VALUTAZIONE IMDb
6,1/10
2843
LA TUA VALUTAZIONE
Due giovani sbandati vivono alla giornata. Ma quando uno di loro si innamora di una cameriera ecco che cerca di redimersi, mentre il suo amico non vuole saperne di cambiare vita.Due giovani sbandati vivono alla giornata. Ma quando uno di loro si innamora di una cameriera ecco che cerca di redimersi, mentre il suo amico non vuole saperne di cambiare vita.Due giovani sbandati vivono alla giornata. Ma quando uno di loro si innamora di una cameriera ecco che cerca di redimersi, mentre il suo amico non vuole saperne di cambiare vita.
- Regia
- Sceneggiatura
- Star
Francis X. McCarthy
- Mr. Carlson
- (as Frank McCarthy)
Ramon Estevez
- Mike Chambers
- (as Ramon Sheen)
Robert Swan
- Smitty
- (as Bob Swan)
Paul M. Lane
- Paul
- (as Paul Lane)
Recensioni in evidenza
Only thing wrong with this movie-- the decision to "update" the story to make it contemporary. Some novels lend themselves to that kind of reinterpretation easily, but S.E. Hinton's early works aren't among them. The book, set in the late 60s, was essentially a follow-up to "The Outsiders," picking up a few months after its TV Series left off. The character of Ponyboy was taken out of this film for obvious reasons (why would he still be 16 in 1985?), but other Outsiders (most notably Tim Shepard) remained intact without aging a day-- effectively destroying any continuity it might have had with the film it was undoubtedly cashing in on. As result of this questionable rewrite, the novel's focus on the greaser/soc conflict dying off is completely absent, as are other time period-specific subplots. Perhaps the filmmakers wanted this to stand on its own from Coppola's then-recent "Outsiders" adaptation, but this likely hurt "That Was Then...This Is Now" in more ways than it helped it.
I read the book for this movie and it was really good and very emotional to read as the characters change. The movie how ever is so ridiculous it's funny. For some reason it was changed to the 80's instead of the 60's which completely ruined the movie for me also making the sheppards immortal by doing this. Also since in the 80's it got rid of the hippies and changed it to punks but it is hard to take people that are supposed to be mean seriously when they're wearing a mesh tank top and eyeliner. And the way it's shot is just ridiculous and very over dramatic (classic 80's) but a great movie for a great laugh if I'm being honest.
That Was Then... This Is Now is one of the best early performances of Emilo Estvez as a writer and actor. Estevz brings Mark to life they way S.E.Hinton intened by being brutal and cut throat in his performace. All of the actors in the film give equally good performacnes in particular Morgan Freemen and Craig Sheffer. A underlooked gem.
I always loved S.E. Hinton's novels as a kid: The Outsiders, Rumble Fish (which in my opinion, is the greatest film adaptation in the series despite everyone's fascination with The Outsiders), Tex, and That Was Then This is Now.
'That Was Then, This is Now' was the last film adaptation (although the TV series for 'The Outsiders' follows five years later after the release of this movie). I would've attribute the mediocrity of the movie, or at least the inability to really put forth all that the novel did, was because it was not directed by Francis Ford Coppola (who directs 'The Outsiders,' and does a fabulous job with 'Rumble Fish'), except 'Tex,' which was a pretty good movie, was likewise not directed by Coppola.
I think it is in part the chemistry among the characters. The whole mood looks like something out of a music video, with Craig Scheffer coming off more like a guy who broke off a long relationship with a girlfriend rather than dealing with a rambunctious brother (in addition to other things). Plus, as another viewer already mentioned, they shifted the focus on characters so that superstar Emilio Esteves becomes the center of attention. Most of S.E. Hinton's novel always portrayed a struggle from the brother who is looking out at things that, by his perception, have become (or always were) seriously out of control. (See 'Tex' and 'Rumble Fish'). And yes, they unfortunately acquiesced to the Hollywood happy ending, and in the sappiest way, despite all of the problems that the characters endure.
Unlike previous adaptations of Hinton's novels, even those not directed by Coppola, they really fail to portray the struggles that the characters realize in the book. And, lack of developing the story on this point really makes you only half appreciate the characters and their conflicts (and in this case, not even their resolution).
'That Was Then, This is Now' was the last film adaptation (although the TV series for 'The Outsiders' follows five years later after the release of this movie). I would've attribute the mediocrity of the movie, or at least the inability to really put forth all that the novel did, was because it was not directed by Francis Ford Coppola (who directs 'The Outsiders,' and does a fabulous job with 'Rumble Fish'), except 'Tex,' which was a pretty good movie, was likewise not directed by Coppola.
I think it is in part the chemistry among the characters. The whole mood looks like something out of a music video, with Craig Scheffer coming off more like a guy who broke off a long relationship with a girlfriend rather than dealing with a rambunctious brother (in addition to other things). Plus, as another viewer already mentioned, they shifted the focus on characters so that superstar Emilio Esteves becomes the center of attention. Most of S.E. Hinton's novel always portrayed a struggle from the brother who is looking out at things that, by his perception, have become (or always were) seriously out of control. (See 'Tex' and 'Rumble Fish'). And yes, they unfortunately acquiesced to the Hollywood happy ending, and in the sappiest way, despite all of the problems that the characters endure.
Unlike previous adaptations of Hinton's novels, even those not directed by Coppola, they really fail to portray the struggles that the characters realize in the book. And, lack of developing the story on this point really makes you only half appreciate the characters and their conflicts (and in this case, not even their resolution).
In English class, we read S.E. Hinton's saga of teenage angst. The students were enthralled with the story. While the setting was from years past, the ethical questions raised and the teenage situations were quite apropos. The story generated a great deal of quality discussion in class...education at it's finest.
The movie, however, was a bit of a disappointment for us. Taken by itself, it was a fine example of 80's brat-packish fluff. It was formulamatic, but entertaining. One could hardly say that the movie was based on the book, though. Bryon's personal growth journey and coming of age, so well illustrated in the novel, was sacrificed to car chases and Hollywood's penchant for tidy endings, in the movie.
While I would recommend both, I would caution that they are two separate stories, sharing the same character names. Perhaps there is the lesson: You cannot watch the movie to get out of reading the book! .
The movie, however, was a bit of a disappointment for us. Taken by itself, it was a fine example of 80's brat-packish fluff. It was formulamatic, but entertaining. One could hardly say that the movie was based on the book, though. Bryon's personal growth journey and coming of age, so well illustrated in the novel, was sacrificed to car chases and Hollywood's penchant for tidy endings, in the movie.
While I would recommend both, I would caution that they are two separate stories, sharing the same character names. Perhaps there is the lesson: You cannot watch the movie to get out of reading the book! .
Lo sapevi?
- QuizEmilio Estevez's original script followed the book's ending more closely. Paramount Pictures executives forced Estevez to re-write the ending to be more "optimistic" and "realistic".
- BlooperIn just about every scene where a bus is involved, it's bus #461.
- Citazioni
Mark Jennings: Let's move out... Teabag!
- ConnessioniFeatured in Randy Wayne & Carroll Sue Hill: That Was Then, This Is Now (1985)
- Colonne sonoreBorn Alone
Written by Scott Lipsker & Mike Kapitan
Performed by Kipp Lennon
Produced by Scott Lipsker & Mike Kapitan
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- Data di uscita
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- That Was Then... This Is Now
- Luoghi delle riprese
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Botteghino
- Lordo Stati Uniti e Canada
- 8.630.068 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.502.780 USD
- 10 nov 1985
- Lordo in tutto il mondo
- 8.630.068 USD
- Tempo di esecuzione
- 1h 42min(102 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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