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I first saw this movie when I was ten years old, my uncle, a horror fanatic, showed this to me and my brother and it scared the living soul out of me.

Ten years later it still remains as one of my favorite horror films of all time and I consider it one of the best of King's work.

When a small town is being ravaged by horrible mutilations, townsfolks begin to think it may be a monster doing the killings. A small crippled boy comes in contact with the werewolf and confides in his older sister and uncle and they all set out on a search for the monster. What they discover will be shocking.

The film is very well directed and relies a lot on tension and atmosphere and solely on the acting which is performed well by Corey Haim, Megan Follows and Garey Busey who is immensely likable and memorable as the uncle.

The film itself as a horror movie is excellent with a lot of sheer tension and some great horror scenes in which we never see the werewolf until the end. That's an aspect that makes this film truly horrifying and the murders are gruesome and never pulls its punches. The mysterious identity of the werewolf is shocking and it leaves us on pins and needles until the exciting end of the film.

I highly suggest this among horror fans and think it's worth a look.

***half out of **** stars.

Film adaptation of Stephen Kings' "novelette" "Cycle of the Werewolf", scripted by the author himself, gets some things right, and is fun enough, and appealing enough, no matter if it can't compare to werewolf classics like "The Wolf Man" (1941) and "An American Werewolf in London".

Likable Corey Haim is Marty Coslaw, a paraplegic who manages to learn the human identity of the monster stalking his peaceful small town during the summer and fall of 1976. With the eventual help of his sister Jane (Megan Follows) and colourful, wild man uncle Red (the perfectly cast Gary Busey), he hopes to end the nightmare.

The only feature directorial credit for TV veteran Daniel Attias (who was an assistant director on movies such as "One from the Heart" and "E.T. the Extra-Terrestrial"), it very nicely captures a small towns' ambiance during different seasons, and also has some fairly good suspense and atmosphere. There are some good touches here and there, especially when Jane learns who the werewolf is; during this scene her face is half in shadow and the effect is spooky. Fine music by Jay Chattaway helps, as well as more than a few laughs, largely supplied by the flamboyant Busey, who delivers some pretty priceless quips. (I could quote the best one here, but it would give away a crucial revelation.)

Both Haim and Follows are completely believable, and the supporting cast features a couple of familiar faces: Terry O'Quinn ('Lost', "The Stepfather" '87) as the ineffective local sheriff, Bill Smitrovich ('Life Goes On') as hostile loudmouth Andy Fairton, Robin Groves ("The Nesting") as Marty and Janes' mother, James Gammon ("The Cell", "Major League") as drunk and obligatory initial victim Arnie Westrum, legendary tough guy Lawrence Tierney ("Dillinger" '45) as bar owner Owen Knopfler, and William Newman ("Squirm", "Monkey Shines") as service station owner Virgil Cuts. Everett McGill is particularly fine as the Reverend.

Only the creature effects, overseen by Carlo Rambaldi, disappoint. Some transformation shots are good but the final incarnation of the werewolf just isn't that impressive, and doesn't inspire that much terror. One major set piece wherein just about everybody in a congregation metamorphoses IS rather amusing.

In any event, despite any flaws, "Silver Bullet" manages to entertain reasonably well, although it gets too syrupy by the end. Still worth seeing for werewolf cinema completists.

Seven out of 10.

As I understand it, the main theme of "Silver Bullet" is the duality of man. The most obvious example is of course the werewolf. Other examples are the sheriff who cedes authority to the vigilante group (calling into question his role as a community leader). The movie also focuses on the issue of imperfection, whether physical (Marty's paraplegia) or moral (Red's irresponsible lifestyle).

Of course, it's hard to concentrate on any of that while watching the movie. The viewer just wants to see the lycanthrope do its stuff. I certainly enjoyed it.

Director Dan Attias more recently has directed several episodes of TV shows, among them "Six Feet Under", while Don Coscarelli (who was attached to direct early on), directed the cult flick "Bubba Ho-Tep".

Werewolfs and Stephen King; sounds like a combination that can't miss! While "Silver Bullet" does have it's moments it's still a few yards shy of being a bona-fide genre favorite.

The opening is magnificent; here's where the film's narration actually works. A grotesque opening sequence sets the tone perfectly and we're into one of those typical Stephen King small towns where great horror lies just beneath the picture pretty surface of the idyllic small town.

Well, everybody knows the story here; a werewolf is terrorizing the town.

While Corey Haim was a likable performer in his younger years, the decision to rest the film on the shoulders of two kids does diminish the film's scary potential. The set-pieces here are pretty good though, with that scene on the bridge with Haim lighting fireworks on the bridge; I remember that scene from when I was a kid.

"Silver Bullet", while displaying striking individual scenes gets somewhat bogged down when focusing on the kids here, giving them silly dialogue and rather campy scenes. Plus that narration gets very corny and irritating after the initial scene.

Gary Busey, always a likable actor, gives a one-note performance here as Haim's well meaning, but rather child-like alcoholic, uncle. That said, quality actors on board here with Everett McGill stealing the show as the town priest.

But all in all, "Silver Bullet" is a classic in the werewolf genre. I still prefer, say "The Howling" to this one, but I remembered it scared me silly when I was a kid and that fog bound search midway through is still atmospheric and somewhat scary. It's a no-brainer for horror buffs.

Although there are many reasons why this film is a far cry from excellence, Silver Bullet is, at the very least, very entertaining. The film chronicles how a werewolf has been killing off various people in a small town. A young boy in a wheelchair discovers who the werewolf is, and then must prepare with his sister and crazy, dead-beat uncle to meet the wolfman when the moon is full on a Halloween evening. The film's plot really tests your suspension of disbelief, but the characters, the acting, and the direction are all done in a very likable style with a generous dose of humour. Corey Haim plays the youth very nicely, as he rides up and down the streets in a souped-up wheelchair(?). Gary Busey gives a fine performance as his uncle. The killings are fairly brutal, and the special effects are not too bad. The film is a lot of fun, and even though you will know who is the wolfman long before you should know....the film zips along with an energetic, entertaining pace.