Nella Baltimora degli anni cinquanta un ragazzaccio dal cuore d'oro conquista l'amore di una brava ragazza, ma il fidanzato di lei medita vendetta.Nella Baltimora degli anni cinquanta un ragazzaccio dal cuore d'oro conquista l'amore di una brava ragazza, ma il fidanzato di lei medita vendetta.Nella Baltimora degli anni cinquanta un ragazzaccio dal cuore d'oro conquista l'amore di una brava ragazza, ma il fidanzato di lei medita vendetta.
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Recensioni in evidenza
Baldwin (Stephen Mailer), Alison's ex-boyfriend, does everything in his power to keep Alison to himself and away from Cry Baby. He picks fights and gets his gang together to vandalize the drapes property.
Alison's grandma (Polly Bergen) is like the leader of the squares and in the beginning worries that Cry Baby will be the downfall of her grandchild. Since she is left with Alison's care, she is over protective; but she wants Alison happy more than anything. In the end she comes around and tells Alison to choose the man her heart loves.
I believe director John Waters made a new twist to Shakespeare's Romeo and Juliet, and this provides a happy ending. Through his movie, Waters tells us that love happens when it happens and that no matter what background we come from, we should fight for love with all our hearts.
I love this movie. The first time I saw this movie as a four year old girl, I said I was going to marry Cry Baby. I recommend this movie to everyone. It has action for men and romance for women. I think that it transports us back in time and helps us see the conferences of the two social classes and feeds our belief that love really can conquer it all. I have probably watched this movie a thousand times and will probably watch it a thousand more. It definitely is worth the eighty-five minutes it takes to watch.
A cast that includes Iggy Pop, Traci Lords, Waters regular Rikki Lake and a few other pleasant treats and cameos. The actors appear to be having as much fun with the subject matter as the film is. Borrowing for value from films such as Grease, Jail-house Rock, High School Hellcats, Rebel without a cause and a zillion others from the genre this film is a self-aware campy comedy that is very well crafted.
Clean and ridiculous warmhearted fun with more than a hint of trash. As of the date I re-watched this film (April 2004 10 years later) this film is still out of print. The reason for that is inexplicable to me as it's one of Johnny Depp's funniest performances and one of the better musicals that comes to mind. Oh yeah, don't blink or you'll miss Willem Defoe as the prison guard. "God bless Dwight D. Eisenhower, God bless Roy Cohn..."
Come for the comedy, stay for the great songs.
This movie involves two groups: the "squares" and the "greasers". While most teen movies set in the 50's involve typical preppy high school students, this one was on the side of the greasers. This is what I found fun and interesting. The world in which the greasers live is fun and colorful. The characters are all social outcasts or "delinquents" as they call them in the movie. This is what is so particular. Maybe this isn't what life in the 50's was really about, but it gives the illusions that you're seeing an aspect of life during that time that you normally don't see.
It was a pleasant and fun to watch movie. It was also very cartoony, which is something I like in a movie very much. The imagery is very pleasant. However, it's not a movie for everyone. It can easily be seen as cheesy. And if you're expecting a typical 50's musical like Grease, there's a good chance you won't like this one, since it makes you root so much for the social outcasts. This movie doesn't show the typical "clean" 50's that people enjoy so much.
This movie also makes fun of the typical "bad boy" image of the 50's. But doesn't it also poke fun at the image that Johnny Depp had at the time? In several interviews done after the release of this movie, Depp mentioned that he enjoyed playing that role because it was a satire of the image he had and that he also disliked very much.
I think this is the type of movie that can easily become someone's favorite but that can be hated by a lot of viewers. Maybe the dancing and the singing isn't as good as in Grease. But you have to remember that this is a light and fun movie that doesn't take itself seriously. It can also be seen as a satire of typical musicals. I would definitely recommend it.
Lo sapevi?
- QuizTo find a young actor for the role of Wade "Cry-Baby" Walker, director John Waters bought thirty dollars worth of teen magazines, all of which showed Johnny Depp of I quattro della scuola di polizia (1987) on the cover. Depp thought the script was funny and strange, and took the offbeat role to avoid being typecast as a television teen idol.
- BlooperThe tattooed teardrop on Cry-Baby's face at the end of the movie appears and disappears.
- Citazioni
Cry-Baby: That's right, Allison. My father was the "Alphabet Bomber." He may have been crazy, but he was my pop. Only one I ever had.
Allison: God. I heard about the Alphabet Bomber. Bombs exploding in the... in the airport and barber shop...
Cry-Baby: That's right. All in alphabetical order. Car wash... drug store... I used to lay in my crib and hear him scream in his sleep..."A,B,C,D,E,F,G... BOOM! BOOM!"
Allison: But your mom...
Cry-Baby: My mother tried to stop him. She couldn't even spell, for Christ's sake, but they fried her too.
- Curiosità sui creditiThe film begins with an old-fashioned 50's style Universal logo. It's also accompanied by 50's doo-wop music. A stage curtain opens up the movie.
- Versioni alternativeThe USA cable network version has a few extra scenes, including two extra songs, "Chicken" and "The Naughty Lady of Shady Lane":
- Hatchetface's parents selling cigarettes by the school
- Toe-Joe's does a "work-with-me" spiel instead of thanking his "Nudie Cutie"
- an added act of a flexible little girl in the RSVP charm school talent show
- extra footage of Hatchtface chasing Snaredrum and Susie Q around Ramona's front lawn
- Lenora's "gunboats" are now "goldmines"
- The third verse of Allison's song, "Teenage Prayer," is included
- Extra footage of Cry-Baby driving his motorcycle to the charm school, a cop chasing him and an air raid drill that interupts Allison's act
- Cry-Baby combs his hair instead of adjusting his crotch when he gets off of his motorcycle;
- "Lay That Pistol Down" dance number is included
- Cry-Baby arrives during "So Young" instead of before the song beginning, as in video version
- In the movie, Hatchetface says, "Ain't ya got tits? Stick 'em out for God's sake!" In the USA Network version, she says, "Ain't ya got a figure? Show it!"
- There is a longer scene with Wanda, her parents, and Inga, the Swedish exchange student
- The showdown is at Turkey Point instead of at the press conference in front of the prison
- Colonne sonoreKing Cry Baby
Written by Doc Pomus and Dave Alvin
Performed by James Intveld
Additional vocals by Rachel Sweet
Produced by Dave Alvin
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Llora nena
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 11.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8.266.343 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.004.905 USD
- 8 apr 1990
- Lordo in tutto il mondo
- 8.266.655 USD
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Proporzioni
- 1.85 : 1