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Aggiungi una trama nella tua linguaActress Patty Duke portrays herself in this autobiographical film that details her long-time struggle with mental illness.Actress Patty Duke portrays herself in this autobiographical film that details her long-time struggle with mental illness.Actress Patty Duke portrays herself in this autobiographical film that details her long-time struggle with mental illness.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Matthew Perry
- Desi Arnaz Jr
- (as Matthew L. Perry)
Recensioni in evidenza
Then you must see this film, to understand the reality. Having read the book, Ms. Duke is now an advocate for those afflicted with bipolar disorder; formerly labeled manic-depression.
It is hard to believe that in this day and age, people still critique others with emotional problems, or those who seek psychiatric help. Regressive and discriminatory thinking still exists, and this is unfortunate.
In this film, the audience sees the pain and suffering Ms. Duke had been through, especially as a child. Many of us may remember her from the teenage "Patty Duke Show". She was a household name in America by age 15.
You learn of her exploitation by the Ross'(well played by Howard Hesseman). As she was growing up in the 1950's, the stigma was in full-force. However, we see as she advances in her career, yet the illness becomes worse. She goes through bouts of substance abuse and promiscuity; even marries someone whom she divorces the next week; and she has several conflicts and tantrums with her children and elderly mother. All these problem occurred before she received adequate therapy, and medication.
A recent survey released by NAMI (National Alliance on Mental Illness) recorded that a majority of US adults fail to recognize most of the classic symptoms of bipolar disorder. It also was released that one in five respondents to the poll believed that people could CONTROL their illness without medication if they wanted to. (bp Magazine, Winter 2006) If you watch this film, you will learn the true story of a talented woman who could not "pull herself up by her bootstraps" and "get well" until she was educated about her disorder, and received proper treatment. Thank you, Ms. Duke, for being an advocate against ignorance and prejudice.
It is hard to believe that in this day and age, people still critique others with emotional problems, or those who seek psychiatric help. Regressive and discriminatory thinking still exists, and this is unfortunate.
In this film, the audience sees the pain and suffering Ms. Duke had been through, especially as a child. Many of us may remember her from the teenage "Patty Duke Show". She was a household name in America by age 15.
You learn of her exploitation by the Ross'(well played by Howard Hesseman). As she was growing up in the 1950's, the stigma was in full-force. However, we see as she advances in her career, yet the illness becomes worse. She goes through bouts of substance abuse and promiscuity; even marries someone whom she divorces the next week; and she has several conflicts and tantrums with her children and elderly mother. All these problem occurred before she received adequate therapy, and medication.
A recent survey released by NAMI (National Alliance on Mental Illness) recorded that a majority of US adults fail to recognize most of the classic symptoms of bipolar disorder. It also was released that one in five respondents to the poll believed that people could CONTROL their illness without medication if they wanted to. (bp Magazine, Winter 2006) If you watch this film, you will learn the true story of a talented woman who could not "pull herself up by her bootstraps" and "get well" until she was educated about her disorder, and received proper treatment. Thank you, Ms. Duke, for being an advocate against ignorance and prejudice.
Patty Duke co-produces and she plays herself for the last 20 minutes of her story. Born Anna Marie in Queens, she was taken in by John Ross (Howard Hesseman) to manage her acting career as a child, where she suffered abuse which discolored the triumph of her Academy Award as Best Supporting Actress playing Helen Keller in The Miracle Worker, a role she had created on Broadway. (Ari Meyers plays Duke as a youth). It wasn't until Duke got older that the signs of her mental illness began to show, and with the assistance of psychiatrist Harold Arlen (Karl Malden), she is finally diagnosed as manic-depressive, and prescribed lithium to balance her moods. Duke's acting in her scenes with Malden makes huge leaps over the standard of efforts of other performers who choose to portray themselves, and she has a fun violent tantrum at Christmas.
The teleplay by John McGreevey, based on Duke's autobiography written with Kenneth Turan, concentrates mostly on Duke's middle period as a young adult where she is played by Jenny Robertson, covering her television show, marriage to Harry (Timothy Carhart), her ill-fated relationship with Desi Arnaz Jnr (a pre-Friends Matthew Perry) where he produced records for her, her quickie marriage to Glenn Bell (David Packer), and pregnancy to John Astin (Arthur Taxier) whom she also marries. Robertson captures Duke's youthful beauty and humor, though the latter Duke gets the laugh lines eg `You just wanna get rid of me. I don't blame you. I'd like to get rid of me too'. Arlen also gets a laugh line to Duke in `I'm flattered that you trust me with your mother's welfare, if not your own'. The scene from The Miracle Worker where Annie Sullivan shows Helen a bird hatching from an egg seems metaphorically important enough for it to be repeated, where Duke played Annie as a adult with Melissa Gilbert playing Helen, signifying Duke's emergence from the shell of mental illness. And Duke's mother Frances (Millie Perkins) is presented as more depressive than manic, with her father a derelict drunk who has abandoned the family.
Unfortunately director Gilbert Cates trivialises events, further worsened by the melodramatic music score of Gary Sherman. It's also a shame the treatment focuses more on Duke's personal life than her career. We see her winning awards but aren't told what for, the timing of her involvement of the Senate hearings into the Quiz Show scandal makes us expect her audience for The Miracle Worker to boo her, and although it isn't identified she appears in army costume for her role in A Time to Triumph. Perkins' casting is interesting considering that she was a child star, playing Anne Frank in the 1959 George Stevens feature.
The teleplay by John McGreevey, based on Duke's autobiography written with Kenneth Turan, concentrates mostly on Duke's middle period as a young adult where she is played by Jenny Robertson, covering her television show, marriage to Harry (Timothy Carhart), her ill-fated relationship with Desi Arnaz Jnr (a pre-Friends Matthew Perry) where he produced records for her, her quickie marriage to Glenn Bell (David Packer), and pregnancy to John Astin (Arthur Taxier) whom she also marries. Robertson captures Duke's youthful beauty and humor, though the latter Duke gets the laugh lines eg `You just wanna get rid of me. I don't blame you. I'd like to get rid of me too'. Arlen also gets a laugh line to Duke in `I'm flattered that you trust me with your mother's welfare, if not your own'. The scene from The Miracle Worker where Annie Sullivan shows Helen a bird hatching from an egg seems metaphorically important enough for it to be repeated, where Duke played Annie as a adult with Melissa Gilbert playing Helen, signifying Duke's emergence from the shell of mental illness. And Duke's mother Frances (Millie Perkins) is presented as more depressive than manic, with her father a derelict drunk who has abandoned the family.
Unfortunately director Gilbert Cates trivialises events, further worsened by the melodramatic music score of Gary Sherman. It's also a shame the treatment focuses more on Duke's personal life than her career. We see her winning awards but aren't told what for, the timing of her involvement of the Senate hearings into the Quiz Show scandal makes us expect her audience for The Miracle Worker to boo her, and although it isn't identified she appears in army costume for her role in A Time to Triumph. Perkins' casting is interesting considering that she was a child star, playing Anne Frank in the 1959 George Stevens feature.
This is such a great movie "Call Me Anna" because it shows how a person has suffered for so long without knowing what was wrong with her. For Patty Duke to come out in the publics eye and tell her story is an inspiration to those who suffer from this disease. I have a lot of respect for her as a person. The only thing I don't like is I can't get it on tape, I've tried looking for it but with no success. Any one know how to get it?
I think it took a lot of guts for her to come forward like that. It is unfortunate that when a celebrity suffers that is what helps people most. But, in her case, what she did was remarkable. I have been in the mental health field for five years and I think it is great that mental illness is not a terrible word anymore and I believe she helped. I always thought she was great and always will. I am glad that she wrote this book and that the movie was made. She is a remarkable lady and I hope she continues to act. She has been through a lot and has faced it. I would really love to see her work more with children, especially child actors. Her ordeal should not have happened and I think she would be wonderful as a mentor to young people. The movie was so moving to me that I was very touched. Suffering a TBI which brought the onset of my disorder and having PTSD, it is good to know that someone has the courage enough to display her life as she did. I believe it helped this nation and people in general realize that there are others like them and that there is help. Thank you Ms. Duke, or Anna, which ever you prefer.
I've got deja Vu with this movie. According to my imdb, I have never seen this movie - it's never been logged, and I don't remember watching it. But, I must have seen it sometime when I was a kid or something, because by the time they got to the scene of the man assaulting Patty, it seemed so familiar. Maybe it's because similar scenes are in other movies, but this whole movie feels like deja vu. It's so strange to feel this, while watching this film.
As for the film itself, very good. Per usual, TV movies of the '80s and '90s are excellent. I enjoyed it, and just like the movie about Joan Rivers, where Joan played herself, it's interesting to see Patty playing herself during certain parts of this movie. It must have given her a lot of deja vu dish and everything comes full circle!
As for the film itself, very good. Per usual, TV movies of the '80s and '90s are excellent. I enjoyed it, and just like the movie about Joan Rivers, where Joan played herself, it's interesting to see Patty playing herself during certain parts of this movie. It must have given her a lot of deja vu dish and everything comes full circle!
Lo sapevi?
- QuizPatty Duke was asked by the director to not stay on the set during the parts where the other actresses were playing her. This way the girls would not feel the pressure of constantly having to impress her.
- ConnessioniEdited into Intimate Portrait: Patty Duke (2001)
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