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Burt Reynolds has in Stick the opportunity to come back in interpreting the kind of character that consecrated him:the cynic,charmous and irresponsible anti-hero.Once the movie was based on an Elmore Leonard's book,whose works are known due it's unics,rotters and ambiguous characters,he has the possibility to exaggerate on the creation of the movie's protagonists.The simpleton plot offers a simple and passing diversion.Burt Reynolds is Ernest Stickley, an ex-com who just have been set free and who gets involved in a hard situation after going with his friend to accomplish a drug transaction in a desert place.His friend is murdered,but he escapes and now he wants revenge.He ends up becoming an employee and protected of a millionaire,and,while weaving his revenge,he gets emotionally involved with his boss'secretary,Kyle(Candice Bergen).If this film has a trump card,it is adapting faithfully the Elmore Leonard's book.The film counts with a terrific final climax,stuffed with shooting and a beautiful final scene,underlined by a beautiful music called Ï don't think I'm ready for you"...

Burt Reynolds stars and dominates in the title role of Ernest 'Stick' Stickley, newly released from prison who immediately gets right back involved with criminal activities with old prison buddy Jose Perez. A decade later the incident where Perez is killed was almost done word for word in Al Pacino's Carlito's Way.

Unlike Pacino however, Reynolds would like to stay clear of things, but he's got a score to settle over Perez. For a bit of cover and protection he takes a job with flamboyant movie producer George Segal who really overacts outrageously with tongue firmly in cheek. Still the people who did in his friend Perez who are drug dealers Castulo Guerra and Charles Durning are out to get Reynolds.

You have to see Durning in his costume trying to wear those 80s fashions and looking rather stupid in the process.

Fabled Hollywood stuntman Dar Robinson has a nice role as an albino hit man for Guerra. He's one scary dude. In fact for the screen's sake he dies twice. I thought Reynolds had done him in once, but he was back and the second time there was no doubt.

Guerra's character proves there's less than meets the eye with him. You'll have to see the climax to know what I'm talking about. And that hairpiece, send him to Queer Eye for maybe the not so straight guy.

Reynolds has a few cynically comic moments, but he's a lot more grim here than usual. Due to the subject matter no doubt.

Burt's fans will like it, so should others.

The Good Stuff:

Candice Bergen looks gorgeous. Small role by David Reynoso. The late Dar Robinson as the "Albino Hitman". The Albino Hitman falling to his death while emptying his six shooter looks real cool.

The Bad Stuff:

Charles Durning in a blond wig is really hard to take (those crazy looking eyebrows!).

The Verdict:

Typical 80's flick with lots of flashy cars, drug dealers, one colorful hitman, directed by Mr. Reynolds, that even if looking dated manages to entertain.

When I read the novel I had no problem picturing Burt Reynolds as the charming and laconic ex-con. And supposedly Reynolds himself thought he was perfect for the part. Unfortunately, the studio demanded he re-shoot the second half of the picture, basically trading in Elmore Leonard's scam plot for brutal action. There's always something very satisfying about watching Burt kick ass, so even if I was wondering why anyone would want to trade Leonard's smart and funny writing for a run-of-the-mill action script, I still enjoyed the finale of Stick.

Still, the Ernest Stickley from the novel called for the more lighthearted Burt from Semi-Tough, Hooper and Rough Cut. I would have loved to have heard Burt deliver some of the smart-ass lines Leonard wrote for the character in the novel. Also, some scenes just don't make a whole lot of sense now, like Stick wanting to learn about investments from Kyle or the movie pitch scene. Both of these were pivotal in the book, but just go nowhere in the film.

There's a lot of good stuff though. The scene on the balcony is awesome, the scorpions were a nice touch (not in the book!) and I liked the way the murder in the beginning was handled, with Stick's subsequent getaway through the corn field.

If you like Burt Reynolds Stick is certainly worth your time, just don't expect a faithful adaptation.

Having read some of the comments from other users and some of the reviews, this film has come in for some criticism. Whilst some of the comments are fair, I think it's important to take into context the life of this film. Another user has already pointed out that Reynolds was suffering with TMJ at the time of the release and had a few flops before hand, so his star was on the wane. However, this movie was supposed to have been released in 1984 and initial filming (judging by many scenes) indicate Reynolds was in good health. Somehow the studio didn't like the first cut of the film,not enough action,too slow,not good for box office. However, the film as a character piece may well have been quite interesting and judging by the first 15 minutes which were excellent,less studio meddling would have more beneficial in this case. Reynolds did not want to make an all out action film but the studios panicked and asked for re-shoots. By this time though, Reynolds had lost a lot of weight due to the TMJ problems and was clearly neither in the physical or mental state to shoot these extra scenes. As a result, we have a number of scenes where Reynolds is markedly thinner than in other scenes. This creates a very disjointed look and obviously doesn't help the film at all. It would be very interesting to see the original cut as Reynolds intended - i'm certain it would have ended up being a far better movie than the result we got. As it stands, I think Stick has some very good moments and some very sub-standard moments. The good are the first 15 minutes,especially the scene with Mokey,Rainy and Stick in the van - nice tense atmosphere in the van, well directed. Other good scenes are when Stick has to remove the ex-driver from the party ('now say goodnight' as he poured gasoline over his face and flicks out a lighter), the mo-key death scene (a superb stunt and not bettered for many years),the scenes with Candice Bergen and Burt (i thought they quite effective). The sub-standard are the poor editing, healthy Burt, v.ill Burt..it's very obvious.Some of the action scenes,especially where sticks stops and waits for mo-key to catch up? the training sequences - why show that, is this Rocky..bit of vanity for Mr Reynolds there i think. The ending was a bit weak..i don't think it was originally intended to be like that - i haven't read the book, so i could be wrong but again we had ill Burt in this scene. In conclusion, this movie could have been a lot better that it was but due to a number of circumstances it turned out to be an fairly average Burt Reynolds thriller. Could have been another Sharkeys but not meant to be. A shame really, now where is that original cut?