Il trono di fuoco

I remember seeing this one on home video back in the 80's. My friend rented it no doubt on account of its video cover which almost certainly featured a barbarian babe with a sword. I can't say I remembered it too fondly, as all I could honestly remember was the scenes of the throne of fire itself. Overall, it isn't nearly as salacious as some of the other barbarian movies of its era, such as Amazons, so I reckon that may be why it seemed so averagely routine back then. Having revisited it again just the other night I do have to say that it was considerably better than I thought it would be. Sure, its story about a warrior's quest to prevent the son of Satan sitting on the throne of the title and ruling the world in an evil way, is about as generic as you can get for this kind of thing. But when it comes to the mid 80's sword and sorcery sub-genre, cosy familiarity is not necessarily a bad thing, right?

What you get is a chief villain with a perm, who likes to kill as many innocent people as he can but fortunately for us, always puts the hero in easily-escapable positions and then leaves the room. To this end, various capturings and escapings ensue in the story, one sequence of which features the hero being thrown into the Well of Madness, where he encounters a floating severed head and an armoured warrior. So, this is all good silly fun that delivers the requisite ingredients basically, however, the definite highlight of the movie was the delectable Sabrina Siani who plays a character called Princess Valkari whom the chief baddie is set on marrying on the day of the night of the day (a badly rendered solar eclipse to you and me); anyway, Ms Siani has a body to kill for and kicks about for the entire runtime in a barbarian girl bikini, which was very nice of her to be perfectly honest.

There is something quite attractive about those Italian rip-offs. Everything seems to be more dramatic but will less talent. Throne of fire sure is one of those. You get everything you paid for, cheesy lines, inept acting, boring sequences after boring sequences and probably the worst villain ever.

If you're into those kind of films, you'll get what you're looking for and much more. The "pit of madness" scene, whatever is it called was hilarious, a classic Z-grade moment. Personally, I got a kick of watching this, just a glimpse of the cover art and I knew I was in for something "memorable".For the rest, quite a crap fest with some weird entertaining scenes but nothing good really.

My review was written in June 1986 after watching the film on MGM/UA video cassette.

"The Throne of Fire' is a very ordinary Italian fantasy adventure cranked out in 1982 with the same cast and virtually the same plotline as a dozen other pictures at that time. Cannon pickup bypassed U. S. theatrical release to debut on video cassette instead.

Peter McCoy (real name: Pietro Torriso) toplines as Siegfried, a muscleman destined to save the world from evil, latter personified by Moark (Harrison Muller), the on of the devil's messenger Belial (also played by Muller) and the witch Azira.

For evil to continue to exist in the world, Morak must take the title throne "on the day of the night in the day" (another cornball eclipse coming up). To qualify, he must marry beautiful blonde princess Valkari (Sabrina Siani), daughter of King Egon who recently died. To sit on the throne without qualifying means instant death as it magically generates flames.

Imbued by his sorcerer father with invulnerability (except for a susceptibility to fire), Siegfried also get the temporary use of invisibility, just like his legendary namesake of "The Nibelungen" saga. Sluggishly paced low-budgeter has okay sword fight action but little else. The uncrowned queen of the genre, Siani (who made at least seven such films in 1982) is an athletic, intense beauty who deserved to graduate to better roles. She co-starred with the wooden McCoy in "The Sword of the Barbarians", which Cannon released theatrically in 1983 and the much sexier "The Invincible Barbarian" (released here on video cassette only). Co-star Muller (of "2020 Texas Gladiators") is funny with his rapidfire (self-dubbed) dialog delivery.

Peter McCoy (Pietro Torrisi) who also starred in the similarly themed Sword Of The Barbarians and The Invincible Barbarian appears here in this tale of swords, sorcery and ominous prognostication.

In it he plays Siegfried, a mightily muscled hero who is predestined to challenge Satan from attaining mastery over the earth, a feat that the dark one can (luckily for us) only achieve during a solar eclipse and whilst sitting on the magical 'Throne Of Fire' of the films title.

OK so the film isn't going to win any awards for ingenious plot intricacies but in this genre what can one expect?

As it is, the film is actually mildly enjoyable and even has a few decent scenes on offer (the 'Well Of Madness' being a particular stand out), plus there's some rather energetic sword fights on display from our oiled down hero (who looks a fair bit like fellow B movie action star Jeff Wincott!)

Always a plus in my book, this also stars regular Italian sword and sorcery sex symbol, Sabrina Siani who as usual looks absolutely gorgeous!!!

On the downside however, the movie does tend to drag a fair bit throughout, especially during the scenes when our hero is captured....in fact our hero seems to spend the entire film alternating between getting captured and then staging daring escapes! Oh well.....

Overall, if like me, you enjoy these types of films then I'd certainly suggest you give this a try. It's actually not half bad and is certainly infinitely better than most modern takes on the genre.

The beautiful princess Valkari (Sabrina Siani) must marry the evil Morak (Harrison Muller, whom I remember from "She"), otherwise he cannot sit on the Throne of Fire and become rightful ruler. The hero Siegfried (Pietro Torrisi) goes on a mission to rescue the princess and prevent Morak's rulership.

If the storyline seems familiar to you: yes, we've seen it all before, and much better. This poorly staged movie ticks the usual boxes of the genre, and even other low-budget sword and sorcery flicks of that era shine compared to this ineptitude. It was the last movie Franco Prosperi ever directed and the last top-of-the-bill part in a cinema production for teenage queen Sabrina Siani who is familiar to fans of the genre from "Conquest" and the first "Ator" movie. You can easily give this a miss.