Un amore violento

First of all, they actually had six children. One of them died in infancy.

She readily admitted that no matter how bad things otherwise were, they always had incredibly spectacular sex. This can at least partially explain why she stayed - not blaming her, of course.

The oldest children, BTW, wanted nothing to do with him but the younger ones did see him, something she encouraged. Keep in mind that this was over 20 years ago; I have no idea what may have happened in the meantime.

Have either of them remarried? I couldn't imagine anyone wanting him, but you never know.

Interesting only as a story of just one more scumbag in power during the Reagan administration. Adequate acting, but superficial characters and story, and even my 12 year old kept asking why the mother and children were so compliant, insipid and, well, moronic in their response to this guy. Well...this was the 80's I guess. But we did watch the whole thing, so it gets a 5 from me.

One of Lindsay's best,totally convincing in her portrayal of a battered wife who gives up her self respect and self esteem for love and to protect her children. Based on a true story Lindsay's portrayal was convincing and keeps the viewer glued to the screen throughout. This is one of my fave films of lindsay which scored high ratings when screened on Australian television in 1994. I give this a 9 out of 10.

A finely-wrought television drama based on a true case of marital abuse involving a driven, insanely ambitious and perfectionist government employee (Michael Nouri, in a solid performance) who bullies, beats up and continually condescends to his spouse, an educated woman from an upscale family who doesn't have the self-esteem or the proper support system to leave this tyrant. Somewhere between her star-making role on TV's "The Bionic Woman" to today's spokeswoman for the Sleep Number Bed, it has occasionally been forgotten that actress Lindsay Wagner has range, depth and sensitivity as an actress, and she gets to utilize much of that range here as the battered wife. This type of TV-drama (with victims learning to speak up) has obviously been done before, but the fine cast warrants attention, and the writing and directing are both commendable.

Although this movie was already 26 years old when I first saw it, I felt that it was very pertinent to misconceptions of Domestic Violence, today. Movies like this one, and the whole VAWA implies that women generally have bad judgment in domestic relationships and are prone to preserve violent sexual involvement. Lindsay Wagner did a super job portraying Charlotte Fedders a women who obviously misunderstood traditional religious principles and suffered from low self esteem. Michael Nouri carried off the role of John Fedders very well. He makes it easy to believe how women can fall for the stereotypical demoniac male and choose to have children with them.