Ancora 48 ore

this sequel to 48 Hours has a much darker tone than the original.it's more violent,with probably even more very strong language.there is a bit less comedy,but the comic bits are a bit funnier than in the first one.the action is thorough the roof in this one.it's much more exciting.i liked the storyline more.it's more developed and a bit more complex.the plot isn't that original,but the movie is well executed.the movie is a bit too formulaic at times though.Eddie Murphy gets to show a little of his impression talent in this one.the dialogue,while pretty good for the most part,is at times overdone and a bit of a stretch.overall,i think this movie is pretty decent,but not quite as good as the first one.for me,Another 48 hours is a 6/10.

I agree with most of the past commentators. This film is a half-sequel, half-remake. So many elements were simply copied from the original film. I'm sure the filmmakers considered this homage, but it comes off as a lack of ideas. And we won't even go into the monumental plot holes. Gigantic plot holes. Brobdingnagian plot holes. And while I hadn't previously noted the enormous amount of glass breaking, until reading the comments, yes, I'd have to say they made it more or less a motif of the film. Murphy and Nolte did reasonably well resurrecting their respective characters, and there were some truly funny moments, and truly snappy repartee. But it's not enough to save this one. If you liked the original film (and who didn't) you should probably see this one, just don't have high expectations for it.

Another 48 Hrs isn't a sequel to Walter Hill's 1982 movie "48 Hrs" it's a clone.

Following the theory that success is not to be tampered with, director Walter Hill has paired up convict Eddie Murphy with cop Nick Nolte and poured them in to story little change from the original.

Just like the first movie, Murphy is released from prison and must unwillingly help Nolte solve a crime in 48 Hrs. They happy ending of the first movie is long since gone, and the two don't like each other again. Presumably, so we can have the same bickering banter all movie before the out their differences aside and take down the bad guys as in the first movie. The score is reused from the first movie as is the song 'The Boys Are Back In Town'. As well as all that all the best scenes from the first movie are duplicated here.

To be fair the story has been updated a little bit, Nolte is no longer permanently hungover, his wife has left him and Murphy is out of prison permanently.

Crude, mindless, foul mouthed and violent. This film plods along grabbing every easy laugh along the way.

Not as good as the first one, but a more than watchable movie, staring Eddie Murphy wearing his "I'm only in this for the money" trademark grin.

Another 48 Hrs. feels like a missed opportunity; it feels as if the makers have recognised the potential of the idea and have done half a job. This is because it never really elevates itself above the material it actually is. At a time when the Lethal Weapon films had proved there was a demand for white cop with black sidekick buddy combination type films, Another 48 Hrs. is perhaps a cash in sequel to a film that was never anything special any way. Where as it sounds like I'm being negative, the film was enjoyable for what it was and that said; I would have a hard time in deciding which one I liked more.

A scene from this film which typically sums up the genre the film is working under highlights not only the genres inability to ever be anything above a certain level but also the problem films face when they age. The film is a crime film; a buddy combination of two people getting involved in shoot outs and general criminal activity whilst battling each others egos. In 1994 when Pulp Fiction came out, films like Another 48 Hrs. were history and a particular scene is defining evidence: shortly after a prison bus has rolled over a few times, two hells angels are going to kill someone on board. But what happens is instead of riding up to the overturned bus and finishing the job, they park their bikes a few hundred yards away, get off very slowly and walk up to the bus with the intent to kill. Now, there is absolutely no reason for them to do this apart from add suspense to the scene and perhaps have two bikers walk in tandem; in slow motion amongst the heat wave in a 'cool' fashion. This is the point; films such as these rely on what would look good cinematically rather than stick to what their characters would do.

I know it's wrong to compare a film to another film made after it but this highlights not only the bad way in which Another 48 Hrs. has aged but further cements what a great film Pulp Fiction really is; the buddy combination in that film of Jules and Vincent who are by no coincidence black and white but Tarantino plays with realism in the film and the scene in which someone is accidentally shot in the back of the car is so much more clear in the sense it is two fingers up to scenes like the one just mentioned in Another 48 Hrs. The film starts off with Reggie (Murphy) still in prison and shows up its other half of the buddy combination as a bit of an idiot. Another 48 Hrs. suffers from its cliché that its best cop on the force, Jack (Nolte), is actually a loose cannon whom needs to be removed even though the job is actually perfect for him; an idea toyed with in the third Die Hard film but with John McLane. Jack seems certain that an antagonist known as The Iceman is at large but is demeaned and shown up as perhaps a bit of a schizophrenic; one officer labelling this Iceman as an imaginary friend/enemy who Jack has been pretending to chase.

Unfortunately, the initial incident in the film happens a little early by way of a shooting at a race track. What I couldn't understand is that with all those people watching the race, nobody saw the bad guy shoot at Jack and consequently; the police have their eye on him. Reggie on the other hand is out of jail and he miraculously survives an attack on a bus (mentioned earlier) as it rolls over several times; something that would have killed him. But the film suffers from it lack of logic that can be applied to certain situations: The bus rolls over; the bikers aren't professional enough; the back up arrives a too quickly and are unable to spot the bikers fleeing; the bikers in other scenes get their guns out in full public view too many times but nobody ever seems to mind and generally, there is an acute sense of frustration during these times. But the film backs itself up with a scene in a nightclub during which it makes a pastiche out of its predecessor by putting Jack in a punch up only for Reggie to save him by acting out his cop/no nonsense routine by threatening to shoot first and the ask questions later. Along with this, Jack even makes reference to 'typical bar punch ups that you get in the movies' where he states someone always hits else someone over the head with a chair or a glass bottle. Jack then does exactly that with a bottle and the chair soon follows.

But to me, this is Another 48 Hrs. recognising that is knows what it is; that it knows the formula its using and is having fun playing around with the clichés; even if scenes such as the bus rolling and the bikers not doing what they should do by finishing the job. The film is by no means great or groundbreaking but I was never bored or put off by what I was seeing; it may have lacked realism and been since pushed down a peg in the crime genre hierarchy by bigger and better films but it remains entertaining to a degree with gunshots powerful enough to propel people through windows and cops smart enough to wear bullet proof vests whilst off duty. Another 48 Hrs. is by no means a big winner but it is by no means a massive loser, even if it may indeed look like that in another twenty years.

A Sequel to the Terrific 48 Hrs, 'Another 48 Hrs.' is fortunately, a fun & fast-paced sequel , that doesn't disappoint. Its pure vintage entertainment!

'Another 48 Hrs.'Synopsis: Jack Cates once again enlists the aid of ex-con Reggie Hammond--this time, to take down The Iceman, a ruthless drug lord operating in the San Francisco bay area.

'Another 48. Hrs' has a brisk pace, which does the trick. At a crisp 95-minutes, the sequel doesn't waste time & comes to the point pretty fast. Of course, a few sequences in the first-hour could've been better, but in totality, the narrative isn't loose.

John Fasano, Jeb Stuart & Larry Gross's Screenplay is not without its minuses, but overall, its good. Walter Hill's Direction is effective. Cinematography is razor-sharp. Action-Sequences are awesome.

Performance-Wise: The Incomparable Nick Nolte steals 'Another 48 Hrs'. He's rough, heroic & lovable all through. Eddie Murphy is spontaneous, as ever. The on-screen camaraderie between Nolte & Murphy, remains as a high-point for the enterprise.

On the whole, 'Another 48 Hrs' works.