VALUTAZIONE IMDb
4,9/10
4756
LA TUA VALUTAZIONE
Un malvagio stregone cerca di sacrificare un gruppo di persone all'interno della sua casa con l'intenzione di usare la loro vitalità per mantenere in vita sua moglie.Un malvagio stregone cerca di sacrificare un gruppo di persone all'interno della sua casa con l'intenzione di usare la loro vitalità per mantenere in vita sua moglie.Un malvagio stregone cerca di sacrificare un gruppo di persone all'interno della sua casa con l'intenzione di usare la loro vitalità per mantenere in vita sua moglie.
- Regia
- Sceneggiatura
- Star
Charlotte Alexandra
- Adrienne
- (as Charlotte Seeley)
Recensioni in evidenza
Someone recently added a trivia comment which says, "Actually comprised of two separate, unfinished films and edited together." This is completely untrue. I wish people would actually read the message board notes before bothering to make such comments. Spookies is comprised of the original Twisted Souls (finished save for some post production work), and new footage added months later (which was NOT from an unfinished, separate film at all, but was footage shot to add into Twisted Souls). I know some of the people who made this film and visited the set many, many times so I know what I am talking about. Where do people come up with these things? I know it has a confusing history, but read the comments from myself and others, it will help clarify matters.
Can't really take this one seriously, but definitely worth a chuckle! It just gets weirder and weirder. The concept is overdone, but it could have been a better story. Very goofy.
A bunch of people go into a creepy mansion and scary things start to happen.
That's about the best way one can describe Spookies. It's a good lesson of what happens when producers tinker with a film too much and add too many cooks in the kitchen. The fact that any element of Spookies works is a miracle. It still has that thrilling can-do indie film spirit and a myriad of excellent special monster effects, but it's a film that's better played on fast-forward since the story never convinces or gels together.
That's about the best way one can describe Spookies. It's a good lesson of what happens when producers tinker with a film too much and add too many cooks in the kitchen. The fact that any element of Spookies works is a miracle. It still has that thrilling can-do indie film spirit and a myriad of excellent special monster effects, but it's a film that's better played on fast-forward since the story never convinces or gels together.
I simply can not understand why anyone would hate this movie.I mean I understand that this movie may not be grade "A" acting, and may seem a little bit odd at times but take a good look at what its listed under. Its listed under horror, and horror is not suppose to make total sense. The special effects are top of the line for 1985, and the plot is unique.This movie is not your usual horror movie, and if the viewer looks closely at this film from beginning to end they have to admit love it or hate it, it is different from your average horror movie.I E-mailed the producer of this film, and she says this film flourishes in Europe especially France.It is sad that in the United States most people go for the same boring, uninteresting, and lame horror movies that have no sense of uniqueness what so ever.This movie is a 80's classic that deserves its respect.
My review was written in May 1986 after a Cannes Film Festival Market screening.
"Spookies" is a silly horror picture which contains some interesting special makeup effects along with very amateurish ones, presented in the usual package of a group of hapless travelers murdered one by one. It's of interest to undiscriminating horror fans.
Felix Ward, wearing some pretty phony old age makerup, to;ines as Kreon, a sorcerer who is bringing back to life his bride (lovely Maria Pechukas), who committed suicide 70 years ago. He needs human sacrifices and fortunately (for him), two carloads of people lost en route to a party stop in at Kreon's mansion that night. Earlier that evening, a young boy named Billy (Adam Nemser) wandered into the mansion, found a grisly birthday party being held there for him and is scared off by Kreon's servant (Dan Scott) and other monsters.
The nine partygoers with no party play with a vintage ouija board and make dumb jokes but one of them, Carol, is suddenly turned into a monster Linda Blair-lookalike from "The Exorcist" by Kreon and all hell breaks loose. Disjointed film never explains why the survivors don't just jump in to their cars and head on home. Instead, intime-honored, stupid horror film tradition, they split up in ones and twos and search the mansion repeatedly, making for easy victimization.
Film'[s novelty is that the entire cast is wiped out (no last-minute rescues) and the final reel even has Pechukas, showse reanimation was after all the purpose of all the killing, running around for dar life as a neighborhood full of ghouls shamble around and paw at her.
Rule of thumb here is that when makeup is applied to a person's face it's strictly amateur night, while several of the from the ground up (no pun intended) monster creations are well done. Among these goodies are a huge spider transformed from an oriental lady, a grim reaper skeleton with illuminated red eyes, a gill man who probably saw Ridley Scott's "Alien" and several green lizard monsters. Low point is when some imitation clay people (out of "Flash Gordon" but poorly designed) terrorize a busty babe and her boyfriend in the basement, while postproduction amplified sounds of flatulence lamely attempt to make this scene humorous.
Three directors are credited for "Spookies". Brendan Faulkner and Thomas Doran teamed up to shoot the bulk of the N. Y.-lensed picture, originally titled "Twisted Souls", while editor Eugenie Joseph completed the film after there was squabbling with the British-based financial backer.
"Spookies" is a silly horror picture which contains some interesting special makeup effects along with very amateurish ones, presented in the usual package of a group of hapless travelers murdered one by one. It's of interest to undiscriminating horror fans.
Felix Ward, wearing some pretty phony old age makerup, to;ines as Kreon, a sorcerer who is bringing back to life his bride (lovely Maria Pechukas), who committed suicide 70 years ago. He needs human sacrifices and fortunately (for him), two carloads of people lost en route to a party stop in at Kreon's mansion that night. Earlier that evening, a young boy named Billy (Adam Nemser) wandered into the mansion, found a grisly birthday party being held there for him and is scared off by Kreon's servant (Dan Scott) and other monsters.
The nine partygoers with no party play with a vintage ouija board and make dumb jokes but one of them, Carol, is suddenly turned into a monster Linda Blair-lookalike from "The Exorcist" by Kreon and all hell breaks loose. Disjointed film never explains why the survivors don't just jump in to their cars and head on home. Instead, intime-honored, stupid horror film tradition, they split up in ones and twos and search the mansion repeatedly, making for easy victimization.
Film'[s novelty is that the entire cast is wiped out (no last-minute rescues) and the final reel even has Pechukas, showse reanimation was after all the purpose of all the killing, running around for dar life as a neighborhood full of ghouls shamble around and paw at her.
Rule of thumb here is that when makeup is applied to a person's face it's strictly amateur night, while several of the from the ground up (no pun intended) monster creations are well done. Among these goodies are a huge spider transformed from an oriental lady, a grim reaper skeleton with illuminated red eyes, a gill man who probably saw Ridley Scott's "Alien" and several green lizard monsters. Low point is when some imitation clay people (out of "Flash Gordon" but poorly designed) terrorize a busty babe and her boyfriend in the basement, while postproduction amplified sounds of flatulence lamely attempt to make this scene humorous.
Three directors are credited for "Spookies". Brendan Faulkner and Thomas Doran teamed up to shoot the bulk of the N. Y.-lensed picture, originally titled "Twisted Souls", while editor Eugenie Joseph completed the film after there was squabbling with the British-based financial backer.
Lo sapevi?
- QuizThe house in Rye, NY used in the movie was the boyhood home of John Jay, the first Chief Justice of the U.S. Supreme Court and a writer of the Federalist Papers. The movie makers got permission from the owners, who had inherited the home after the owner died, to use the house inside and out including the grounds. They had hoped they would abuse the house in making a horror movie because they wanted the house, which was in poor shape, to be condemned so they could tear it down as it was so expensive to maintain. The production company instead restored the plumbing, the electric, and made other repairs so the crew could stay in it while the movie was being made. The repairs help save the house from the wrecking ball. The heirs ended up selling the property to the Westchester County Historical Society for $15 million dollars. The home has been restored over the years and is now part of the New York Historical Parks and Sites. It is also a National Historical Site.
- BlooperWhen Isabelle is attacked by the shrieking hag in the cellar, twice you can see the puppeteer operating the puppet from the left of the screen.
- Curiosità sui creditiZombie Wrangler is listed as a member of the film crew.
- ConnessioniFeatured in The Cinema Snob: Elves (2011)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 17.785 USD
- Lordo in tutto il mondo
- 17.785 USD
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