Vestito che uccide

The Animism professor at Tiverton College finds a sacrificial cloak hidden in an ancient Aztec altar and goes on a homicidal rampage before committing suicide. Soon after, a campus co-ed (TWIN PEAKS' Madchen Amick) buys the ceremonial cloth at an estate sale and turns it into a ravishing red cocktail dress that removes sexual inhibition and triggers another murder wave before being stolen from the morgue...

The intriguing premise was adapted from a short story by Cornell Woolrich and the movie has horror director Tobe Hooper as an asset but, all the same, it's rather tame and doesn't reely warrant an R rating. Anthony Perkins guest-stars as a quirky professor with an inordinate interest in the apparently inexplicable and Natalie Shafer ("Lovey" on GILLIGAN'S ISLAND) pops up as a wheelchair-bound mute a la William Castle's HOMICIDAL. Not bad, I suppose, but it could have been more with added gore.

"I'm Dangerous Tonight" disappoints mainly in the plot department. Once you've realized the basic concept, the script looks one-note and unsurprising. But, judged by TV-movie standards, this thriller is surprisingly violent and sexually charged. Director Hooper brings some peculiar, kinky undertones to the material, playing with the role-reversal of the concept; there is a definite link between erotic tension and violence here.

As you may have guessed, Perkins doesn't play the villain here. He is pretty much wasted in a small supporting role, but he manages to give a classy performance. Amick is the lead here, and she's striking.

Disappointing, but entertaining adaption about a cursed red cloak that turns whoever is wearing it into a blood thirsty killer. A young woman who gets the cloak from her aunt turns it into a dress and of course goes on a killing spree. Made for USA television and then given a video release afterwards, this film features a pretty solid cast and some effective jolt scenes. Rated R.

Amy, a college psych student comes across a red garment in a chest she just bought to use in a play. She keeps it and makes it into a party dress. However the first time she puts it on, it influences her and changes the way she acts. By bringing out her darker side. Soon everyone seems to want a piece of this garment. From her college professor she finds out it's an Aztec cloak that was used in sacrificial ceremonies.

I'll go to say that I never even heard of this Tobe Hooper supernatural thriller opus. Striking and strange, but the one-idea premise and languidly cut n' dry script doesn't really build upon its interesting background and teetering imagination enough. Maybe this is due to its restrictions of being a cheaply produced made-for-TV production, but I seem to doubt it as it could be associated to material being adapted from a short story. On the other hand it's probably best to not really delve deep into it though, because of uneven logic and it borderlines on tacky. The plot does have a 'Cinderella' touch to it, and seems to have that everything, but the kitchen sink drama quality to it. All the characters that come and go are stereotypically painted, but the performers were better than the material. The gorgeously fixating Madchen Amick confidently grows from her sweet performance as Amy. Anthony Perkins keeps it professional and likes to just pop up randomly as the suspicious college professor. Dee Wallace Stone is great in her minor role that reeks of attitude. R. Lee Ermey in a small role engages with his sombre detective. Corey Parker makes for a likable love-interest for Amick. Also appearing are Natalie Schaffer, William Berger and Jack McGee.

You can really see Hooper's able illustrative style shining through this work. He subtly mixes the eerie violence together with sexual seductiveness. Sure it can become silly and lousy with its jolts, but still it stays dangerously ominous and tautly handled with its imagery. It might not have the biting flair of some his previous early work ('The Texas Chainsaw Massacre', 'Eaten Alive' and 'The Funhouse') though. He milks it out slowly, letting the atmosphere unfold and the possessive force evolve. For a TV production the film is smoothly shot, very well lit and effectively scored.

A modest TV feature, which has some obvious and stodgy patterns.

Billy Ocean sung "Red Light Spells Danger" in the late 70s already, but if he had seen this movie in 1990, I'm sure he would have altered the title slightly and re-released his catchy dance hit!

"I'm Dangerous Tonight" unites four of my favorite people in the horror/cult industry. We have director Tobe Hooper (although this is one of his more inconspicuous efforts), the iconic Anthony 'Norman Bates' Perkins (but regrettably in a rather small role), Dee Wallace-Stone (in a marvelously psychotic role), and the astoundingly beautiful Mädchen Amick (at the peak of her success in between the two seasons of "Twin Peaks").

The film can be considered unremarkable and mediocre overall, but nevertheless it's engaging and fun from start to end thanks to the great cast, simple but effective plot, and a few grisly moments. The plot revolves around an ancient red cloak that was worn by evil Aztec Priests during their sacrifice rituals. Psychology student Amy O'Neill processes the cloak into a sexy prom dress that everyone in her surrounding wants to wear. The dress, however, brings the vilest and most sadistic fantasies of its carrier to the surface.

Definitely a decent late 80s/early 90s made-for-television thriller, made slightly more intriguing by the insertion of two unusual time lapses. After a nasty car accident, the dress mysteriously vanishes but reappears on the lovely shoulders of Dee Wallace-Stone, and it takes a while before we figure out how it got from A to B. During the finale as well, there's a bizarre moment when Amy seems defeated but then she comfortably wakes up in her bed with the dress. The explanation for that is also rather cuckoo. I don't know if these lapses were intentional or due to sequences getting cut, but it helps to keep you alert in a film that is unfortunately (because a TV-movie) rather low on graphic violence and bloody make-up effects.