Basket Case 2

Duane and his mutant brother Belial are back in this first sequel to the ever-classic tongue-in-cheek series.

For this go-round, Duane and Belial escape from a hospital (after Belial makes sure a few of the staff members are missing their faces)and find refuge in the house of Granny Ruth (Annie Ross), who lives in a spacious house which cares for "differently abled" um, "persons." Some of the "people" in Granny Ruth's house have animal like features, such as claws and gills (even Belial, in a masterfully done puppeteering and make-up venue, is simply a hideous head with evil eyes, very sharp teeth, and two arms with claw-like fingernails extending from the hands).

Belial never really speaks. He just sort of grunts. He does this louder when he gruesomely massacres the snoopy tabloid reporter. Basically, he "jumps" at people, locking his sharp teeth onto their face, sometimes eating certain facial features off. However evil he may seem, he is, in an extremely morbid way, like Freddy Krueger or the Leprechaun. His therapy session with Granny Ruth is a blast (I laughed my a** off(!), and his, um, engaging in an attempt at pro-creation with a female member of his genus at the end is so disgusting and putrid it's downright hilarious).

While at Granny Ruth's house, Duane meets her lovely daughter, Susan. Susan appears, shall we say, "normal," but at the end, we find she just as much qualifies for the attic just as much as the rest of Granny's tenets.

The ending ends with the evil winning (personally I don't think of Belial as THAT evil, just a little "delinquent" mayble),I will tell you that, but in a way, it should. Of course, director Hennenlotter probably intended this, sense it sets up room for another sequel.

"Basket Case 2" is wicked fun! Some may find it hard to understand how some of the downright evil things that happen are funny, but they are, and they are intended to be, especially in the campy context in which they happen. Overall, this is highly recommended. Belial is, in a way, this viewer's new horror hero!

Rating: *** out of ****.

This first sequel to the original "Basket Case" sees the return of Duane (Kevin VanHentenryck, who is in all of the Basket Case movies), and this flick introduces Annie Ross as Granny Ruth, who gives a memorable performance, and returns for "Basket Case 3: The Progeny". This second entry in the series is not as gory as the first at all, but it has better acting, more freaks, and a cheesy attempt at a love story between Duane and Susan (Heather Rattray). The freaks can get annoying at times, and at one scene, I quote my friend who said, "Now it's just a bunch of freaks running around". I recommend this only if you have seen the first "Basket Case", and it's not as entertaining as either BC1 or BC3, but still I'm glad to have it in my collection. Also, it has the sex scene nobody wanted.....Be warned! 7/10

Rated 18s for horror violence and some gore, language, sex?!, and brief mild nudity

Crazy & freeky sequel to the Basket case (82). By far inferior to the first part, basket case 2 looses control, as the balance of the film between being serious and (intentionally, i believe) rediculous is very fragile. Whatever the case, the entertainment value is very high - maybe thats due to that specific unbalanced element.

Basket case 3, on the other hand is really funnier, really gory in some scenes and delivers a fine result which pays tribute to the original's fame.

Belial and Duane are together again. Somehow they survived the heavy fall in the first episode. This time they get shelter in Granny Ruths place. She is a pro-freak-activist which helps and protects all of the "unique" creatures she can find. This time there are no doctors to mangle, but a bunch of evil journalists who are looking for fame by finding them. The rest is obvious. I liked this one just as much as the first one. The difference is that it´s a more humouristic and less scary sequel. It also has a twisted ending which makes it even more fun to watch. Enjoy!

My review was written in February 1990 after watching the movie at a Manhattan screening room.

Belated sequel to the 1982 cult horror film, "Basket Case 2' is a hilarious genre spoof. With its imaginative makeup effects and cockeyed point of view, pic stands a chance of attracting a wider audience than just diehard monster fans.

With only four films under his belt (including "Frankenhooker", shot before "Basket Case 2" but yet to be released), Frank Henenlotter shows considerable knowledge and affection for the horror genre. Here he's paying homage to Tod Browning's 1932 classic "Freaks", updated and modernized.

Effective and funny exposition (opening reel is a riot satirizing cliches such as the evening newscast) fills in the viewer on what happened in the first film: Siamese twins Kevin Van Hentenryck and Belial are nabbed on a murder rampage in Manhattan. Separated at the hip, Van Hentenryck is normal-looking except for a hideous scar and Belial is little more than a head with some gruesome flesh attached -carried around in a wicker basket by his brother.

Annie Ross as Granny Ruth is a crusader for the rights of "unique individuals' ' (i.e., freaks) and welcomes the brothers into her home in Staten Island. Weird menagerie of youngsters, mostly crazy variants on the Elephant Man by makeup whiz Gabe Bartalos, are treated very sympathetically at first, but as in Browning's film (which primarily utilized real sideshow freaks as well as actors Wallace Ford and Roscoe Ates), their potential for scaring the audience also is exploited.

Pic climaxes with Belial's ultraviolent attacks on foes of the freaks, namely tabloid reporter Kahryn Meisle, her shutterbug assistant Matt Mitler and cop Ted Sorel. En route is one of the oddest scenes in recent horror pics, Belial making love to Eve, a similarly grotesque Siamese twin whose better half, Heather Rattray, is not coincidentally Van Hentenryck's girlfriend. The Siamese Twins sex gambit was handled in extremely poor taste in the recent porno video "Joined" , but Henenlotter overcomes that inherent problem with a wild sense of humor.

Van Hentenryck, who's styled to resemble Dwayne Hickman's Dobie Gillis on screen, is effective as the self-divided hero and Rattray offers a strange beauty that builds suspense re: her hidden deformity. Wide-eyed Meisle is fun to hate as the exploitative journalist and Jason Evers (of "The Beast That Wouldn't Die") is a fun, nostalgic choice to play her editor.

Casting coup is Annie Ros, the legendary jazz singer of Lambert, Hendricks and Ross, who is a lot of fun as the demened granny who goads her freakish charges to fight back.

Tech credits are impressive down the line, demonstrating that an underground filmmaker can do with an ample budget.