Rapita

This film was quite surprising, it seemed like it was going to just be another thriller but because it was created with a true story witch gave it a chilling effect and true story's are always good to watch. The basic story line is that a girl gets kidnapped by a redneck and is taken into the woods the film follows the story of trying to find her and the strain it has on her family meanwhile you learn more about the demented mind of the kidnapper overall this movie is pretty good,acting is good and i aren't saying its a top hit but its definitely worth a watch

overall:7/10

it would have got higher but being a true story its best not to over exaggerate.

I was impressed by how well this TV movie tells the story of the 1966 kidnapping and related events. I was a small child when the actual events happened and so I only had vague memories of them, but "Cry in the Wild" seems to mostly stay true to the factual accounts that I've read, including newspaper articles and the book Deadly Pursuit. Even some of the dialog is factual.

I also especially like how it tells the story without sensationalism, especially compared with over-the-top movies and TV programs that are so commonly seen these days. At the same time the plot moves along well. There are a few fictional elements that might have been added, but they seem relatively minor. There's also some forced, unrealistic dialog that "sets the scene," but that seems mostly confined to the beginning. The characters are treated with respect, and in some cases some depth. From what I read, Peggy Ann was pretty level-headed and perceptive for her age, and that comes through in the portrayal of her. The kidnapper evokes fear and also pity. The dedication of FBI agents, PA State Police, other lawmen, family and others who helped out in the case also comes through well.

On May 11, 1966, a 17 year-old school girl from Shade Gap, Pennsylvania (Megan Follows), is kidnapped by some recluse hillbilly (David Morse) and forced to live in the wilds while on the run from authorities. David Soul plays an FBI agent while Dion Anderson is on hand as a Sheriff.

"Cry in the Wild: The Taking of Peggy Ann" (1991) is a TV flick that closely follows the true story with minor alterations. It was the most-watched primetime show of the week.

There are elements of "Deliverance" (1972), "First Blood" (1982) and another well-done TV movie, "Nightmare at Bittercreek" (1988). Of course it doesn't have the budget of the first two, but that doesn't prevent it from being a first-rate television film, realistic and compelling.

After watching, be sure to check out the 27-minute interview with Peggy Ann Bradnick on Youtube done on the 50th anniversary of the harrowing abduction in 2016. (The movie itself is also available on Youtube for free).

The film runs 1 hour, 35 minutes, and was shot in Los Altos Hills, California, as well as nearby Cupertino & San Jose, at the south end of San Francisco Bay. While these locations are a far cry from south-central Pennsylvania, the producers did a good job of picking a lush, hilly area as a decent stand-in for the real locations.

GRADE: B

They called this creep a "peeping tom", but that term doesn't fit as well as the more contemporary "stalker". This is the earliest of two true cases of so called "mountain men" abducting young women solely to satisfy their twisted need for companionship. It's a fascinating, never a dull moment tale. I'm a stickler for historical accuracy and there are mostly positives here: red lights (not blue) on police cars, a transistor radio and an absence of words and terms not used in the mid 60s. The one gaffe is a red, white and blue basketball next to the porch. It wasn't until the next summer that the ABA introduced the tri colored ball.

I missed out on this true story when it actually occurred, but I feel fairly confident in saying that the producer, writer, and director added very little, if any, "fictional fluff". The movie starts off by showing us the setting and most of the main characters. Everyone and everything looks real and believable; almost always a good indication that the viewer is in for an entertaining movie. And that is certainly the case here. Once the abduction occurs, the director skillfully keeps the interest nonstop and makes us very reluctant to get up and go to the fridge or anywhere else. There are solid performances by the supporting cast; the usual flawless performance we have come to expect from Megan Follows; and a superb performance by David Morse.