuali effetti a lungo termine della guerra nucleare sulla civilizzazione.Gli effetti di un olocausto nucleare sulla città industriale di Sheffield, Inghilterra e gli eventuali effetti a lungo termine della guerra nucleare sulla civilizzazione.
- Regia
- Sceneggiatura
- Star
- Ha vinto 4 BAFTA Award
- 4 vittorie e 4 candidature totali
David Brierly
- Mr. Kemp
- (as David Brierley)
Recensioni in evidenza
Every zombie and vampire movie ever made are Disney cartoons compared to Threads. One begins to realize the complete impotence of Hollywood crap like The Walking Dead and 100 variations of Vampire films. There is absolutely no need to see a horror film after viewing this piece; no horror film ever made could even have a tenth of its impact. The ghastly scenes are too numerous to mention; the horror all too real and unspeakable. The lucky ones are those who were killed instantly. A fable about a nuclear attack in England hits the bullseye for horror. Mr. Hines has created a horror masterpiece. The only thing is that vampires and zombies are fantasies; these survivors of a nuclear holocaust are real-life people. Well, I would not exactly call them people, but lower life forms of animals, as the human race would no longer exist as we know it. Only subhuman animals seeking water, food, shelter and clothing. This is the Rolls Royce of Nuclear Holocaust films. And now we have the US-Russia crisis over Ukraine. How much different is that from the one portrayed in the film? Not much. Might be time to stock up on bottled water, canned foods, a first aid kit, a supply of generic drugs, and a 38 with lots of cartridges and head for that remote cabin at the lake.
This is perhaps one of the most masochistic films ever made. You are taken into the personal world of two British families in Sheffield (site of a major NATO installation), who have children that are about to be married. Thousands of miles away, World War 3 slowly starts, and the ultimate horror happens. Thermonuclear war breaks out. The world, literally, grinds to a halt, in one of the most scientifically accurate depictions of nuclear war since "War Game, The" (1965). Unlike the US film "Day After, The" (1983) (TV), the film gives detailed information as to what is happening on a scientific basis. You are shown how a worst-case scenario can happen, and what the effects are, as you follow the surviving members of the two families through the aftermath. The scenes of death, destruction and disease are so realistic, I had to shower after seeing this film for the first time. But what is most disturbing is that the film includes the long-term effects of global thermonuclear war, going into weeks, months, years, even decades. The film ends thirteen years after the nuclear attack, and the final frames of the film will burn into you like no other film ever will. There can be no question that this film MUST be re-released in the USA on DVD, so that it's message will be heard and felt.
This is easily the best TV movie I've ever seen, and honestly, it might just be one of the best movies full stop I've ever seen.
It's hard to imagine the premise of a country falling apart after a nuclear attack being executed more effectively than this. The reduced budget works to the film's favour, as many of the settings look very real, the acting is naturalistic, and the blend of stock footage with limited special effects is far more convincing and genuine-feeling than high budget 80s, 90s, or even 2000s effects could produce.
There's nothing Hollywood, here. There's a sense of unflinching brutality and honesty that makes the already terrifying premise that much more devastating.
You might think the film's age and TV movie nature would make the disturbing content more manageable and less real, but that doesn't happen at all. The acting is almost 100% raw and believable. The effects never look cheesy. The violence and horrific imagery isn't at all toned down. It's remarkable and horrifying in equal measure.
Threads is without a doubt one of the bleakest and most distressing films I've ever seen, but two hours flew past, and I couldn't take my eyes off the screen. There was no part of me that wanted to scroll through Facebook or multitask with some household chores while watching this. I was glued to the screen.
The most effective moment is when the sound goes out for a moment or two during the sequence where the bombs are being dropped. Also worth noting is that shot with the lady staring into the camera, which will haunt me, and the manner in which the last half hour or so is done with almost no dialogue, and for good reason. It's mesmerising.
The voiceover and documentary-ish presentation could make this cheesy, but they don't. It adds to the believability, and such techniques weren't overused at all.
Nuclear weapons don't discriminate against their victims in the same way this movie doesn't discriminate against its characters. You could be rich, poor, a child, or even a cute household pet- it doesn't matter. This movie isn't afraid to show the deaths of anyone, and even more chilling is the way some main characters just disappear after the bombs fall, with the audience being left almost certain that whatever happened, their fates were not positive.
I can't say enough good things about this, and I am shocked by just how effective it was. A must watch, although be prepared to feel pretty rotten afterwards...
It's hard to imagine the premise of a country falling apart after a nuclear attack being executed more effectively than this. The reduced budget works to the film's favour, as many of the settings look very real, the acting is naturalistic, and the blend of stock footage with limited special effects is far more convincing and genuine-feeling than high budget 80s, 90s, or even 2000s effects could produce.
There's nothing Hollywood, here. There's a sense of unflinching brutality and honesty that makes the already terrifying premise that much more devastating.
You might think the film's age and TV movie nature would make the disturbing content more manageable and less real, but that doesn't happen at all. The acting is almost 100% raw and believable. The effects never look cheesy. The violence and horrific imagery isn't at all toned down. It's remarkable and horrifying in equal measure.
Threads is without a doubt one of the bleakest and most distressing films I've ever seen, but two hours flew past, and I couldn't take my eyes off the screen. There was no part of me that wanted to scroll through Facebook or multitask with some household chores while watching this. I was glued to the screen.
The most effective moment is when the sound goes out for a moment or two during the sequence where the bombs are being dropped. Also worth noting is that shot with the lady staring into the camera, which will haunt me, and the manner in which the last half hour or so is done with almost no dialogue, and for good reason. It's mesmerising.
The voiceover and documentary-ish presentation could make this cheesy, but they don't. It adds to the believability, and such techniques weren't overused at all.
Nuclear weapons don't discriminate against their victims in the same way this movie doesn't discriminate against its characters. You could be rich, poor, a child, or even a cute household pet- it doesn't matter. This movie isn't afraid to show the deaths of anyone, and even more chilling is the way some main characters just disappear after the bombs fall, with the audience being left almost certain that whatever happened, their fates were not positive.
I can't say enough good things about this, and I am shocked by just how effective it was. A must watch, although be prepared to feel pretty rotten afterwards...
I first saw "Threads" in high school, and saw it again recently as a grown adult. It does make a measure how old you are when viewing this movie; you take the actions on screen more seriously.
"Threads" plays like BBC documentary about a catastrophic nuclear war, interjecting live scenes with a bland monologue and various statistics, although one wonders what audience would be viewing this documentary.
Since it does play like a documentary, it feels no need to either overplay events or sugarcoat things for our sensibilities. There's no speeches or heroic actions, everything occurs as it happens, no matter how horrifying.
The gore is moderate (it was a TV movie after all) but is unsettling because it's taken to be real. Throughout you look for some hopeful thought to intrude, even comic relief, but "Threads" stares you down, making you watch the horror and woe to the bitter end. There is no hope or salvation, only despair.
It's worth seeing a movie like this as a reminder of the horrors of nuclear war; the threat of a mututal destruction by superpowers seems to be fast fading, but there's always the possibility of terrorists or new enemies.
"Threads" is to nuclear war what "Saving Private Ryan" is to war movies, a landmark film that delivers a strong political message without ever really mentioning it.
"Threads" plays like BBC documentary about a catastrophic nuclear war, interjecting live scenes with a bland monologue and various statistics, although one wonders what audience would be viewing this documentary.
Since it does play like a documentary, it feels no need to either overplay events or sugarcoat things for our sensibilities. There's no speeches or heroic actions, everything occurs as it happens, no matter how horrifying.
The gore is moderate (it was a TV movie after all) but is unsettling because it's taken to be real. Throughout you look for some hopeful thought to intrude, even comic relief, but "Threads" stares you down, making you watch the horror and woe to the bitter end. There is no hope or salvation, only despair.
It's worth seeing a movie like this as a reminder of the horrors of nuclear war; the threat of a mututal destruction by superpowers seems to be fast fading, but there's always the possibility of terrorists or new enemies.
"Threads" is to nuclear war what "Saving Private Ryan" is to war movies, a landmark film that delivers a strong political message without ever really mentioning it.
In Sheffield, ordinary people from the working class live their lives while the television news report the escalation of the tension between United States of America and Soviet Union after the invasion of Iran by the soviets. People in general do not pay much attention until the day they realize that a nuclear attack may happen and affect the mankind.
"Threads" is a realistic film still impressive in 2021. In 1984 it was scarier with the Cold War, but in the present days it is still frightening since unstable Powers that Be may press the feared button. The effects of the nuclear holocaust in the population of Sheffield is dreadful. My vote is eight.
Title (Brazil): "Catástrofe Nuclear" ("Nuclear Catastrophe")
"Threads" is a realistic film still impressive in 2021. In 1984 it was scarier with the Cold War, but in the present days it is still frightening since unstable Powers that Be may press the feared button. The effects of the nuclear holocaust in the population of Sheffield is dreadful. My vote is eight.
Title (Brazil): "Catástrofe Nuclear" ("Nuclear Catastrophe")
Lo sapevi?
- QuizIn the aftermath of the nuclear blast, footage of a cat supposedly "suffocating" outside in the extreme heat is shown. This is actually footage of a cat enjoying a hefty dose of catnip, then they just reversed the film to give the impression of the cat suffocating (the way the cat is rolling on the ground is the giveaway).
- BlooperToward the end of the film, when Ruth falls over while she and her daughter are working the fields, you can hear the director say "Look up nice and slow" to the actors. It's even included in the current closed captioning, with the speaker attributed as "Man."
- Versioni alternativeIn the original broadcast version, the narration which opens the film is accompanied by a recording of Richard Strauss's "Alpine Symphony"; due to rights issues, the music was removed from most later home video releases. It was restored for Severin's Blu-ray release, as well as the UK Blu-ray release from Simply Media.
- ConnessioniFeatured in Secret Society: In Time of Crisis (1987)
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Dettagli
Botteghino
- Budget
- 400.000 £ (previsto)
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