Un gruppo disadattato di amici si riunisce per combattere le ingiustizie che esistono in una piccola città.Un gruppo disadattato di amici si riunisce per combattere le ingiustizie che esistono in una piccola città.Un gruppo disadattato di amici si riunisce per combattere le ingiustizie che esistono in una piccola città.
- Candidato a 2 Oscar
- 1 vittoria e 4 candidature totali
Brad Leland
- Trooper
- (as Brad Williams)
Jonathan Kasdan
- Boy at Outpost
- (as Jon Kasdan)
Jake Kasdan
- Stable Boy
- (as Jacob Kasdan)
Recensioni in evidenza
Silverado is damn good fun. Being a small fan of the Western genre, I felt this was the most refreshing one I've seen in a while. The genre had pretty much died, but came back in Silverado, and it felt so fresh.
The plot is simple and cliche, I think it's paying homage to the classics. It sticks within the Western boundary and does its thing.
The cast is pretty good, and well known, but in 1985, these actors were just Hollywood virgins. I was surprised by John Cleese, he stuck out like a sore thumb, but I enjoyed his performance. You have Costner hamming it up, and Jeff Goldblum was cool. Scott Glenn was probably the best. Hell, Glover was pretty good, too.
The direction is wonderful as is the editing, the film moves along at a decent pace. I wish Lawrence was a more prominent director, he deserves more success.
The film score is very nice, fits the film perfectly.
Overall, one of the best Westerns in the last 25 years.
The plot is simple and cliche, I think it's paying homage to the classics. It sticks within the Western boundary and does its thing.
The cast is pretty good, and well known, but in 1985, these actors were just Hollywood virgins. I was surprised by John Cleese, he stuck out like a sore thumb, but I enjoyed his performance. You have Costner hamming it up, and Jeff Goldblum was cool. Scott Glenn was probably the best. Hell, Glover was pretty good, too.
The direction is wonderful as is the editing, the film moves along at a decent pace. I wish Lawrence was a more prominent director, he deserves more success.
The film score is very nice, fits the film perfectly.
Overall, one of the best Westerns in the last 25 years.
I love this movie, so much that I finally got tired of renting it and bought a copy. I tell anyone who asks that it's "...the western for 12-year-old boys of all ages." I'd guess that women would enjoy it also, if for no other reason than the superb male cast. I can't think of a film which has a cast with greater depth. I love the humor woven through the episodes of action and buddyhood, and nearly fell out of my seat laughing when John Cleese first appeared on screen. His first line is an all-time great, right up there with Tommy Lee Jones' "My my, what a mess" in The Fugitive (I won't quote it, in case you haven't seen the film). If you want to be thoroughly entertained for a couple of hours, and don't require powerful social import in your viewing choices, I'd recommend Silverado strongly. Actually, the relationship of Danny Glover to the main protagonists IS socially important, so enjoy that too.
Silverado is Lawrence Kasdan's western, westerns were scarce in the 80's, but went on to be a big hit at the box office. Kasdan, at this point was best known for screenwriting on blockbusters like The Empire Strikes Back and Return Of The Jedi. On this film, Kasdan pays his homage to the western genre, by resurrecting it from the dead(besides the occasional Clint Eastwood western) in a more modern and refreshing way with a great ensemble cast of Scott Glenn, Kevin Kline, Brian Dennehy, Danny Glover and a young Kevin Costner in an early role. The story and direction is tight, the film looks great and is driven by a lot of action and solid performances. Although this is a movie that would be appropriate viewing for the whole family, Silverado is far from stupid and holds its own pretty easily against other classics of the genre. Overall, I think Silverado is a great movie and was done well.
By 1985, the movie 'western' was a genre long dormant, with film critics quick to point out that audiences had become far too 'sophisticated' for old-fashioned "shoot-'em-ups". Two film makers decided to test the waters, however; Clint Eastwood, reviving an older version of his "Man with No Name", directed and starred in his SHANE homage, PALE RIDER; and Lawrence Kasdan, fresh from the huge success of THE BIG CHILL, fulfilled his life-long dream to make a western, with SILVERADO. Neither film was successful at the box office, and pundits predicted they would soon be forgotten...but a new force in the movie industry was emerging, video rentals, and SILVERADO, with it's spectacular action sequences, charismatic heroes, and sweeping, unforgettable music score (by Bruce Broughton), was an unexpected and overwhelming hit, drawing Hollywood's attention to the new market, and lifting the film to the near-classic cult status it enjoys today.
While PALE RIDER would focus on Clint Eastwood's continuing demythologizing of the West (which would culminate in 1992's UNFORGIVEN), SILVERADO embraces all the 'classic' Western clichés, serving them up with such exuberance that they seem 'fresh'. The story of four likable 'shootists' of nearly superhuman skills, bonding, and ultimately taking on a corrupt sheriff and his brutal gang of deputies in the town of Silverado, trots out one traditional element after another, from the classic 'bushwhack' (with a John Ford 'Doorway Framing' homage shot) to the 'pretty widow' in a wagon train; from the 'saloonkeeper with a heart of gold' to the 'crooked gambler with a concealed weapon'...and even climaxes with that most traditional of finales, as two ex-partners face off on a dusty street in an old-fashioned Western shootout.
The four leads couldn't have been cast more perfectly; Scott Glenn channels Gary Cooper as a laconic cowboy fresh from an undeserved 5-year prison stretch; Kevin Kline exudes his signature charm as an ex-gang member whose life changed because of "a dog"; Danny Glover is warm and reassuring as a man moving west from Chicago to help his family, armed with a legendary Henry rifle; and, best of all, young Kevin Costner, in his breakout performance, is irresistible, wild and acrobatic, as Glenn's ever-optimistic, carefree younger brother, a part Kasdan wrote specifically for the actor, after his scenes were cut from THE BIG CHILL.
The supporting cast is equally superb, with standout performances by giant Brian Dennehy, John Cleese (as a sheriff who knows 'where' his jurisdiction ends), Jeff Goldblum, Linda Hunt, James Gammon ("You led a posse to my best hide-out??"), Jeff Fahey, and, in a wonderful if brief role, breathtaking Rosanna Arquette, as the widow courted by both Kline and Glenn. With a cast THIS good, it is remarkable that the film had to 'go to video' to achieve success!
The final line of SILVERADO, "We'll be back!", shouted by Costner as he and Glenn ride 'into the sunset', has had countless fans wishing that a follow-up movie had been made (a 1999 nationwide video poll chose SILVERADO as the film "Most Deserving of a Sequel"), but time has, sadly, eliminated that possibility. The film that 'failed' when released, in a genre that 'experts' considered passé, is, after nearly 20 years, still winning new fans.
As Kevin Kline and Linda Hunt say, as a toast: "Here's to the good stuff...May it last a long time!"
While PALE RIDER would focus on Clint Eastwood's continuing demythologizing of the West (which would culminate in 1992's UNFORGIVEN), SILVERADO embraces all the 'classic' Western clichés, serving them up with such exuberance that they seem 'fresh'. The story of four likable 'shootists' of nearly superhuman skills, bonding, and ultimately taking on a corrupt sheriff and his brutal gang of deputies in the town of Silverado, trots out one traditional element after another, from the classic 'bushwhack' (with a John Ford 'Doorway Framing' homage shot) to the 'pretty widow' in a wagon train; from the 'saloonkeeper with a heart of gold' to the 'crooked gambler with a concealed weapon'...and even climaxes with that most traditional of finales, as two ex-partners face off on a dusty street in an old-fashioned Western shootout.
The four leads couldn't have been cast more perfectly; Scott Glenn channels Gary Cooper as a laconic cowboy fresh from an undeserved 5-year prison stretch; Kevin Kline exudes his signature charm as an ex-gang member whose life changed because of "a dog"; Danny Glover is warm and reassuring as a man moving west from Chicago to help his family, armed with a legendary Henry rifle; and, best of all, young Kevin Costner, in his breakout performance, is irresistible, wild and acrobatic, as Glenn's ever-optimistic, carefree younger brother, a part Kasdan wrote specifically for the actor, after his scenes were cut from THE BIG CHILL.
The supporting cast is equally superb, with standout performances by giant Brian Dennehy, John Cleese (as a sheriff who knows 'where' his jurisdiction ends), Jeff Goldblum, Linda Hunt, James Gammon ("You led a posse to my best hide-out??"), Jeff Fahey, and, in a wonderful if brief role, breathtaking Rosanna Arquette, as the widow courted by both Kline and Glenn. With a cast THIS good, it is remarkable that the film had to 'go to video' to achieve success!
The final line of SILVERADO, "We'll be back!", shouted by Costner as he and Glenn ride 'into the sunset', has had countless fans wishing that a follow-up movie had been made (a 1999 nationwide video poll chose SILVERADO as the film "Most Deserving of a Sequel"), but time has, sadly, eliminated that possibility. The film that 'failed' when released, in a genre that 'experts' considered passé, is, after nearly 20 years, still winning new fans.
As Kevin Kline and Linda Hunt say, as a toast: "Here's to the good stuff...May it last a long time!"
'Silverado', Co-Written & Directed by Lawrence Kasdan, is an Entertaining Western Flick, that manages to hold your attention in the goings-on. Even the performances, are well-done, that only add to it's booty.
'Silverado' depicts a chance encounter between a group of cowboys who travel to the town of Silverado, where they thwart the plans of a rancher and a corrupt sheriff.
Though the entire concept of the Good challenging the Evil, has been told on celluloid a dozen of times, 'Silverado', however, manages to convince it's viewer, thanks to it's interesting screenplay. Lawrence & Mark Kasdan's Screenplay is nice, and plays it safe. The Action Sequences are very well shot, while the Cinematography is good. Editing & Art Design deserve a mention.
Performance-Wise: Kevin Kline is good. Scott Glenn is efficient. Kevin Costner & Danny Glover are in form. Jeff Goldblum, Linda Hunt, Rosanna Arquette & John Cleese lend very good support. Brian Dennehy is excellent as the corrupt sheriff.
On the whole, 'Silverado' succeeds by entertaining it's viewer.
'Silverado' depicts a chance encounter between a group of cowboys who travel to the town of Silverado, where they thwart the plans of a rancher and a corrupt sheriff.
Though the entire concept of the Good challenging the Evil, has been told on celluloid a dozen of times, 'Silverado', however, manages to convince it's viewer, thanks to it's interesting screenplay. Lawrence & Mark Kasdan's Screenplay is nice, and plays it safe. The Action Sequences are very well shot, while the Cinematography is good. Editing & Art Design deserve a mention.
Performance-Wise: Kevin Kline is good. Scott Glenn is efficient. Kevin Costner & Danny Glover are in form. Jeff Goldblum, Linda Hunt, Rosanna Arquette & John Cleese lend very good support. Brian Dennehy is excellent as the corrupt sheriff.
On the whole, 'Silverado' succeeds by entertaining it's viewer.
Lo sapevi?
- QuizThe set for Silverado (1985) was built for this movie, and has since been used in movies such as Young Guns - Giovani pistole (1988), Wyatt Earp (1994) (also starring Kevin Costner), Ancora vivo (1996), Colomba solitaria (1989), Passione ribelle (2000), and Wild Wild West (1999) (also starring Kevin Kline). In the latter film, as a reference to co-writer and director Lawrence Kasdan, "Kasdan Ironworks" can be seen on the side of one of the buildings.
- BlooperAfter the duel between Cobb and Paden and in the final scene, a 50-star US flag is visible hanging in front of a building. In the 1880s, this should have been a 38-star flag.
- Citazioni
Mal Johnson: Now, I don't wanna kill you, and you don't wanna be dead.
- Versioni alternativeCMT Cable runs a version that ends right as the heroes leave the McKitrick ranch. Credits roll with literally the last 20 minutes of the movie cut off.
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Dettagli
Botteghino
- Budget
- 26.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.192.570 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.522.897 USD
- 14 lug 1985
- Lordo in tutto il mondo
- 32.192.570 USD
- Tempo di esecuzione
- 2h 13min(133 min)
- Colore
- Proporzioni
- 2.39 : 1
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