Tenement

Tenement may clearly be a very cheap production, but this is excellently masked by the thoroughly mean exploitative style. The film is along the same lines as urban exploitation such as Assault on Precinct 13 and The Warriors and is similar in style to both also; although the film actually reminded me a lot of the Lamberto Bava trash classic "Demons", also released in 1985, as the main focal point of the film is on a disorganised group of people trapped in a claustrophobic building and facing off against a group of ravenous thugs. The central setting is a run down block of flats in a poor area of The Bronx. The flats come under attack from a violent street gang and naturally the residents call the cops and get them hauled off to the station. The gang doesn't take lightly to this, however, and after being released a short while later; they decide to take revenge by returning to the flats and trapping the residents inside. The gang hold the residents to ransom with brute force, but things take a turn for the unexpected when the locals turn the tables...

Despite obviously being made on a budget, director Roberta Findlay clearly put aside enough of it to ensure that the film features plenty of gory kill scenes. The violence is not constant though it is gratuitous when featured and I'm sure that will delight anyone with a mind to see this film. The style of it verges on post apocalyptic and the costumes worn by the central gang reflect this. The block of flats at the centre of the film provides an excellent location for the film to take place and the director does a good job of enforcing the central situation on the audience and ensuring that the claustrophobia comes across as well as possible. The plot doesn't contain a lot of surprises and it's always obvious where it's going, so it's a good job that getting there is a lot of fun to watch. You can be sure that there's going to be another kill scene just around the corner and the film is pulled off with a pitch black sense of humour which bodes well with the unpleasant goings-on and atmosphere. Overall, this is a cheap and cheerful eighties gore-fest and I'm sure that it will please anyone lucky enough to track it down. Recommended.

Fed up with their basement serving as headquarters to a gang of violent, drug-taking street punks, the tenants of a run-down New York tenement building inform the police about their unwanted guests' stash of illegal narcotics and firearms; believing the gang to be safely behind bars, the delighted tenants hold a party to celebrate, but elation quickly turns to terror when they discover that the thugs have been released from jail and are looking for revenge.

Just a few seconds of the horribly dated rap theme-song for Tenement should be enough for most sane movie fans to switch off in abject horror, but those who stay the distance (the certifiably insane, lobotomy patients, obsessive fans of z-grade trash) will find that bad 80s music is possibly the least offensive thing about this film: schlock director Roberta Findlay packs her film to the rafters with scenes of mean-spirited violence and sleaze carefully designed to keep even the most twisted of movie degenerates drooling with glee, including several bloody stabbings, a pair of scissors in the face, a throat slashing, and a rape that ends with the old 'broom handle up the punani' routine.

Sadly, while a catalogue of assorted unsavoury acts like this would normally qualify a film as an unmissable exploitation treat in my book, Findlay's typically ham-fisted direction, unconvincing gore, and terrible performances from nearly all involved make this film a gruelling experience for all the wrong reasons. It's not often that a movie can feature so much atrocity, yet still be most memorable for its bad guys' (and gal's) terrible dress sense: sporting cropped vests (tastefully slashed), chains, black spandex, and a fetching range of studded leather apparel, they look like they've either spent the evening partying hard at an S&M club or just been to an audition for raunchy 80s dance troupe Hot Gossip.

Some IMDb reviewers have cited this as their favourite of Findlay's directorial work, although as far as I am concerned, choosing your favourite Roberta Findlay film is akin to choosing your favourite STD.

This is without a doubt director Roberta Findlay crowning achievement and one of the true essential of 1980's 'urban warfare' movies. This film is proudly a B-movie, wearing it's bloody blackened heart on it's gore drenched sleeve. And I truly wouldn't have it any other way. Featuring mostly unknowns although some would later find success in varying degrees, Karen Russell (from "Vice Academy" and "Hell High"), Dan Snow (Yup, old Ciger Face himself from the Toxic Avenger movies) and Paul Calderon, who would go on to do bit parts in many great movies. This is a nasty one, broom handles where they have NO right being, sadistic violence, and general depravity combine to make a potent concoction. I loved every second of it. And the theme song by 'The Kool Crew' is great.

Eye Candy: Corinne Château and Karen Russell get topless

My Grade: A-

DVD Extras: Commentary by Roberta Findlay; Interview with Findlay; Photo gallery; radio spot; Original Trailer; and Trailers for "Blood Sisters" (with nudity), "Blood Feast 2", "Duck the Carbine high massacre", and "New Barbarians"

If one were to crown Roberta Findlay's best film, I think TENEMENT would be it. A variation of "people trapped in the house" genre, TENEMENT takes place in a run down building, all in one day with Findlay keeping the tension going with on screen titles giving the time (and sometimes even the apartment levels). This helps as the gang ruthlessly tries to make its way up to the tenants.

The gang is, as most gangs in films were during this time period, cinematic-ally goofy. It is a multi-ethnic gang dressed to the hilt in chains and leather. Findlay admits on the DVD audio commentary that during filming she encountered many real gangs in the Bronx and subsequently found out that her vision of gangs "wasn't very realistic." Regardless, the cast, comprised of mostly unknown but professional actors, is very convincing. Both Sam (Joe Lynn) and Chaco (Enrique Sandino), the leaders of the good guys and bad guys respectively, are given very strong portrayals by the actors. An interesting bit of trivia, TENEMENT marks the film debut of Paul Calderon, a recognizable character actor who went on to be in a wide range of stuff from PULP FICTION to LAW & ORDER.

One of the multiple films in the mid-80s urban warfare genre, TENEMENT is perhaps the sleaziest of the bunch. Director Findlay goes for the throat in terms of the violence, featuring brutal rapes, stabbings, throat slicing, animal mayhem and castration. It created a cumulative effect so strong that the film was award an X rating by the MPAA (interestingly, so was the gang war epic DEATH WISH 3 at the time, but it was reversed on appeal).

A piggish gang of inner-city punks embark on a sadistic killing spree inside a ruinous low-income housing facility, intent on making the building "their own". Some truly vexatious scenes of gleefully exacted torture and murder make TENEMENT one of the most inclement exploitation films of the 80s.

Rather deficiently crafted for the most part, this is still possibly schlock-queen Roberta Findlay's most technically accomplished effort, and it actually features a few uncommonly decent performances. TENEMENT is a deliberately discomforting urban horror film recommended explicitly to those seeking a challenge to their humane sensitivities and emotional sang-froid...not exactly a "feel good movie of the year" nominee, but it certainly meets its grievous objectives head-on. Be aware of what you're in for.

5/10