Sacco a pelo a tre piazze

Bearing in mind all the obvious issues with this film, it is a great surprise to me that it is one of my favourites. Firstly, it is a romantic comedy. I don't "do" romantic comedy. I am one of those males who the thought of softening to a rom-com reduces to a pre-teen "err, I wouldn't kiss a girl" state. I enjoyed 'Last of the Mohicans' but that was an adventure with a romantic element. This is definitely a rom-com, dead square and centre. Secondly, the whole film is so dated {to an era which was not the greatest of my life). Within five minutes of the start, with the music, clothes and 'Miami Vice' font, I would expect anyone born before 1975 to be able to date this film to within 1 year either side. Thirdly, despite the journey, not enough is made of location to describe this as a road movie. Lastly, the plot is entirely predictable within the rom-com formula. As soon as the male and female leads fall out you know what is going to happen by the end of the film... (whoops, is that a spoiler!?!).

Despite these problems, 'The Sure Thing' hits the mark. This era produced some now badly dated and still immensely enjoyable American films like 'Ferris Bueller', 'Weird Science', 'The Breakfast Club' and 'Flight of the Navigator'. Like those films, the script, acting and direction are first-rate: you can laugh at and laugh with the Cusack character and understand why he gets up the nose of the Zuniga character. There are many genuinely funny moments and an underlying humour through it all. The minor parts - the party animal, the geek, the irritating couple - are all stereotypes but sympathetically drawn. Campus life is fun but innocent fun. Yes, there is drinking and fooling round, but no drunkenness, fighting, drugs or pregnancy. This is the ultimate appeal of the film, and it is a nostalgic one. It is innocent and simple like you wish your teenage years had been. The way the central characters draw together and meet halfway, not one adapting to the other, sustains the film throughout. For all its obviousness, this is an enjoyable film to watch.

Check Rob Reiner's bio in virtually any film resource and they don't even mention this movie. Why this is so is beyond me. This is one of the overlooked gems of the 80s. I would rank it as one of Reiner's three genuine classics, along with THE PRINCESS BRIDE and THIS IS SPINAL TAP. Neither Cusack nor Zuniga could have been any better, and yet Reiner shows his directorial skill by including a cast of supporting characters that's as quirky and memorable as the leads. If you're looking for a teen romance road comedy (that isn't a gross-out soft-core flick in disguise), check this one out!

Just for the heck of it, I pulled out my copy of The Sure Thing and watched it again. It's held up well since I first saw it on video in 1986. Yeah, the music is a little old, and Jason, Alison's boyfriend, still grates on me because I looked like him, but in all other respects it has held up well. What carries it is that it's the classic John Cusack Movie, where Cusack is just being... John Cusack. Totally real, totally unpretentious. You can see it in everything else he's done, even things of totally different style, like "Eight Men Out" and "The Grifters." He just rules the screen and the production ends up recalling pictures like "His Girl Friday" and "It Happened One Night." This has stood up to nearly fifteen years of viewing pretty well. Compare and contrast other stuff of that era, like "St. Elmo's Fire," and "Fast Times At Ridgemont High." Or any Tom Hanks movie of the period.

I've now come back five years after originally posting this review (it's now May, 2007) and I say, this film STILL stands as a classic Cusack, even after I have (in the interim) loved "Pushing Tin," "Being John Malkovich" and of course the amazing "High Fidelity." And to this day, I have been known to say, in bars, "BARKEEP! Bring this man...a TROUGH... of spritzer!"

And just remember...

"Credit cards work on a completely different kind of lock!"

Having fallen for John Cusack's engaging performance as Rob in 'High Fidelity', I jumped at the chance to watch one of his earliest films, 'The Sure Thing'. And, despite a life-long hatred of "girly" films and all things romantic comedy, this slice of 80s college cheese surprisingly hit the spot.

The story is nothing new: boy (an effervescent Cusack as Walt Gibson) meets girl (Daphne Zuniga), and an antagonistic relationship is formed. He hates her studious, organised approach to life; she frowns upon his laddish, devil-may-care attitude. Inevitably, they are soon thrown together - namely by Gib's trip to California on the promise of a blond, beautiful "sure thing" from best friend Lance (Anthony Edwards) coinciding with her journey to visit her boyfriend - and opposites begin to attract.

Yet to complain that the plot is predictable would be to miss the point. You know the ending within the first five minutes: it is the journey there which is important. Director Rob Reiner handles the script with a necessarily light touch, and allows the humour to be more character-driven than situational. To the writers' credit, even the film's most obvious scenes are always relieved through it's witty and eminently quotable dialogue.

What elevates 'The Sure Thing' above the ranks of its genre contemporaries is Reiner's deft hand with a character; in particular his ability to transcend stereotypes yet create instantly recognisable, believable people, a feat he later put to effective use in 'Stand By Me'. This is underpinned by Cusack's energetic performance, showcasing what has become his staple character: the spikily droll male whose shining qualities just avoid being undermined by his easily discernible flaws.

'The Sure Thing' is also notable for its treatment of - and fondness for - the minor characters, few of whom suffer from the "obvious spare part" phenomenon of so many high school based films. Particularly commendable are Tim Robbins' disappointingly brief turn as one half of the cutesy couple from hell, and a remarkably young-looking Anthony Edwards in the long-term buddy role (notable especially for what must be one of the worst 80s fashion statements since Vanilla Ice decided on baggy trousers - see the pool scene featuring Lance's phone call from California).

Despite its premise, this film always endeavours to be about love rather than sex. A refreshing angle on a well-worn tale, 'The Sure Thing' provides a welcome escape from the 'American Pie' view of teenage romance. With consistently endearing performances from both Cusack and Zuniga, this is one romantic comedy I would happily give a second viewing.

Love stories are hard to do right. Especially films in the 80's. They were more concerned with typical Porky's like shower scenes than they were with true love. And although Gib ( Cusack ) is promised a guaranteed lay if he makes his way down to California, the movie is not at all about getting laid and bare breasts and sex, it is about falling in love and the lengths we'll go to obtain the affection of the opposite sex.

The story starts off with Gib in his first year of some Ivy League school while his best friend from highschool, Lance (Anthony Edwards) is partying it up in sunny California. Gib is already striking out with the babes on his college campus and to make matters worse, Lance is seemingly getting action everyday. Then Gib walks into his English class and notices Allison, played by Daphne Zuniga. She is not your typical bimbo in the movies. She is smart, pretty, articulate and she flat out refuses his advances towards her. She does agree to see him strictly on a study basis and he ends up making himself look even more silly and barbaric. Eventually Gib and Allison end up in the same car pool to California. She is going to see her boyfriend and he is going to bang the Sure Thing. Later, a trucker remarks to Gib, " 3000 miles just to get laid, hey you pay the speeding tickets and I'll get you there." Of course along the way, Allison and Gib find they have a mutual admiration for each other and it is only up to the viewer to guess the outcome. Shouldn't be too difficult.

So far this may sound like pretty lame stuff and perhaps it could have been except for a few things. One is the writing, two is the acting and three has to be Rob Reiner. First of all, Allison and Gib are given plenty to do and they have much funny dialogue to go with it. Allison is goated into showing how she is not as repressed as Gib thinks she is by flashing her assets to a passing car. Gib teaches Allison how to "shotgun" a beer using "any household utensil, I use a pen." Gib rescues Allison from a would-be rapist in one of the funniest moments in the film ( I think I'll take your wife ). There are also some great performances by some of the supporting characters. Tim Robbins and Cusack must have met on the set of this movie and thus their strong friendship over the years can be accredited to the filming of this gem. Here, Robbins plays Gary Cooper, but the not the Gary Cooper that's dead, and he is one of the most annoying drivers that you could be stuck with for a cross country trip. Viveca Linfors plays the English professor and she has a way of making you want to learn how to write properly, learn Shakespeare and express yourself. As she says in the film, " Life is the ultimate experience, but you have to experience it in order to write about it." And of course Anthony Edwards is quite funny as Lance.

The Sure Thing is not raunchy the way Porky's or American Pie is. It is not crude the Fasttimes or Last Road Trip is. But it is honest in it's humour and fair with it's balance of love and lust. This is 15 years old but it is one of the best teen-comedies to come out of the 80's. 90's comedies and ones that are made in the new millenium are quite good, but there is an innocence that cannot be imitated from films like this. I think a film like Here On Earth may have had The Sure Thing ( or maybe an episode of Bold and Beautiful ) in mind when they made that film. It tried to be sweet and funny but failed miserably. The Sure Thing not only doesn't fail, it surpasses your expectations.

10 out of 10