Aggiungi una trama nella tua linguaAn affluent divorced woman named Caroline Weatley, raising her son Tom with help from her mother Laura West, seeks a housekeeper, and a man named Charlie Burrows applies for the job.An affluent divorced woman named Caroline Weatley, raising her son Tom with help from her mother Laura West, seeks a housekeeper, and a man named Charlie Burrows applies for the job.An affluent divorced woman named Caroline Weatley, raising her son Tom with help from her mother Laura West, seeks a housekeeper, and a man named Charlie Burrows applies for the job.
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Recensioni in evidenza
this show was about a single father moving away from London to be a housekeeper in the countryside. The show ran for 6 years and was always full of laughs, the cast were superb and it was a shame to the show end.
Sometimes we Brits steal America's shows.
This is based on US show Who's The Boss? I say 'based'; translated is more like it, as the first episodes are identical in their script. The premise is interesting: career woman Caroline Wheatley (Diane Weston) is looking for a housekeeper. Unbeknown to her, her mother Laura (Honor Blackman) has promised the job to ex-footballer Charlie (Joe McGann, brother of Paul/Stephen/Mark McGann). Though Caroline is a bit unsettled at having a bloke in the house, he and his chip-off-the-block daughter Joanna (Kellie Bright) move in.
As a sitcom, it's a bit 'gentle' and laboured; sleepy Sunday type of TV, which is probably why it's being repeated on ITV 3. It works a lot better as a comic drama about alternative family structures and gender role reversals. Refreshingly (although I haven't watched every episode so don't know if this evolves) neither the characters of Caroline or Charlie are made to sacrifice their personalities. Caroline is a career woman who couldn't care less about domesticity and Charlie is house-proud without being portrayed as effeminate.
We know from the start that Caroline and Charlie will get together but it's like in Ugly Betty. It's the audience's pay-off. However there's no sizzling sexual chemistry. That may disappoint some viewers but I actually prefer it. The sitcom is about families and whilst I'm not disputing the right of parents to have a sex life (which Caroline and Charlie attempt to have else where), it would imply that the combined family was as a result, an afterthought, whereas it's actually the romance that's the afterthought.
There isn't really a 'will they, won't they?', it's a question of 'when will they?'. But even then, the appeal is that the families just accept their unconventional structure; indeed, they pretty soon become one family.
Whilst I wouldn't watch it for laughs, it's a nice undemanding bit of comfort TV. Second Chances was also on around about this time; it has a similar theme of families evolving/combining and a similar gentle tone. Interestingly the opposite of other nineties sitcoms such as Game On and Men Behaving Badly, which explored lad culture.
This is based on US show Who's The Boss? I say 'based'; translated is more like it, as the first episodes are identical in their script. The premise is interesting: career woman Caroline Wheatley (Diane Weston) is looking for a housekeeper. Unbeknown to her, her mother Laura (Honor Blackman) has promised the job to ex-footballer Charlie (Joe McGann, brother of Paul/Stephen/Mark McGann). Though Caroline is a bit unsettled at having a bloke in the house, he and his chip-off-the-block daughter Joanna (Kellie Bright) move in.
As a sitcom, it's a bit 'gentle' and laboured; sleepy Sunday type of TV, which is probably why it's being repeated on ITV 3. It works a lot better as a comic drama about alternative family structures and gender role reversals. Refreshingly (although I haven't watched every episode so don't know if this evolves) neither the characters of Caroline or Charlie are made to sacrifice their personalities. Caroline is a career woman who couldn't care less about domesticity and Charlie is house-proud without being portrayed as effeminate.
We know from the start that Caroline and Charlie will get together but it's like in Ugly Betty. It's the audience's pay-off. However there's no sizzling sexual chemistry. That may disappoint some viewers but I actually prefer it. The sitcom is about families and whilst I'm not disputing the right of parents to have a sex life (which Caroline and Charlie attempt to have else where), it would imply that the combined family was as a result, an afterthought, whereas it's actually the romance that's the afterthought.
There isn't really a 'will they, won't they?', it's a question of 'when will they?'. But even then, the appeal is that the families just accept their unconventional structure; indeed, they pretty soon become one family.
Whilst I wouldn't watch it for laughs, it's a nice undemanding bit of comfort TV. Second Chances was also on around about this time; it has a similar theme of families evolving/combining and a similar gentle tone. Interestingly the opposite of other nineties sitcoms such as Game On and Men Behaving Badly, which explored lad culture.
This is one amazing, funny comedy. All the actors, really play their parts well. My very favourite character is Charlie, the housekeeper. Following Tom the little boy. Tom is perfect. It's a laugh a minute. Watch it. I'll be surprised if you don't like it. They don't make comedy's quite like this anymore. The 80s and 90s for comedies were simply brilliant. Charlie's daughter now in EastEnders. Sadly, Blackman no longer with us. She sadly passed away. She was also amazingly funny. They should really do a remake to this, with a fresh approach. But keeping The same characters. Brilliant little show. The only downside was not long enough episodes. Just 25 minutes long. English comedy humour at its very best. It's on UKTV play at the moment.
New man meets career woman in this romantic "comedy". Each week viewers were presented with a series of lukewarm jokes set around domestic mishaps and the "will they won't they" relationship between the two main characters. This premise often makes for good TV, however the lack of chemistry between the two leads and the simpering niceness of the entire production, meant that the audience really couldn't give a damn if they did or did not.
The show was helped neither by the stereotypical teenage daughter nor the wimpy kid that played the son calling his mother "mummy" all the time. I suppose Honor Blackman did her best with the part of Laura, but that's because she's Honor Blackman- enough said.
In all this is turgid bourgeois drivel,with an awful theme tune (particularly the rather dodgy piano bit in the closing credits).
The show was helped neither by the stereotypical teenage daughter nor the wimpy kid that played the son calling his mother "mummy" all the time. I suppose Honor Blackman did her best with the part of Laura, but that's because she's Honor Blackman- enough said.
In all this is turgid bourgeois drivel,with an awful theme tune (particularly the rather dodgy piano bit in the closing credits).
"The Upper Hand" was an extremely funny comedy but was also a drama series. The story goes that Charlie Burrows (Joe McGann) is a single parent, trying to bring up his daughter Joanna (Kellie Bright) in a rough area of London. When a job opportunity arises which allows Charlie to leave London and give Joanna a better life, he grabs it with both hands. This job is working as a live-in housekeeper for divorced business woman Caroline Wheatley (Diana Weston) and helping to look after her son Tom (William Puttock). As the series progresses a friendship begins to grow between Charlie and Caroline, which eventually leads to love. "The Upper Hand" is stuffed full of comedy much of which comes from the hilariously naughty character of Laura West (Honor Blackman) Caroline's mother. The two children are also another source of light relief especially when the relationship between Caroline and Charlie begins to develop. Looking back at "The Upper Hand" now, the set and the "niceness" and perhaps innocence of life do make the viewer very aware that it was a series of the 90s but this does not make it any less entertaining to watch. Indeed, it is about time the series was released on DVD for fans of the show and for those who didn't see it first time round. From the first notes of the theme tune right to the end, every episode is a joy to watch.
Lo sapevi?
- QuizBased on scripts from long-running US sitcom Who's The Boss? But the last season of The Upper Hand is based on new scripts and unlike Who's The Boss it has a finished ending to the show.
- ConnessioniFeatured in It'll Be Alright on the Night 6 (1990)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- En karl i huset
- Luoghi delle riprese
- Hickling, Nottinghamshire, Inghilterra, Regno Unito(External shots of the house)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
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By what name was The Upper Hand (1990) officially released in Canada in English?
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