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Bebè mania

Titolo originale: Funny About Love
  • 1990
  • PG-13
  • 1h 41min
VALUTAZIONE IMDb
4,8/10
1635
LA TUA VALUTAZIONE
Gene Wilder in Bebè mania (1990)
ComedyRomance

Aggiungi una trama nella tua linguaNYC cartoonist Duffy meets the bad cappuccino maker, chef Meg, and falls in love. She moves in with him, marries him - but they have problems having a baby.NYC cartoonist Duffy meets the bad cappuccino maker, chef Meg, and falls in love. She moves in with him, marries him - but they have problems having a baby.NYC cartoonist Duffy meets the bad cappuccino maker, chef Meg, and falls in love. She moves in with him, marries him - but they have problems having a baby.

  • Regia
    • Leonard Nimoy
  • Sceneggiatura
    • Bob Greene
    • Norman Steinberg
    • David Frankel
  • Star
    • Gene Wilder
    • Christine Lahti
    • Mary Stuart Masterson
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,8/10
    1635
    LA TUA VALUTAZIONE
    • Regia
      • Leonard Nimoy
    • Sceneggiatura
      • Bob Greene
      • Norman Steinberg
      • David Frankel
    • Star
      • Gene Wilder
      • Christine Lahti
      • Mary Stuart Masterson
    • 27Recensioni degli utenti
    • 8Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto16

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    Interpreti principali53

    Modifica
    Gene Wilder
    Gene Wilder
    • Duffy Bergman
    Christine Lahti
    Christine Lahti
    • Meg
    Mary Stuart Masterson
    Mary Stuart Masterson
    • Daphne
    Robert Prosky
    Robert Prosky
    • E. T.
    Stephen Tobolowsky
    Stephen Tobolowsky
    • Hugo
    Anne Jackson
    Anne Jackson
    • Adele
    Susan Ruttan
    Susan Ruttan
    • Claire
    Jean De Baer
    • Vivian
    David Margulies
    David Margulies
    • Dr. Benjamin
    Tara Shannon
    • Redhead
    Freda Foh Shen
    Freda Foh Shen
    • Nurse
    Wendie Malick
    Wendie Malick
    • Nurse Nancy
    Robert Hy Gorman
    Robert Hy Gorman
    • Roger
    • (as Robert Groman)
    Scott Groff
    • Jake
    Ramy Zada
    Ramy Zada
    • Ellis Hayden
    Lorenzo Caccialanza
    Lorenzo Caccialanza
    • Sotto Voce Maitre d'
    Justin Ross
    Justin Ross
    • Waiter
    Paul Collins
    • Bill Hatcher
    • Regia
      • Leonard Nimoy
    • Sceneggiatura
      • Bob Greene
      • Norman Steinberg
      • David Frankel
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti27

    4,81.6K
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    Recensioni in evidenza

    4CaptainSixPack

    Today something like this would be called a 'Dramedy.'

    I've noticed a lowest common denominator here in past reviews. People watched this with the automatic assumption that this was going to be a full-blown, slapstick 'Comedy.' Nothing could be further from the truth, as this isn't the story being told.

    Had this been made today, it would be considered a 'Dramedy.' It's not story-driven enough to be a full-fledged drama, and it's not sophomoric enough to be a comedy. It lies somewhere in between, and that's not entirely a bad thing. The collapse of Duffy's marriage to Meg is realistic enough. They cannot conceive a child, which Duffy clearly feels he needs at this point in his life. He keeps pushing this with Meg, and what do you think happens? Of course she's going to feel pressure, especially when she's just been handed her dream job. We never really see 'all' of the events leading to their divorce, but this was clearly an event in the making.

    What follows is what any person would do following the demise of a long-term marriage/relationship. You go out and try and find someone else in order to start again, if anything to prove that the original break-up wasn't entirely your fault. But regrettably, as Duffy finds out, this doesn't always work either. He tries for someone younger (Masterson), but it becomes frighteningly apparent that perhaps it wasn't Meg or Daphne with the conception issues, but Duffy himself.

    On a side-note, Duffy's a bit of a hypocrite when it comes to relationships, as he lambastes his own father who decides not long after his wife's death, to get married again. Duffy has no problem moving on from Meg, but has distinct thoughts of how his father's life should progress. I do find a particular scene at his mother's funeral to be incredibly touching. A child runs past Duffy, crying. He picks up the child to reassure him/her that everything is going to be all right, and despite his earlier braggadocio with his father, he completely breaks down at his culminated losses. (Namely the loss of his mother and the acceptance of the fact that he and Meg will never have a child.) Is this one of the classics of all time? No. The ending, as referenced elsewhere, is extremely rushed and a little too clinically 'nice' for me. Should scenes have been deleted? Yes. Namely the ice diaper and Duffy donating sperm scene. This two different films squished together, by Leonard Nimoy. Neither of which would've probably been good on their own merits, but together, they try their best to tell a story about flawed individuals. It's about a four out of ten.

    It's not as bad as other people have made it out to be.
    2moonspinner55

    Extremely weak romantic comedy...

    Gene Wilder struggles manfully to keep this limp, occasionally lame comedy afloat, but he's quickly defeated by unsure Leonard Nimoy direction, shabby editing and writing. A professional cartoonist falls for an attractive female chef (she can't be much of a chef since his first impression of her food is disgust); after meeting cute, they decide to marry, but frustration soon arrives over their failure to conceive a child. Christine Lahti has a warm, ticklish presence, but her character here is so underwritten we're not sure how we're supposed to feel about her; Mary Stuart Masterson is much better as a fraternity sex-bunny, but she belongs in a different movie (with a different partner) altogether. Based on a magazine article by Bob Greene, the picture is full of comic ideas that don't play and dramatic interludes which wilt without the proper handling. *1/2 from ****
    1hausrathman

    Funny How Love Isn't Funny In This Movie

    Cartoonist Gene Wilder's marriage to Christine Lahti falls apart after they fail to conceive a child, but they manage to get back together after Gene has lots of sex with a younger woman. Love might be funny, but this film is something else entirely. Sure, there are a few laughs, but not enough to make this poorly-structured, badly-directed film work. it's about time for Leonard Nimoy to ask Scotty to beam him up. By the way, the soundtrack sucked too.
    5lysander1776

    Good; but not Very Good

    While certainly not one of anyone's favorite comedies, there is an amount of sweetness to this film. Gene Wilder is an "edgy" cartoon strip writer - though as the viewer you're rolling your eyes as a conservative or a liberal - that becomes very desirous of having a baby with his new wife, Christine Lahti. When things don't biologically work out, they break up and Wilder finds himself in a relationship with Mary Stuart Masterson. Eventually, that doesn't work out either and Wilder realizes that Lahti means more to him as a wife than what a baby can bring to their relationship. End of story. The cons are evident in the film - simplistic story, no real depth of any character, no "laugh out loud" scene, no dewy-eyed scene. The script is mundane, the humor is flat. The best you'll get is a smile. The pros are few, but speak volumes to the main three actors. Firstly, Wilder is pitch perfect as usual - completely at ease in his character. Lahti gives a fine performance, elegant and sweet. Masterson - such a beautiful and amazingly talented actress - is wonderful in her strong-willed yet completely vulnerable character. Finally, Nimoy must be given credit for the pacing of the movie by keeping the scenes quick and fun. While the movie is long on relationships, it is short on character and development thereof. The easy-come-easy-go of the Wilder/Lahti, Wilder/Masterson relationships simply demand the viewer to not only accept but understand. While the viewer can certainly understand the situations, the viewer never sees the nuts and bolts that drive them. For me, this was the most frustrating part of the film. Overall, not great, but not bad, either - light and airy.
    3signlady

    The late, great Wilder . . .

    Such a sweet, funny guy.

    Just picked this DVD up the other day . . . Never heard of this movie before . . .

    I thought it had just a few good, howbeit short moments - sadly, overall it was impotent & barren -

    And rather ironically, this illogical movie was directed by an actor-guy whose beloved character's whole role was to be known for his extreme logic . . .?

    Shows ya what a good actor he was . . .

    I'm trying to console myself logically that I only paid 2 bux for this at Dollar General . . .even tho I know, very often those discs in cardboard sleeves are duds - I suppose it was worth that $2 to see Wilder . . . But sad that one of his movies was destined for a DG cardboard sleeve . . .

    Note: this movie MIGHT be worth seein' one time only - hard to say who will pay $2 AND willingly sit thru - betting, assuming, hoping it will get better . . .

    But the low reviews I read are not wrong. So it's def not a keeper.

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    Trama

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    Lo sapevi?

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    • Quiz
      The movie was filmed with Farrah Fawcett in it as a former Delta Gamma, but after poor audience testing, the film was re-edited just prior to its release to remove all of her scenes. According to the Fulvue Drive-in website, "Originally, Farrah Fawcett was prominently featured in the film, in what was more or less a major love interest for Wilder's character. She was cut out at the last minute, explaining why this film is so choppy."
    • Citazioni

      Waiter: He hates the coffee!

      Duffy Bergman: No, the coughing! I hate all the coughing!

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Goodfellas/Narrow Margin/Funny About Love/The Tall Guy (1990)
    • Colonne sonore
      Live With Regis and Kathie Lee
      by Michael Karp

      Courtesy of Buena Vista Televsion and WABC-TV

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    Dettagli

    Modifica
    • Data di uscita
      • 21 settembre 1990 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Amor por locura
    • Luoghi delle riprese
      • Los Angeles, California, Stati Uniti
    • Aziende produttrici
      • Duffy Films
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 8.141.292 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 3.036.352 USD
      • 23 set 1990
    • Lordo in tutto il mondo
      • 8.141.292 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 41 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Stereo
    • Proporzioni
      • 1.85 : 1

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