Sacco a pelo a tre piazze

This movie has GOT to be the most underrated movie of the 80's if not of all time. When you consider the relatively young age of the actors, Daphne Zuniga was 22 and John Cusack was only 17, and it was only Rob Reiner's second film, it makes this film that much more of a milestone. Maybe the storyline is predictable, so what. The acting by Cusack and Zuniga is perfect. They make this movie seem real and honest.

What makes this movie so enjoyable and memorable is the feelings it provokes. Remember the rush of emotions when you first meet someone who makes your heart beat out of your chest and feel lightheaded? Acting like you really don't like someone when deep down inside you would give anything to be with them? Going to a party and flirting with other people hoping that they would see you and get jealous? That's what this movie does for me. It makes me realize just how much I miss the innocence, passion and emotion of those days. The acting is wonderful and you really get drawn in to their plight as they make their way across the country to be with the one they "think" is their own "sure thing". The great thing about this movie is that every time it looks like they are finally going to get together, something pulls them apart. While there are many funny lines and memorable scenes in this film, by far my favorite is at the end when Gib's essay is read aloud. Allison's facial expressions let you know just how painful it is for her to hear it. The final scene is wonderful. I tear-up whenever I see it, and I'm a guy.

I like this one. Having always been a fan of Daphne Z, I have to say its strange that her career hasn't taken off better than this promised. She has poise, presance, looks, ability. Cusack himself is still around, be it in 'Thin Red Line' or '8 Men Out' or whatever.

I like how sweet natured this is, and how these kids aren't all cock-sure sex-fiends, unlike in all those other Porky's type flix of the era.

The soundtrack is pretty good too-the Cars, Huey Lewis, Wang Chung, Rod Stewart too. Who would thought that Rob Reiner'd turn out to be such a good director? This was his first traditional movie Move, if you will-after the Psuedo-documentary 'Spinal Tap' from the previous year-and it's a good one.

Very 80s, but a Good 80s flick. You will like this if you get a chance to see it.

*** outta ****

...not just for Gib and Alison, but definitely for this reviewer, who saw this movie for the first time in August 2004!

The plot is simple enough, but Reiner's direction makes the movie a true gem; as do the efforts of Cusack and Zuniga--plus the supporting cast, which include a pre-'Goose' Anthony Andrews and a truly funny Tim Robbins (he's less funny nowadays, of course, but in '85 he exhibited definite comedic talent).

I've decided that this one's right up there with my favorites. One of those movies, with endless quotable lines, that charms you out of your wits without even trying.

Till Noever, Author: KEAEN, Edge Science Fiction and Fantasy Publishing, www.owlglass.com

Just for the heck of it, I pulled out my copy of The Sure Thing and watched it again. It's held up well since I first saw it on video in 1986. Yeah, the music is a little old, and Jason, Alison's boyfriend, still grates on me because I looked like him, but in all other respects it has held up well. What carries it is that it's the classic John Cusack Movie, where Cusack is just being... John Cusack. Totally real, totally unpretentious. You can see it in everything else he's done, even things of totally different style, like "Eight Men Out" and "The Grifters." He just rules the screen and the production ends up recalling pictures like "His Girl Friday" and "It Happened One Night." This has stood up to nearly fifteen years of viewing pretty well. Compare and contrast other stuff of that era, like "St. Elmo's Fire," and "Fast Times At Ridgemont High." Or any Tom Hanks movie of the period.

I've now come back five years after originally posting this review (it's now May, 2007) and I say, this film STILL stands as a classic Cusack, even after I have (in the interim) loved "Pushing Tin," "Being John Malkovich" and of course the amazing "High Fidelity." And to this day, I have been known to say, in bars, "BARKEEP! Bring this man...a TROUGH... of spritzer!"

And just remember...

"Credit cards work on a completely different kind of lock!"

Bearing in mind all the obvious issues with this film, it is a great surprise to me that it is one of my favourites. Firstly, it is a romantic comedy. I don't "do" romantic comedy. I am one of those males who the thought of softening to a rom-com reduces to a pre-teen "err, I wouldn't kiss a girl" state. I enjoyed 'Last of the Mohicans' but that was an adventure with a romantic element. This is definitely a rom-com, dead square and centre. Secondly, the whole film is so dated {to an era which was not the greatest of my life). Within five minutes of the start, with the music, clothes and 'Miami Vice' font, I would expect anyone born before 1975 to be able to date this film to within 1 year either side. Thirdly, despite the journey, not enough is made of location to describe this as a road movie. Lastly, the plot is entirely predictable within the rom-com formula. As soon as the male and female leads fall out you know what is going to happen by the end of the film... (whoops, is that a spoiler!?!).

Despite these problems, 'The Sure Thing' hits the mark. This era produced some now badly dated and still immensely enjoyable American films like 'Ferris Bueller', 'Weird Science', 'The Breakfast Club' and 'Flight of the Navigator'. Like those films, the script, acting and direction are first-rate: you can laugh at and laugh with the Cusack character and understand why he gets up the nose of the Zuniga character. There are many genuinely funny moments and an underlying humour through it all. The minor parts - the party animal, the geek, the irritating couple - are all stereotypes but sympathetically drawn. Campus life is fun but innocent fun. Yes, there is drinking and fooling round, but no drunkenness, fighting, drugs or pregnancy. This is the ultimate appeal of the film, and it is a nostalgic one. It is innocent and simple like you wish your teenage years had been. The way the central characters draw together and meet halfway, not one adapting to the other, sustains the film throughout. For all its obviousness, this is an enjoyable film to watch.